Dimensão 5

The swinging 60s strike again in this mildly - make that VERY mildly - amusing espionage nonsense about a supposedly top notch intelligence agent, Justin Power (Jeffrey Hunter, "The Searchers") who is partnered with a Chinese-American female agent, "Kitty" (France Nuyen, "South Pacific"). Their mission is to foil a criminal organization dubbed The Dragons, which are headed by wheelchair-bound "Big Buddha" (Harold "Oddjob" Sakata, who is dubbed by Paul Frees). The Dragons plan to detonate a bomb in the City of Angels, but the good guys have a secret weapon: a time travel device that can be worn like a belt!

"Dimension 5" is low-tech and minor league, and it's also pretty short on action. Therefore, it's never particularly exciting, but it still has its moments. The give and take between our hero and heroine is enjoyable enough; she's Americanized enough to prefer steak and potatoes to more traditional Asian dishes. He's confident and has a fair amount of swagger. That said, neither of them are THAT smart - he needs to be saved more than once, and at the end, when she has the villain dead to rights, she doesn't kill him when she has the chance. Hunter and Nuyen are both very good looking, which should help to make their characters palatable nevertheless.

They're assisted by a fairly good bunch of supporting actors, including Donald Woods ("The Beast from 20,000 Fathoms"), Robert Ito ('Quincy M.E.'), Jon Lormer ("Creepshow"), Bill Walker ("The Long, Hot Summer"), Tad Horino ("Galaxina"), and Robert Phillips ("The Dirty Dozen"). The filmmaking isn't overly slick but it's passable; this was made by many of the same people behind the previous time travel sci-fi flick, "Cyborg 2087", including director Franklin Adreon.

A watchable, forgettable diversion for an hour and a half.

Five out of 10.

I just pulled out my copy of Dimension 5 the other night and looked at it....as with other United Pictures films it was filled with B actors in starring roles, Jeffrey Hunter, France Nuyen, Donald Woods and Harold "OddJob" Sakata. B plot that doesn't make you think much but it kept the pace going. Many of the United Pictures films were quick paced, "Castle Of Evil", "Destination Inner Space" , "Panic In the City, "Money Jungle" and "The Destructors" so if you get a chance to get any of these, they are good for any sci-fi buff's collection...not the top of the heap but not as bad as things like Astro Zombies. Other familiar faces were Kam Tong who was "Hey Boy" In "Have Gun Will Travel", Deanna Lund who went on to be in "Land Of The Giants", Robert Ito who was in "Quincy ME"

Belonging to that period after China successfully tested it's first atomic bomb on 16 October 1964 and diverted the West's attention from the Russkies to the menace posed by Red China; with the result that thirty years before Michelle Yeoh in 'Tomorrow Never Dies', special agent Justin Power (sound familiar?) is assisted by resourceful Asian babe France Nuyen in mopping up a gang of sinister orientals led by a wheelchaired Oddjob (Harold Sakata, plainly dubbed) planning a Christmas surprise for Los Angeles.

The goodies are equipped with cool gadgets around their waists like Willy McBean's Magic Machine (a bit like the device later employed in Michael Crichton's 'Looker') that enable them to run rings round the bad guys; although their training evidently didn't extend to anticipating the most intelligent use of the enormous tactical advantage this gives them in the field.

In this spy thriller from United Pictures and director Franklin Adreon, American secret agent Justin Power (Jeffrey Hunter) is teamed with Hong Kong agent Kitty Tsu (France Nuyen) to thwart a Red China terror group known as the Dragon from detonating a hydrogen bomb in Los Angeles. They must find the location of the mysterious crime lord Big Buddha (Harold Sakata), who is also an operative of Dragon, before it's too late.

This dollar store version of a James Bond movie is insipid, slow, and occasionally mildly amusing in its ineptitude. The film's big gimmick is the hero's use of cutting edge time travel technology to jump a few seconds or a couple of weeks forward or backward in time. He's warned by Donald Woods, playing the film's Bond boss M stand-in, that overuse of the time tech (housed conveniently in Hunter's wristwatch) could lead to a "time slip", a simplistic plot device to explain why time travel isn't used repeatedly to solve every little issue the hero comes across. Regardless, we never do see any suffer a time slip, unfortunately.

Harold "Oddjob" Sakata is an unusual boss villain, appearing in a motorized wheelchair, having all of his dialogue dubbed by Paul Frees, and, in one extended sequence, appearing shirtless. Lee Kolima, who looks a lot like Tor Johnson, plays big henchman Genghis, the kind of role Sakata usually played.

Dimension 5 is a strange little movie that combines several different genres. At best, I'd call it harmless enough as it does provide some small degree of entertainment. At worst, I'd call it a mess of movie that attempts to mix sci-fi and romance elements into what is basically a spy movie. The results are underwhelming. The sci-fi is missing from 3/4 of the movie, the romance isn't very believable, and the spy parts are too easily solved or handled.

Dimension 5's plot is a difficult one to summarize. A group called Dragon plans to detonate a nuclear device in Los Angeles if the US doesn't draw down its forces in South East Asia. Agent Justin Power (Jeffrey Hunter) is put on the case. He has at his disposal a time travel belt. He uses knowledge from the future to effect events in the present. He is assigned a partner, Ki Ti Tsu (France Nuyen), from Hong Kong. She is familiar with Dragon. Together, they'll have to discover the mastermind behind Dragon, how Dragon intends on bringing the device into the US, and put a stop to the plan.

Here's a laundry list of issues and observations I took from Dimension 5:

• I recently wrote about the lack of on-screen chemistry in Thor: The Dark World. If it's possible, Hunter and Nuyen have even less spark. On a scale of 1 - 10, I'd rate their on-screen chemistry at about a zero.

• The build-up to the big reveal that Power's new partner is a woman was painful to watch. I'm not sure how many times Power's boss said something like "your associate" or "your partner" without once using a pronoun. Maybe a female agent was surprising in 1966, but I found the whole exercise tedious.

• The time shift belt is featured in the first 10 minutes of the film and is all but forgotten until the final 10 minutes. There are plenty of other instances where the belt would have helped our heroes. And, at one point, we are treated to some rather lengthy scientific mumbo- jumbo about the dangers of getting stuck in a time shift. But I'm not sure why all this time is wasted on foreshadowing that goes nowhere. That movie, where the characters are caught in a different time arc, might have been more interesting.

• Why is Harold Sakata in this movie? You hire a big bruiser like Sakata and then put him in a wheelchair. What were they thinking? Also, what was the deal with Sakata's dubbing? The dubbing was horribly obvious. The sound quality was completely different from anything else in the film. However, I will give Dimension 5 some credit for hiring actual Asians like Sakata, Nuyen, and a host of others to play Asian parts. A lot of studios and producers would have hired non-Asians and (as I call it) "yellow-faced" the parts. I appreciate the effort.