Uma dramatização da linhagem familiar do autor Alex Haley desde a escravização do ancestral Kunta Kinte até a libertação de seus descendentes.Uma dramatização da linhagem familiar do autor Alex Haley desde a escravização do ancestral Kunta Kinte até a libertação de seus descendentes.Uma dramatização da linhagem familiar do autor Alex Haley desde a escravização do ancestral Kunta Kinte até a libertação de seus descendentes.
- Ganhou 9 Primetime Emmys
- 17 vitórias e 35 indicações no total
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I normally don't start out this way, but I feel it matters. I am a Southern White, and I have not seen this movie up until the other night.
I thought this mini-series was one of the top three or four I have ever seen. Throughout the years since this came out, I never really bothered, thinking it would be simply white bashing. It was not. I felt it might be in contradiction with the kind people and relatives I grew up knowing. It was not.
I feel that this mini-series realistically blends black history in with the history we have been fed from the Northern side as well as the Southern side.
Most southerners were not slave owners. They were represented. I think this movie strove to show the kindness in people, as well as the darkness. I look at the South with fondness, but I know that what this movie portrayed was true - in spirit, if not fact.
Sometime after this originally came out there was some controversy over Haley faking some of this. I thought (at the time), A HA! It's bull! Again, remember that I had not watched it. Upon seeing it I realized that though some of this might be fiction, it certainly rang true.
What I didn't like about the movie: Watching Sandy Duncan and Leslie Uggams play teenagers. The acting was okay. Duncan reminded me of that spoiled brat in Little House on the Prairie. My guess is that Duncan was cast so she would look like an adult child and not seem out of place compared to Uggams. It is perhaps that during the seventies Hollywood did not want to take such a chance on a younger African-American to play Kizzy. It was an important role, and our society had not allowed Blacks to come into their own. Hollywood seems to want to force their views on society, yet they are often the last to come into line.
John Amos, whom I really like, seemed to be good and bad for his role. Someone said he sounded like he was in "Good Times" at some points. I don't feel that way. I do feel that his dialect seemed slightly out of place during some moments. He did not detract from the story, though. He carried on Burton's eternal fight for freedom with the same bullheadedness.
Ben Vereen: What can I say? When he started doing Variety Shows in the Seventies, I really admired him. He could play instruments, as well as sing, dance, and act. He does not disappoint here. I was so sad when he lost his role in Silk Stalkings due to an accident. Thankfully he has recovered over time.
Madge Sinclair: What an actress! and beautiful woman, to boot. I didn't know she had leukemia during the days I watched her on Trapper John. There were some episodes where she seemed older than her years, though always beautiful. In Roots she manages to capture and portray an inner beauty and let it shine through her bondage.
Most of the white actors were well cast, Duncan aside. I didn't realize how busy Lloyd Bridges was doing so many mini-series. He makes you hate him here, so he did his job.
Ed Asner had a very poignant remark about no one really being free. It was that he felt he was becoming a slave to his job. Please do not think I am comparing the miseries of forced slavery to a large scheme of celestial bondage, but it was pointed out in this film, that at the end of the war, freedom simply meant going from slavery into some other forced form of servitude. I'm retired, yet I often feel bound to government restrictions and the things I am forced to do routinely to simply maintain my retirement. The African-Americans added to Asner's moment by later saying that when someone died, the smile on his face meant he was finally free.
When Roots came out I remember the cries of many saying, "We now have our history!" Yes, and it was blended well into all of our histories, as I have mentioned. About five years ago, when my daughter married a man of color, he made her watch Roots. She asked me what I thought of him doing that. My response was that she needed to look at all things objectively, and know that most of life is a shade of gray. I also mentioned that had I been the same city, I would have liked to have viewed it with them. Now I can at least share my thoughts and hear my son-in-law's thoughts as well.
My biggest complaint is that the DVD is already out of print. HUH? One of the greatest mini-series ever made and I have to pay scalpers' fees for a used copy? (I borrowed my copy from the library) Please, someone! put this in a continual printing, and PLEASE, do not do what you did with others (cutting whole sections out to save a buck).
This movie (along with North and South) should be required viewing for all people. For the African-Americans, this movie should be made available forever, so that it does not simply fade into folk and family lore the way that Kunta-Kinte did - with only bits and pieces remaining.
I thought this mini-series was one of the top three or four I have ever seen. Throughout the years since this came out, I never really bothered, thinking it would be simply white bashing. It was not. I felt it might be in contradiction with the kind people and relatives I grew up knowing. It was not.
I feel that this mini-series realistically blends black history in with the history we have been fed from the Northern side as well as the Southern side.
Most southerners were not slave owners. They were represented. I think this movie strove to show the kindness in people, as well as the darkness. I look at the South with fondness, but I know that what this movie portrayed was true - in spirit, if not fact.
Sometime after this originally came out there was some controversy over Haley faking some of this. I thought (at the time), A HA! It's bull! Again, remember that I had not watched it. Upon seeing it I realized that though some of this might be fiction, it certainly rang true.
What I didn't like about the movie: Watching Sandy Duncan and Leslie Uggams play teenagers. The acting was okay. Duncan reminded me of that spoiled brat in Little House on the Prairie. My guess is that Duncan was cast so she would look like an adult child and not seem out of place compared to Uggams. It is perhaps that during the seventies Hollywood did not want to take such a chance on a younger African-American to play Kizzy. It was an important role, and our society had not allowed Blacks to come into their own. Hollywood seems to want to force their views on society, yet they are often the last to come into line.
John Amos, whom I really like, seemed to be good and bad for his role. Someone said he sounded like he was in "Good Times" at some points. I don't feel that way. I do feel that his dialect seemed slightly out of place during some moments. He did not detract from the story, though. He carried on Burton's eternal fight for freedom with the same bullheadedness.
Ben Vereen: What can I say? When he started doing Variety Shows in the Seventies, I really admired him. He could play instruments, as well as sing, dance, and act. He does not disappoint here. I was so sad when he lost his role in Silk Stalkings due to an accident. Thankfully he has recovered over time.
Madge Sinclair: What an actress! and beautiful woman, to boot. I didn't know she had leukemia during the days I watched her on Trapper John. There were some episodes where she seemed older than her years, though always beautiful. In Roots she manages to capture and portray an inner beauty and let it shine through her bondage.
Most of the white actors were well cast, Duncan aside. I didn't realize how busy Lloyd Bridges was doing so many mini-series. He makes you hate him here, so he did his job.
Ed Asner had a very poignant remark about no one really being free. It was that he felt he was becoming a slave to his job. Please do not think I am comparing the miseries of forced slavery to a large scheme of celestial bondage, but it was pointed out in this film, that at the end of the war, freedom simply meant going from slavery into some other forced form of servitude. I'm retired, yet I often feel bound to government restrictions and the things I am forced to do routinely to simply maintain my retirement. The African-Americans added to Asner's moment by later saying that when someone died, the smile on his face meant he was finally free.
When Roots came out I remember the cries of many saying, "We now have our history!" Yes, and it was blended well into all of our histories, as I have mentioned. About five years ago, when my daughter married a man of color, he made her watch Roots. She asked me what I thought of him doing that. My response was that she needed to look at all things objectively, and know that most of life is a shade of gray. I also mentioned that had I been the same city, I would have liked to have viewed it with them. Now I can at least share my thoughts and hear my son-in-law's thoughts as well.
My biggest complaint is that the DVD is already out of print. HUH? One of the greatest mini-series ever made and I have to pay scalpers' fees for a used copy? (I borrowed my copy from the library) Please, someone! put this in a continual printing, and PLEASE, do not do what you did with others (cutting whole sections out to save a buck).
This movie (along with North and South) should be required viewing for all people. For the African-Americans, this movie should be made available forever, so that it does not simply fade into folk and family lore the way that Kunta-Kinte did - with only bits and pieces remaining.
The concept of your beginning or the beginning that led up to you is Universal and applies to everyone. Who wouldn't find their own ancestry fascinating? That's why this was a ground-breaking event never before scene and why it captured vast audiences for decades. Even today, it continues to beckon to anyone who watches the show to ask your personal questions of your own start-up. I remember at the time this came out on TV, the black people were in desperate need of something to hope for of which Martin Luther King had supplied and had done so successfully before his death. Right after these episodes were aired, a discovery of something greater than your hopeless daily day to day existence was introduced and people started believing in themselves and that they mattered. That's how powerful this series was. Of course today, the worth of a human being doesn't require prompting or remembering as we all have discovered that we matter. Kudos to all those that were able to be a part of this life-changing event. Sorry to say but necessary to be told is the shameful part of history where one race thought them selves superior to another and used degradation, pride, and perversion to assert this. Slavery had been going on since mankind matured and traveled the globe respecting no one. The strong preyed upon the weak. What makes it so unacceptable is that it took place in America proving that there is no perfect place to live but instead, lots of work to be done first with the self, then with each other and of course unto God the one who started it all up to begin with. Even sadder still, slavery and trade in humans exists to this day. Have a finger snack and a tasty drink ready to go when watching. Also, there are some scenes that just yank on your emotions and teach us if anything NOT to do what was being done on screen besides tugging at your innards with disgust. It is well said by Toby in one episode who after being unduly and harshly punished for causing trouble best..."how can one man do this to another man" How indeed....
All my life I have heard the same old "smoke screens" every time something happens to expose the history of racism in this country that they don't want to acknowledge. That is the case with "Roots", and all the rationalizations used by these people to try and denigrate the story's impact. It does not change the fact that racism is "as American as apple pie". But these people never give up. It has been over 40 years since "Roots", and while things may have improved, we still have a long, long, long, long way to go.
I first became interested in Roots when I heard about it on the Disney Channel movie "The Color of Friendship" in 2001. The next time it resurfaced was in Jan. 2002, when Hallmark was going to reair it. Rather than wait (and waste tape) for every night, I bought it on DVD. It is amazing how the crew acheived the dream of Alex Haley's ancestors horrid past, from slave capture to auction, to escape to crippling, to being sold and death. The one thing that shocked me the most was how the KKK was involved in that family's life. When there were funny moments, I laughed and when there were sad moments, I wept. To sum it up: Roots is a masterful miniseries that no family should be without.
I was born in 1980, and had heard of Roots from reading about LeVar Burton being the only real "name" to join Star Trek: The Next Generation. I came across the boxset at my local library and was able to find out what this "Roots" thing was all about. Having the series on DVD was definitely a boon as (despite being in NTSC) it has a crisp and clear appearance, usually stuff on TV from the 70's or 80's has a characteristic fuzziness.
Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.
By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.
Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.
By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.
Você sabia?
- CuriosidadesAuthor Harold Courlander successfully sued author Alex Haley for plagiarizing parts of his novel "The African" for his 1976 novel "Roots," the book that served as the basis for this miniseries. Haley paid $650,000 in a 1978 out-of-court settlement.
- Erros de gravaçãoKizzy, a slave who works in the fields, has long, beautifully manicured fingernails.
- Citações
Omoro, Kunta's father: [holding his infant son up to starry sky] Kunta Kinte, behold the only thing greater than yourself!
- Versões alternativasThe original version of Roots on ABC featured slightly different opening titles. The Roots Mural was the same, but when the title Roots was shown on-screen it was over a dark blue background. The cover of the novel rises up from a horizontal to a vertical position. The screen says "AN ABC NOVEL FOR TELEVISION ALEX HALEY'S ROOTS THE SAGA OF AN AMERICAN FAMILY." Current VHS, dvd, and re-broadcasts simply have "Roots" on a black background, without the other information. Also, the end credits have been changed considerably. In the original, there were eight sets of end credits (one for each episode.) When the show was re-edited to six episodes, names were combined for different hours and some of the end credit sequences (with a still from that episode) are missing, including one featuring Kizzy and Missy Anne having a picnic.
- ConexõesFeatured in The 29th Annual Primetime Emmy Awards (1977)
- Trilhas sonorasOluwa
by Quincy Jones
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