The Black Panther

The Black Panther is directed by Ian Merrick and written by Michael Armstrong. It stars Donald Sumpter, Debbie Farrington, Marjorie Yates, Sylvia O'Donnell, Andrew Burt, Alison Key, Ruth Dunning and David Swift. Music is by David Hewson and cinematography by Joe Mangine.

Between 1971 and 1975 an armed robber turned murderer known as The Black Panther was hunted by police as the public in the North and Midlands areas of England waited anxiously. When 17 year old Leslie Whittle became a heiress to a fortune, she was kidnapped and held to ransom by The Black Panther. It was to end in tragedy. This is the story of Donald Neilson, ex-soldier of Her Majesty's Forces, also known as The Black Panther.

The Neilson trial ended in 1976. This movie went in to production shortly afterwards, which for many would surely be too soon? Sure enough when the press and media got wind of it a storm broke, a savage campaign ensued, headlines such as "sick exploitation" were used, BBC's Sue Lawley chastised it as sick rubbish even though she hadn't seen the film, in fact at this point nobody had seen the film! It was all guess work. The film was pulled from imminent distribution in the hope that the furore would die down. A few months later it had a limited release and went down well with critics who appraised it as not being exploitive but intelligent, tactful and meticulous in its reconstructions. But the press wasn't having it, and storm two broke and councils began to ban the film in their cities, eventually the picture was withdrawn and apart from a limited, but successful, VHS release in the early 80s, the film was out of circulation and buried. That is until now, where the BFI have put together a release of The Black Panther to DVD and Blu-ray that finally lets Merrick and Armstrong's brilliant movie get the exposure it deserves.

There is no getting away from it, the subject matter is troubling and will always be skirting the boundaries of bad taste. Often bigger budgeted films than this have shamefully milked real life horror in search of the big dollar. The Black Panther is not one such case, it's a sharp picture that asks some searching questions whilst not being afraid to implicate police inadequacies and press interference into the Whittle killing. There is no sensationalising of Neilson here, in fact he is portrayed as a bumbling fool once he begins to enact his crimes. His planning is meticulous, his army training giving him mental fortitude, but as we see, and remember this is all taken from real accounts and testimonies et al, he was a hapless fool in over his head. His home life shows him as a bully who can't let his regimental bent go, his poor wife and daughter meekly giving in to his tyrannical ways, but they had no idea they were living with The Black Panther. I mean would you know if you lived with a monster who fantasised about being a master criminal? Someone capable of murder? Would you?

With the lawyers of the day having gone through the screenplay with a fine tooth comb, you can rest assured that what you see is facts. The only points of the movie left to supposition are those played out with just Neilson and young Leslie, we only have Neilson's word on these events but again nothing is glorified and Merrick uses admirable restraint to really drive the sadness home. The film also plays out to a grim mid 70s British backdrop, the futility of Neilson's crimes dovetailing with the glumness bathing a United Kingdom of strikes, unemployment, racism and Northern Irish troubles. As a snap shot of the times it also has high interest value. Dialogue is sparse, often forcing us the viewers to be uneasily in the company of Neilson, watching him work and plot, smiling to his reflection in the mirror, to observe rare moments when he lets his emotional guard down. The makers ask us to ask the pertinent questions, just what made Donald Neilson what he was? Who was he? And should culpability be shared?

Backed by an astonishing and riveting performance by Sumpter, The Black Panther rounds out as an utterly gripping account of a terrible crime spree and the man who perpetrated those crimes. Too long this film has been forgotten, that in itself is as big a crime as that committed by the hypocritical press who fought to keep it from our eyes back in the dead part of the 70s. 10/10

Donald Sumpter is flawless in his portrayal of Donald Neilson, a pretty weird guy. I saw this on tape when I was about five or six, and fifteen years later I still remember certain scenes very vividly. By all accounts one of the most factual true crime pictures ever made.

We were all sick to our stomachs when this thing came out in 1977.

The Leslie Whittle case had rolled across the news for months and months and most kids were afraid to go out at night.

Kaye Alexander looked sick to her stomach every time she read the news.

For some opportunistic cast, producer and director to capitalise on the crime and Whittle family misery to make a few quid was absolutely disgusting.

It was centre stage in our local video shop for months and I don't think anyone hired it about from the local weirdos and paedos.

Cheapskate media is always willing to have a laugh at our expense.

Video nasty? Made all the porn films look tame. Hang your heads in shame.

Living in the surrounding area of where the crimes took place I was pleased to find that the film followed the truth of what actually happened very closely.I enjoyed the film immensely,I thought it was well acted and well shot.

Ian Merrick's directorial debut arrived in 1977 soon after Donald Neilson was convicted of the murder of Lesley Whittle in 1976.

At the time the movie was regarded as exploitative and inspired sensational headlines. It's run at the movie theatres was limited and it was in effect banned until released on video.

There are some rumours that the police wanted to see the back of this movie. It is clear they come across as inept when young heiress Lesley Whittle was kidnapped ny Neilson.

The film is not lurid or exploitative. It is a character study of Neilson played by Donald Sumpter. He had done National Service, although a builder by trade. He had done a series of burglaries in the 1960s.

By the 1970s he made money by robbing post offices. Despite military precision planning, several of them were bungled, as Neilson was now a killer. As he wore a black hood was the reason he became known as the black panther.

The kidnapping of Lesley Whittle was another attempt of doing something different. Post Offices had beefed up security by now.

The problem was the ransom drop off became too complicated and error prone.

The movie is a character study of Donald Neilson. Merrick uses economy to give details of the man. A racist, just watch him as he trips over and a black man goes to help him.

His home life was that of a bully. Aggressive to his wife and daughter.

Neilson was focussed on keeping fit, maintaining his arsenal of weapons and his thorough planning. Even if things did go wrong. He ended up being arrested by chance.

Of course now the movie looks rather tame. It did gloss over some of Neilsen's early life. There is a moody performance from Sumpter.