A saga da luta de uma família judia para sobreviver ao horror da marginalização sistemática e do extermínio de sua comunidade pela Alemanha nazista.A saga da luta de uma família judia para sobreviver ao horror da marginalização sistemática e do extermínio de sua comunidade pela Alemanha nazista.A saga da luta de uma família judia para sobreviver ao horror da marginalização sistemática e do extermínio de sua comunidade pela Alemanha nazista.
- Ganhou 8 Primetime Emmys
- 18 vitórias e 11 indicações no total
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Hindsight's wonderful, and it easy now to criticise this series. I saw it first in Germany and the effect it had there was quite profound. It caused a national debate and, it could be argued, helped Germany face up to what occurred between 1933 and 1945, not so much from the extermination camps, but that they, a civilised people, could be led along that path.
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NBC's Holocaust is perhaps the finest miniseries I've seen on television. I purchased the two VHS set several years ago and watch it at least once a year over several nights. Holocaust features a large, excellent cast, which make up for emotion which they lack in depth. Sadly, the stories are all too familiar and have presented in one form or another, but what makes this series stand out is the fact that it was able to compress time and feature some of the best known events of the holocaust, such as Babi Yar, Sobibor and Warsaw Ghetto, seamlessly. The dual story lines tracking the Jewish Weiss family and the German Dorff family intertwine believably, and the graphic violence is appropriate for this production. Michael Moriarty was excellent as the meek lawyer who became a cold calculator and Rosemary Harris was memorable as the proud but stubborn Berta Weiss. Meryl Streep and James Woods also are noteworthy, and it's a delight to see both actors in early roles. I recall when Holocaust debuted it became a media event and school project, with study guides for classroom discussion. I wonder if some of the material was appropriate for some young audiences.
One of the most outstanding television mini-series that was ever made. Obviously, this won the Emmy for best mini-series and was truly well deserved.
The story deals with the Weiss Family of Germany. They thought that they were true Germans never believing that they would be caught up in the madness of Hitler's Nazi Germany.
Despite the warnings of Dr. Weiss's patient,Dorf, who quickly rises in the Nazi hierarchy, the Weiss Family remains in Germany as Hitler seized power and the nightmare for the Jewish people begins.
This series made stars of Michael Moriarty.(Dorf) He plays the character drawn into the Nazi party with a chilling unfeeling for humanity rarely seen in movies. Dorf would be the typical character who would have said that he was forced into doing what he did since he was caught up in this period of frenzy. His ambitious, evil wife also helped push him into this way of life. Meryl Streep and James Woods also became well known as a result of this masterpiece production.
Nothing was hidden in making this grand production. You see the kosher butcher stores fall victim to Kristallnacht-the night of breaking glass. You see victims being marched off to the gas chambers.
This was certainly movie making at its best. Even the mini-series of todays are lacking in contact, interest and boldness of production.
The story deals with the Weiss Family of Germany. They thought that they were true Germans never believing that they would be caught up in the madness of Hitler's Nazi Germany.
Despite the warnings of Dr. Weiss's patient,Dorf, who quickly rises in the Nazi hierarchy, the Weiss Family remains in Germany as Hitler seized power and the nightmare for the Jewish people begins.
This series made stars of Michael Moriarty.(Dorf) He plays the character drawn into the Nazi party with a chilling unfeeling for humanity rarely seen in movies. Dorf would be the typical character who would have said that he was forced into doing what he did since he was caught up in this period of frenzy. His ambitious, evil wife also helped push him into this way of life. Meryl Streep and James Woods also became well known as a result of this masterpiece production.
Nothing was hidden in making this grand production. You see the kosher butcher stores fall victim to Kristallnacht-the night of breaking glass. You see victims being marched off to the gas chambers.
This was certainly movie making at its best. Even the mini-series of todays are lacking in contact, interest and boldness of production.
If you were only to see one movie, one television series in your life about the Holocaust (and you should see more), this would be it.
It is the most wide-ranging, most thorough examination of what happened to central and eastern Europe's Jews between 1935 and 1945. The series focuses not on one camp: but on several (Auschwitz, Theresienstadt, Buchenwald, Sobribor - and hear much of Maidenek, Dachau, and others). We see the creation and changes in the ghetto in Warsaw (and hear of the ghettos in Vilnius and elsewhere). We see the evolution in the methods of killing Jews - and why. We see what happened to those deemed defectives at yet another camp.
With two exceptions, I found the acting (by a truly stunning cast - from Nigel Hawthorne to Ian Holm, from James Woods to T.P. McKenna, from Meryl Streep to David Warner, from Rosemary Harris to Sam Wanamaker, from Fritz Weaver to Tovah Feldshuh, Robert Stephens to Deborah Norton, Michael Moriarty) superb - truly moving and powerful. The two exceptions were the daughter Anna and the son Rudy played by Joseph Bottoms. This may not be entirely their fault - their parts are so underwritten - conventional.
The fantastic aspect of this series is its scope - you really do have a grounding in the Holocaust that would serve you well reading any history, seeing any movies set in this time.
The downside is that as fine as the acting is, the series is split among the stories of six to eight people over the course of a decade - which inevitably limits how moved the audience is by the story of each. Thus, in contrast to say, Schindler's List or The Pianist, we are not living and breathing with one person and what happens to him - we do not know these characters THAT well.
I would also criticize the series as creating such one-sidedly virtuous characters in the victims. We are interested in a character in drama only to the extent that the person seems real and we can therefore wholly identify with this real breathing person. Although we do have some feeling of how James Woods' character is different from say, Joseph Bottoms', it isn't sufficient to move the drama to the greatest heights. Actors don't come better than those in this series - so I think it's really due to the nature of the series - the need to get it all in and move around all the different experiences. This better serves our education, but somewhat reduces the sense of having suffered with each individual.
This was a great and enormously expensive production. It is very worthwhile renting - and should be shown to everyone above say, the age of 12 (I'd say that a younger age is too susceptible to the horror). NBC is to be commended highly for having developed it. It's tremendous.
It is the most wide-ranging, most thorough examination of what happened to central and eastern Europe's Jews between 1935 and 1945. The series focuses not on one camp: but on several (Auschwitz, Theresienstadt, Buchenwald, Sobribor - and hear much of Maidenek, Dachau, and others). We see the creation and changes in the ghetto in Warsaw (and hear of the ghettos in Vilnius and elsewhere). We see the evolution in the methods of killing Jews - and why. We see what happened to those deemed defectives at yet another camp.
With two exceptions, I found the acting (by a truly stunning cast - from Nigel Hawthorne to Ian Holm, from James Woods to T.P. McKenna, from Meryl Streep to David Warner, from Rosemary Harris to Sam Wanamaker, from Fritz Weaver to Tovah Feldshuh, Robert Stephens to Deborah Norton, Michael Moriarty) superb - truly moving and powerful. The two exceptions were the daughter Anna and the son Rudy played by Joseph Bottoms. This may not be entirely their fault - their parts are so underwritten - conventional.
The fantastic aspect of this series is its scope - you really do have a grounding in the Holocaust that would serve you well reading any history, seeing any movies set in this time.
The downside is that as fine as the acting is, the series is split among the stories of six to eight people over the course of a decade - which inevitably limits how moved the audience is by the story of each. Thus, in contrast to say, Schindler's List or The Pianist, we are not living and breathing with one person and what happens to him - we do not know these characters THAT well.
I would also criticize the series as creating such one-sidedly virtuous characters in the victims. We are interested in a character in drama only to the extent that the person seems real and we can therefore wholly identify with this real breathing person. Although we do have some feeling of how James Woods' character is different from say, Joseph Bottoms', it isn't sufficient to move the drama to the greatest heights. Actors don't come better than those in this series - so I think it's really due to the nature of the series - the need to get it all in and move around all the different experiences. This better serves our education, but somewhat reduces the sense of having suffered with each individual.
This was a great and enormously expensive production. It is very worthwhile renting - and should be shown to everyone above say, the age of 12 (I'd say that a younger age is too susceptible to the horror). NBC is to be commended highly for having developed it. It's tremendous.
I remember watching this mini-series back in 1978. My husband was working nights at the time and I watched it alone. I was spellbound night after night! I will never forget the impact this movie had on me. I have often wished for the chance to see it again. At the time we did not have a VCR player to make a copy of it. I told my husband every day how much I wished he could have been there to see it and I felt that every American should have the opportunity, along with the duty, to see the movie. We SHOULD NEVER FORGET or LET THIS HAPPEN AGAIN! I wish the movie would be re-broadcast, even if on a satellite channel. High school and college students should be required to view the movie. They would have a better understanding of why history should not be repeated and hopefully they would appreciate what being an American means in terms of their freedom from this type of oppression.
Você sabia?
- CuriosidadesThe term "Holocaust" didn't exist in the German language until the 1980s. Due to the great success of this mini-series, it became common knowledge, and was chosen as "word of the year 1979" by the "Gesellschaft für deutsche Sprache" (Society for German Language).
- Citações
Moses Weiss: I have the right name but I'm afraid I can't lead you to the promised land.
- Versões alternativasPolish authorities protested against a scene in which soldiers dressed in Polish uniforms executed Jewish prisoners. The poles didn't have any "Quisling army" during the war. The scene was trimmed and now shows the rifles and the arms of the soldiers in question. Even so, both versions apparently remained in circulation as Danish TV originally showed the original version, and Swedish TV the trimmed version within weeks of each other.
- ConexõesFeatured in The 30th Annual Primetime Emmy Awards (1978)
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