The Baron

the baron is one of those 1970's action movies that tried to cash in on the bigger hits like shaft and superfly.Calvin Lockhart plays a struggling actor/producer who has to deal with mobsters led by Richard Lynch trying to pass as an Italian gangster.anyway the plot is generic the main characters brother has a dept to settle with the mobsters so the baron has to do what he could to settle the score.the late great Joan Blondell plays a very wealthy woman who seduces Lockhart's character.sort of like American gigolo on the side.all for money of course.Richard Lynch who plays the heavy real good,cant remember him playing a good guy in a movie except for the delta fox where hes sort of an anti hero.there's a lot of action and violence and a brief car chase,all in all the baron is pretty entertaining in a b movie kind of way.7 out of 10.

Calvin Lockhart is The Baron, a struggling African-American filmmaker trying to get his big break. He gets mixed up with some dirty money and ends up confronting the usual mafia guys trying to keep a brutha down. They're a particularly nasty lot in this one, especially the racist, misogynistic, and homophobic Joey, played here flamboyantly by exploitation regular Richard Lynch. The film is a reasonably enjoyable blend of action and social commentary, and features a terrific score by Gil Scott-Heron and Brian Jackson. Joan Blondell, Raymond St. Jacques, and Marlene Clark are all wasted or underutilised, but Lockhart is good (as usual), even when burdened with some truly horrible 70s fashions.

Calvin Lockhart shines as Jason, a struggling black filmmaker in New York City who has to resort to borrowing money from the mafia to finish his latest movie. Even though this movie rips off the same plot as Hollywood Man, another low-budget movie starring William Smith, this movie actually is buoyed by great supporting performances by Richard Lynch, Charles MacGregor, and special guest star Raymond St. Jacques (he and Lockhart starred together in the classic Cotton Comes to Harlem).

The Baron puts a unique spin on the typical 70s Blaxploitation shoot-em-up flick. Calvin Lockheart (who you may remember as a guest star on Good Times playing Florida's gambling cousin Raymond), plays an aspiring movie actor/producer/filmmaker who must turn to the underworld (and becoming some old lady's "Hot Dog") in order to raise money to make his film. And he must pay back his investors before someone gets hurt.

What Lockheart lacks in brawn (which seemed to be required for male leads in 70s black cinema -- i.e. Richard Roundtree, Jim Brown, Fred Williamson, etc.), he makes up in character and charm as he "battles" the gangsters in order to give life on screen to "The Baron." And while there are fewer "battles" than a typical Blaxploitation action movie (This film is more drama than action.), the ones that are shown are even more convincing since they're not the usual quick-n-dirty gun battles that we Blaxploitation fans have seen over and over.

Plenty of suspense, exciting action, good editing, solid acting, interesting storyline, and a groovy soundtrack by Gil Scott-Heron and Brian Jackson make _The Baron_ a great rental choice when you're looking for some cool 70s black cinema. Especially if you're looking for something different from the same ole shoot 'em up/karate chop Blaxploitation film.

This one's a real surprise. First of all, the movie takes itself far more seriously than other black-themed movies of the period. That's not to say there aren't any laughs, though they do come from a few unintentionally funny moments. The other way the movie goes wrong is in the climax, which is unbelievably flat and short. Otherwise, the movie is surprisingly solid. The whole movie-making portion of the movie touch on the true difficulties of making independent movies. (The movie-within-the-movie looks intriguing, and I would have loved to have seen it done feature length!)

The characters are an interesting bunch as well. The "hero" of the movie isn't completely likeable, and his quest to achieve his goal regardless of the fact those near to him get hurt makes him a real atypical lead. Though the biggest kudos goes to Richard Lynch, who gives one of the best performances in his career as the mobster who pursues our hero and the guy who gave him money. He's also in the two best scenes in the movie (the piano-playing bit, the subsequent restaurant scene) - two *fantastic* scenes. The movie is worth renting (if you can find it) for those two scenes alone.