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Corrida Contra o Destino

Título original: Vanishing Point
  • 1971
  • 14
  • 1 h 39 min
AVALIAÇÃO DA IMDb
7,2/10
32 mil
SUA AVALIAÇÃO
Corrida Contra o Destino (1971)
Assistir a Official Trailer
Reproduzir trailer2:21
1 vídeo
99+ fotos
Car ActionDark ComedyRoad TripActionCrimeThriller

Um ex-fuzileiro, ex-corredor automobilístico e ex-policial demitido da corporação, dedica-se a transportar carros para uma pequena oficina. Em um desses trabalhos ele deve levar um Dodge Cha... Ler tudoUm ex-fuzileiro, ex-corredor automobilístico e ex-policial demitido da corporação, dedica-se a transportar carros para uma pequena oficina. Em um desses trabalhos ele deve levar um Dodge Challenger '70 de Denver para São Francisco.Um ex-fuzileiro, ex-corredor automobilístico e ex-policial demitido da corporação, dedica-se a transportar carros para uma pequena oficina. Em um desses trabalhos ele deve levar um Dodge Challenger '70 de Denver para São Francisco.

  • Direção
    • Richard C. Sarafian
  • Roteiristas
    • Guillermo Cabrera Infante
    • Malcolm Hart
    • Barry Hall
  • Artistas
    • Barry Newman
    • Cleavon Little
    • Charlotte Rampling
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    32 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard C. Sarafian
    • Roteiristas
      • Guillermo Cabrera Infante
      • Malcolm Hart
      • Barry Hall
    • Artistas
      • Barry Newman
      • Cleavon Little
      • Charlotte Rampling
    • 211Avaliações de usuários
    • 112Avaliações da crítica
    • 61Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Official Trailer
    Trailer 2:21
    Official Trailer

    Fotos146

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    + 139
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    Elenco principal36

    Editar
    Barry Newman
    Barry Newman
    • Kowalski
    Cleavon Little
    Cleavon Little
    • Super Soul
    Charlotte Rampling
    Charlotte Rampling
    • Hitch-Hiker
    • (cenas deletadas)
    Dean Jagger
    Dean Jagger
    • Prospector
    Victoria Medlin
    Victoria Medlin
    • Vera Thornton
    Paul Koslo
    Paul Koslo
    • Deputy Charlie Scott
    Robert Donner
    Robert Donner
    • Deputy Collins
    • (as Bob Donner)
    Timothy Scott
    Timothy Scott
    • Angel
    Gilda Texter
    • Nude Rider
    Anthony James
    Anthony James
    • First Male Hitchhiker
    Arthur Malet
    Arthur Malet
    • Second Male Hitchhiker
    Karl Swenson
    Karl Swenson
    • Sandy McKeese - Clerk at Delivery Agency
    Severn Darden
    Severn Darden
    • J. Hovah
    Delaney & Bonnie & Friends
    • J. Hovah's Singers
    Lee Weaver
    Lee Weaver
    • Jake
    Cherie Foster
    • First Girl
    Valerie Kairys
    Valerie Kairys
    • Second Girl
    Tom Reese
    Tom Reese
    • Sheriff
    • Direção
      • Richard C. Sarafian
    • Roteiristas
      • Guillermo Cabrera Infante
      • Malcolm Hart
      • Barry Hall
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários211

    7,231.7K
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    Avaliações em destaque

    7tom-darwin

    Can you ever build enough speed on the road to escape your past & your pain?

    "Vanishing Point" asks the question and, like other films of this kind before "Smokey & the Bandit" brought the genre to an end, lets us ponder the answer on our own. Other than that, there's no point to this film except to demonstrate that the Challenger is one of the best-looking muscle/sports cars ever made. Get too far into this movie & you'll want to sell your children to have one. Kowalski is a '70s knight-errant, or a Greek mythological hero, just as you please. He rides his Hemi-powered steed on a quest to San Francisco, not for a "what," or a "why," or even for a lady fair, but only for "how fast." Does he seek redemption? Escape? Self-forgiveness? To stick it to the Man? Who cares? Knavish cops close in on him, lotus-eaters like Hovah (Darden) shun him, sirens (especially the stark-naked Texter, who would've stopped Burt Reynolds's Bandit faster than Sally Field ever did) want him to dally. Sharp-featured, Western character actor Anthony James has a hilarious, uncharacteristic turn as a gay hitchhiker. Humble, noble souls come forth to guide Kowalski like angels, including a scruffy snake-hunter (Jagger), chopper jockey & drug dealer Angel (Scott), and the blind deejay Super Soul (Little, who should've been a contender for the part of Howard Beal in "Network"). The Man's attempts to explain Kowalski are annoying distractions, so hit the "mute" button when you see scenes of cops in offices. And stop wondering why Kowalski, on his quest for speed, is always being overtaken & passed by other vehicles. Just put your brain in neutral, put your popcorn where it's handy, and buckle up.
    avril_shun

    Best carmovie ever

    One thing I realised about carfilms, or whatever you might call them, is that a certain degree of monotony is always required (check out the wonderful Two Lane Blacktop too see what I mean). If you waste too much time with backgrounds, character development, story etc the really important stuff starts lacking (the car as an instrument of freedom, the road, the desert...). In this way Vanishing Point is the perfect carmovie: it's about the most monotonous, yet beautiful things i've ever seen! It's about:

    1. The car

    2. The road

    3. The desert

    4. The music

    And nothing else! Some vague attempts are made to make a character out of Kowalski, but fortunely they're small in numbers. The car is the true main character of the film.

    I recommend this film with all my heart.
    pullgees

    Soul challenger

    The best road movie ever made. To appreciate it you have got to try and see it from the culture of that era. It is totally anti establishment as was the mood of half of America. So the police are all idiots, the 'good ol boys' are either violent rednecks or passive disapproving onlookers. Kowalski is going to give those mid west conservatives something they won't forget, he's going to shake things up for a day or two. Kowalski is simply the symbol of the many disenfranchised at the time. The story starts at the end. We hear a boring stifling radio news item on the price of grain. We see dreary looking bystanders who need to be turned on. Then Super Soul takes over the airwaves with his wild DJ antics and hippy music trying to jolt these people out of their fixed ways. The old and the new are clashing. This sets the mood we know from then it is rebellious. Other aspects the stunts the music the characters have been well covered below so there is no need to say more on that. Some have said that there is no point to this story or Kowalski's motives and have interpreted the title meaning that. But all a vanishing point is an artist name for the phenomena of perspective where two parallel lines seemingly meet and in the long straight roads of the journey we see plenty of vanishing points.
    L_Miller

    The road can work on your mind.

    Kowalski transports cars across the western US in 1970. He gets a gig transporting a 1970 Dodge Challenger R/T from Denver to San Francisco and sets out at maximum warp, stopping only for gas and strategy. He commits no crime outside of speeding, and fleeing the cops who are trying to stop him simply because he will not stop. He finds allies along the way, including an old prospector, a DJ named Super Soul, and a hippie who seems to me to be an alternate ending to the life of Peter Fonda's character Wyatt in "Easy Rider". He drives and drives and drives until he meets his destiny in a tiny town on the California-Nevada border at 10:04 AM on some unnamed Sunday.

    Why? Is it because of his past; ex-cop, ex-racer, tragically bereaved? Is it because of the truckload of speed he takes at the beginning of the movie (draw your own metaphors between Kowalski's internal use of the noun and external use of the verb)?

    Or is it the road, the infinite expanses of the Southwest, the silence, the freedom, the sound of the motor surging, the tires spinning, the wheels gobbling up and sitting out the black asphalt? Who knows? Kowalski seems indifferent as to why he drives, only that he must drive, must evade, must get to where he is going and will not - can not - be stopped.

    Do yourself a favor. Rent the original, don't see the '97 made for TV movie (it has some high points, but it's like watching the '99 "Psycho" before seeing the Alfred Hitchcock original). In fact, rent this and "Two Lane Blacktop" from Monte Hellman, and "Mad Max" and/or "The Road Warrior". Watch all of them in as close to one sitting as you can get.

    If after watching these movies, you don't understand how they're expressions of the same call to the open road, return them and give up. Not everyone was meant to hear it, just like not everyone has perfect pitch or the ability to wiggle their ears.

    This movie drove me (pun intended) to take the handle kowalski and buy a Challenger of my own (flame red, 1973, you see the 1970 R/Ts are very hard to get).

    It probably won't do the same for you, but if you've ever been driving down the open road and wondered what would happen if you _didn't_ get off at the next exchange, in fact if you never got off at all, then this film is for you.

    And I hope the next ignoramus who compares this masterful film to "The Dukes of Hazzard" loses his brakes and plows into a line of parked Harleys outside some bar with a name like Whiskey Junction or the Dew Drop Inn.
    7sfredman56

    Vanishing point.

    Many people don't know where the radio d.j. was broadcasting from in the movie. He was broadcasting from the then closed Goldfield Hotel, in beautiful "downtown" Goldfield Nevada! I should know! I was a resident in this picturesque little town of 110 people (in 1971). The Goldfield Hotel has since found new life as a restored historical landmark. The town itself has surged in population due to new mining processes, and the re-opening of the long closed mines. During the movie, a scene picturing the front of the "Green Frog Market", you will see the faint glow of a freckle-faced, red headed little boy, gazing out of the window......yeah..it's me!! This movie was quite exciting in a town of 110 people!

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      In an interview, actor Paul Koslo spoke about legendary stunt driver Cary Loftin; "One night coming home from location, Cary was driving one of the Challengers back to the hotel, and he passed some New Mexico state troopers going 145 miles an hour! [laughs] He had four or five cop cars behind him with their lights on, but they couldn't catch up because they could only go about 125! So he drove into this little town and started to shut the car down. He pulled into a gas station, and I swear to God, he did a 360 in between the pumps and put the rear of the car - the gas tank - right in front of the super pump! He got out of the car like nothing happened, and the troopers busted his ass right there! [laughs] Oh, you should've seen those cops! They were fuming! They took him in, and the producer had to explain to them that Cary had actually been testing the car - that he did a lot of these spinouts because he'd been having trouble with the car! [laughs] I mean, you do have to test the cars, but you don't do it while you're driving home!"
    • Erros de gravação
      The 19-inch racks in Super Soul's radio station with large tape reels (in one scene seen fast moving) are not audio equipment. These tape drives were used in computer systems in the 1970s to store data on tape.
    • Citações

      Super Soul: This radio station was named Kowalski, in honour of the last American hero to whom speed means freedom of the soul. The question is not when's he gonna stop, but who is gonna stop him.

    • Cenas durante ou pós-créditos
      The Fox logo is shown without the fanfare making it one of the first times this has happened.
    • Versões alternativas
      When first released in Brazil, the movie had some scenes cut, reducing the running time to 99 minutes.
    • Conexões
      Edited into Gone with the Wind: The Remarkable Rise and Tragic Fall of Lynyrd Skynyrd (2015)
    • Trilhas sonoras
      You Got to Believe
      Composed by Delaney Bramlett

      Sung by Delaney & Bonnie & Friends

      (Courtesy of Atlantic Records)

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    Perguntas frequentes20

    • How long is Vanishing Point?Fornecido pela Alexa
    • What are the differences between the US-Version and the UK-Version of this movie?

    Detalhes

    Editar
    • Data de lançamento
      • 9 de julho de 1971 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Carrera contra el destino
    • Locações de filme
      • Goldfield Hotel, Goldfield, Nevada, EUA(KOW radio station)
    • Empresa de produção
      • Cupid Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.585.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 12.442.673
    • Faturamento bruto mundial
      • US$ 12.443.192
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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