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IMDbPro

Baby Needs a New Pair of Shoes

  • 1974
  • R
  • 1 h 26 min
AVALIAÇÃO DA IMDb
4,6/10
399
SUA AVALIAÇÃO
Baby Needs a New Pair of Shoes (1974)
CrimeThriller

Adicionar um enredo no seu idiomaA numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.

  • Direção
    • Bill Brame
  • Roteiristas
    • Howard Ransom
    • Elizabeth Ransom
    • Fredricka DeCosta
  • Artistas
    • Frank DeKova
    • Paul Harris
    • Frances E. Williams
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,6/10
    399
    SUA AVALIAÇÃO
    • Direção
      • Bill Brame
    • Roteiristas
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Artistas
      • Frank DeKova
      • Paul Harris
      • Frances E. Williams
    • 19Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos31

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    Elenco principal65

    Editar
    Frank DeKova
    Frank DeKova
    • Big Tony
    • (as Frank deKova)
    Paul Harris
    Paul Harris
    • Pasha
    Frances E. Williams
    • Mama Lottie
    • (as Frances Williams)
    Reginald Farmer
    • Sweetman
    Don Edmondson
    • Serene
    • (as Tawny Tan)
    Larry Greene
    • Jimmie Rush
    Ernie Lee Banks
    Ernie Lee Banks
    • DuDirty
    • (as Ernie Banks)
    Karmello Brooks
    • Romaine
    Henry G. Sanders
    Henry G. Sanders
    • Sam Kingston
    • (as Henry Sanders)
    Pat Edwards
    • Pearl
    Terry Ransom
    • Little Billy Jones
    Curtis Price
    • Nathan Jones
    Onezene 'Ben' Geyen
    • Rev. Axle
    Ronald Ransom
    • Gambler
    Cal Wilson
    • Young Dude
    Luke Walker
    • Hustler
    Don Thompson
    • Willie Olen
    James T. Jackson
    • Raphael
    • (as James Jackson)
    • Direção
      • Bill Brame
    • Roteiristas
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    4,6399
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    Avaliações em destaque

    Wizard-8

    Boring blaxploitation

    There's a big laugh in this movie's opening, which proclaims what we're going to see is a true story, but then states that the names, places, and events have been changed to protect the innocent - uh, wouldn't all that then make the movie complete fiction? Whether or not the movie has basis in fact, all the same it ends up being an almost complete bore that is badly made. I see other commenters have pointing out the movie's various anachronisms, so I won't bother to list them. But the script and the direction are more of a problem. The movie for the most part is far too serious for its own good, without a sense of fun and with the characters endlessly talking about boring topics. I will say some of the acting by the participants actually is okay, but that only helps a little. Whether you're looking for a serious (while engaging) movie or a blaxploitation romp, this movie simply doesn't work for any audience.
    5Red-Barracuda

    Ambitious, yet not entirely successful, bit of Blaxploitation

    Black gangsters and the Italian mob embark on a turf war in 1950's Harlem.

    Jive Turkey seems to be the retitled name for this film which seemingly went under the insane original title of 'Baby Needs a New Pair of Shoes'. It's a typically low-budget bit of Blaxploitation that starts out claiming that it is based on a true story, only to then hilariously state that despite this it contains different names, places and events! So I initially thought this had to be a comedy, yet it never actually plays out like one at all, so have to imagine these opening lines were intended with no irony whatsoever. One definite defining feature though is the fact that it's a period piece given that it's set in the 50's. The trouble with this approach, however, is that the low budget hampers this quite drastically and it never feels very much like the 50's at all. It would've been far more sensible if it had been set in the present day as period detail costs money – something of which there was clearly not an abundance of here. But you have to at least give the film-makers credit for having the nerve to try to execute something so ambitious though.

    Overall, despite certainly having interesting things about it, this is not truly a very successful movie. It really lacks focus and doesn't tell its story in a particularly engaging way, despite the fact that the plot elements have a fair bit of promise. There isn't even too much action either to make up for this. One definite standout aspect though was the inclusion of a transvestite psychopath hit-man character that killed people with spiked stilettos and a sharpened ring. I was interested to read here that the movie intended the fact that this character was a man to be a bit of a major surprise twist in the plot, yet I thought it was so obvious this was a guy in drag I just kind of assumed we were all meant to know this up front. On the whole, this is certainly one mainly for fans of Blaxploitation cinema; it's a bit rough around the edges and not especially good but it still has enough of that sub-genre's energy and attitude to ensure it has some interest level.
    5planktonrules

    Italian and black mobsters battle for control over Harlem in this blacksploitation flick.

    In the early 1970s, one of the most profitable genres in films were the Blacksploitation movies. Some were made by major studios and featured excellent actors and scripts. Most were made by tiny studios and with second-rate acting, scripts and effects. Regardless, they all were quite entertaining and watching new black heroes and anti-heroes fighting 'the man' was quite enjoyable...especially for audiences not used to seeing their race winning against the traditional white establishment. Considering the cultural and political climate at the time, it's easy to see why these films were wildly successful.

    "Baby Needs a New Pair of Shoes" ("Jive Turkey") is one of those movies in the second group--very low budget and not particularly polished. Most of the cast are obviously not experienced actors and the production values are not great--especially since the film is supposed to be set in 1956 but looks mostly like 1974! It was obviously made on the cheap and has a homemade quality about it. But despite its shortcomings, is it any good?

    Paul Harris stars as Pasha...the black mob boss who controls Harlem. However, the white mobsters are looking to push into his territory and eventually you know it's going to erupt into an all-out war with Big Tony (Frank DeKova). Up until then, there is a lot of nudity, prepping for war and jive talk from the brothers...as well as the cops, who are ALWAYS working for the man, rousting the folks of Harlem and putting a cramp on Pasha's style...and man, does he have style!

    The acting ranges from decent to terrible in this film. Blame the budget for this. But it is entertaining and never is dull-- especially when the trans assassin beats her johns to death with her high heels! And, like most of the blacksploitation pics, this one is very adult...with ample boobage, cursing, extreme violence (at a much higher level than usual for these films) and incredibly politically incorrect language!
    4fearmaker2002

    In addition to the modern cars...

    In addition to all the modern cars on the street, everyone in the movie keeps making declarative statements that it is 1956, as in "You know, this is 1956!" Also, all the white men have 70s haircuts and sideburns. The mayor would have been considered a bum, a beatnik or a surfer in 1956. Perhaps a missing subplot about a time machine wasn't fully explored. I don't know why they just didn't make it take place in present day except that the film is supposed to be based on a true story--In 1956!

    If you are into blaxploitation, it's not a bad story--the main characters do their best considering the mangled plot, but Serene's secret wasn't much of a secret--if you can't figure it out right away you aren't paying attention even though it's 1956.

    The other odd thing (among many odd things) is how this movie ends. It's a real WTF moment. Saying there are loose ends would be an understatement--Especially for 1956.

    It's available on the "50 Drive-In Movie Classics" collection. At about 50 cents a movie, I can't complain. It's low budget but has some nudity and some cartoon-like violence. This also appears to be the only movie in this pack that takes place in 1956.
    5VonCouch

    Cheap Blaxploitation With A Spark Of Possibility

    I just saw this film a few days ago under the name "Jive Turkey". In it, a numbers kingpin tries to keep control of his empire. In the process, he has to go against the Italian mob, the cops, snitches and all kinds of unscrupulous folks.

    As far as low-budget blaxploitation goes (and really, what isn't?), it's not that bad. The acting is decent, sometimes even good. The direction and cinematography is competent, sometimes even great. But what really stands out here is the story. Yeah, yeah. Same old brother-against-whitey plot that's in 99 out of a hundred of blaxploitation films. But there's a desperation in there that shines through. The best example is a scene of Russian roulette between the kingpin and the mafia boss. It's actually fairly well acted and well written.

    There's some confusing moments, like what the hell is up with the murdering-psycho man-girl that everyone wants to bang? And there's sprinkles of cheesy acting and poor production values. But there's actually a lot in here that, given better people behind it, could equal a pretty damned good movie. As it is, however, it's certainly above average on the Z-grade blaxploitation flick.

    All in all, recommended.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Film debut of Minnie Summers Lindsey.
    • Erros de gravação
      Early in the film, when white politicians and police are discussing Pasha's numbers racket, a microphone dips into the top of the shot.
    • Citações

      Big Tony: What are we going to do to settle this mess, anyway? The Chicago bosses are tired of waiting. I'm tired, you're tired. What's the solution?

      Pasha: I thought perhaps you might have some ideas. You Italians were always better at that kind of thinking than us poor colored folks.

      Big Tony: [chuckling] you're too much. You know, if you knew what I was thinking right now... I've hated you for a long, long time, Hakim and right now at this moment I've got you right here in my hand. I could kill you, you know that. I still got your gun, Hakim.

      Pasha: Yeah, the one you got from me in your restaurant

      Big Tony: You've always been a man of honor, Hakim... something I never could stand in a nigger. Now I want to see that honor put you right in your grave. Are you willing to pay the price to see me and mine?

      Pasha: Lay it on me.

      Big Tony: There's a game, it's not Italian, it's Russian. It's a kind of roulette, a special roulette but you play it with life. You see, you drop a bullet in the barrel, like that, then you revolve it. You put it to your head... and press. You do it, Hakim. You do it. Just in case you think I tricked you, you take the first turn. Put the gun to your head and pull the trigger, if you can. You remember when we were kids, it was always you that wasn't afraid and I always panicked. God Almighty, how you used to torture me. Do it, damn it! Do it!

      Pasha: You're a creep, Tony. You never have known how to play fair. What difference does it make? The littlest noise and your gimp-leg goon'll be in here with a hand grenade or somethin'.

      Big Tony: No, no. This place is completely soundproof. Nobody'll come unless I call them and I won't. I swear. I'm going straight down to the wire. Luck is with me tonight, you ugly son of a bitch. It's got to be. It ain't worth it unless I can whip you just once. But you're afraid to give me the satisfaction, aren't you? You're afraid to put that gun up to your head.

      [Pasha raises the gun]

    • Cenas durante ou pós-créditos
      When the movie finishes, the words 'THE DEAD END' flash on the screen before the credits roll
    • Conexões
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 4 (1997)

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    Perguntas frequentes13

    • How long is Baby Needs a New Pair of Shoes?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • novembro de 1974 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Jive Turkey
    • Empresa de produção
      • Ransom Pictures (I)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 26 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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