Deadly Hero

Deadly Hero (1975), was one of those low-budget films from the 1970s, that explored the idea of angry, rogue cops, who are ready to break and need to be brought down, by a vulnerable witness. The sub-genre idea, that terror wears a badge, would hit its peak by the end of the 1980s, with slasher films, like Maniac Cop (1988). Deadly Hero (1975), isn't a slasher flick, like Maniac Cop (1988), but did have the R-rating tag, for language and mature situations, of a criminal kind. A music teacher and professional cellist, Sally (Diahn Williams), is attacked in her apartment by Darth Vader (I mean, James Earl Jones as overzealous crook, Rabbit Shazam). The attending police officer, NYPD cop, Ed Lacy (Don Murray), rescues her, but it wouldn't be really considered, utilizing ethically-driven means. In the day or two after the incident, as Sally comes out of her shock, she realizes, she has to report what she knows to the police. Of course, Lacy cracks and begins to terrorize Sally, as this film unfolds.

Despite the low-budget aspect of this film, Deadly Hero (1975), does get off to a pretty good start, utilizing an interesting, 1970s style of filmmaking, which consisted of mounted cameras on cars and utilizing the NY cityscape, with unique angles, sometimes through fences or around building corners. The gritty, 1970s film-stock, gives the film, that style, needed to express the dirtiness of the city and the immoral atmosphere, of the plot. Aside from the interesting casting of James Earl Jones, just two years before Star Wars (1977), the rest of the cast is more of the character actor variety. That is not a knock on their work at all. All of these actors had successfully, lengthy careers in Hollywood. They just weren't star-studded careers. Another interesting casting in Deadly Hero (1975), was George S. Irving, as mayoral candidate Kevin Reilly. George S. Irving is most-famous for being the voice of the Rankin/Bass, classic Christmas character, the Heat Miser, from the stop-motion, tv special, the Year Without a Santa Claus (1974). Knowing that, makes seeing Deadly Hero (1975), all the more fun. You see, the stop-motion animators from the Year Without a Santa Claus (1974), patterned the Heat Miser's face after Irving's face, so watching this film makes it look like the Heat Miser, is running for Mayor of New York City. Hearing his voice was precious.

As I said, Deadly Hero (1975), does get off to a pretty good start, but the poor dialogue and low-budget aura of the production, starts to bring down the grade of the film. I was hovering around a grade of C or even as high as a B-, but in the second half of the film, it starts to spiral out of control, like Darth Vader's tie-fighter and crashes, with a ridiculously, cheap, final camera-shot. The camera still-shot, at the very end of the film, is almost embarrassing to see. It took Deadly Hero (1975), away from strong/very good territory and moved it into fair/good territory and made me give it a D. Still, there is plenty to enjoy, look at and take in, with Deadly Hero (1975), however you might throw something at the screen, by the time you get to the very end.

5.9 (D) = 6 IMDB.

'Deadly Hero' is another hidden gem from the 70s that did not receive the buzz it deserved, and instead hides within the bowels of so-called rare video stores or 2nd-rate rental places. That is truly sad, as this movie has the following in its favor: it is extremely well-done, it showcases some awesome acting ability, it is mastered very well (doesn't even look 70s), it features James Earl Jones in a strange but almost brilliant performance, it proves that Don Murray deserved the Academy Award after all, it has a most interesting soundtrack, and is well-written by anyone's standards.

The movie is about a well-liked man's fall from grace after an unfortunate incident. It requires the viewer to either side with the hero or with the hero's critics. It is a very interesting character study that will leave the viewer quite satisfied. This is why I give it 10/10.

Or TERMINATOR, or ONE FOOT IN HELL, remember, starring Alan Ladd as an evil sheriff seeking revenge among the town people whom he said they were responsible of the death of his wife? ONE FOOT IN HELL, where Don Murray was the real good guy, even as a simple supporting character. All those movies include evil lead characters, heroes who are the bad ones, maybe not from the very beginning, but evil, heavies in the end. That's precisely what i love, what I crave for, because that's so unusual. The list of those topics is not so long but it exists. And what the f...the directing, only the scheme is important for me. Yes, I saw this film when I was a teen and still love it each time I watch it. One of best Murray's performances.

I found this movie for 50p in a second-hand shop, and it's taken me a few months to get round and watch it, but i'm glad i did!

DON MURRAY is excellent in this movie, and i can feel for his character (untill maybe the final 10 minutes, or so) as a cop with 18 years clean service, a glittering side career ahead of him (championing a would-be mayor) and a loving wife and daughter. When this (seemingly, by-the-numbers) cop guns down an un-armed kidnapper (JAMES EARL JONES) during the act, the kidnapped lady (DIAHN WILLIAMS) feels a little uneasy about her saviors methods, and decides to change her statement to the D.A. The disgraced cop, finds his world crumbling around him (his mayor friend wants nothing to do with him, and his police precinct suspend him) so he decides to 'pursuade' the women, to re-think her statement. Unfortunately his methods border on psychotic.

To give away anything else, would be a crime (though i will say, it has a great ending!) as i watched the movie knowing nothing about it, whatsoever (the video i bought was such an old pre-certificate copy, it consisted of a front inlay card in a VHS cover. I'd say circa 1980, on the 'MAGNETIC' video label) and for a movie made in 1975, it is certainly gritty enough (the language and violence are quite coarse at times) but is a must for fans of 'bad-cop' cinema.

With not one bad performance throughout, this also marks TREAT WILLIAMS debut (plus a completely un-noticed one by a credited DANNY DE VITO) The movie can be seen as an early blueprint for 1992's UNLAWFUL ENTRY (with RAY LIOTTA, KURT RUSSEL) in that, we witness a gradual breakdown of a respected cop. But plot wise, this is a very daring movie for it's time (and would still be deemed too controversial today!) lacking the total sleaze and religious subtext as BAD LIEUTENANT, it is more of a rarely seen curio, on lines with ORDER OF DEATH (with HARVEY KIETEL and JOHN LYDON) But is also a stunning (yet little-seen) classic, which poses the question of police rights and police wrongs. A great movie, made all the more meaningful for it's apparent obscurity.

10 out of 10, seek it out now (a DVD release would also be welcomed!)

This is a visualy exciting, if somewhat sleazy thriller. After saving a woman from a would-be kidnapper/extortionist, NYC cop Don Murray breaks down and stalks the woman he saved after she goes to the D.A. to change her testimoney, charging him with the "unjustified murder" of the perp.

Though he becomes the "bad guy," the viewer can't help but feel sorry for Murray's character as his world falls apart all around him. All because of one error in judgement. This film is an effective - if unintentional - indictment on big-city policing. Not through the cops' position, but society's, as we demand so much from the police, yet become so righteous when they accomplish the job they are tasked with. One strike against the film is the oh-so-superior, smug stereotypes of the white working-class. A plus, James Earl Jones' funny performance as the suave, but sinister perp. Great NYC photography.