AVALIAÇÃO DA IMDb
6,6/10
8,3 mil
SUA AVALIAÇÃO
Os azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a n... Ler tudoOs azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a namorada de Larry, se junta a eles no passeio.Os azarados pilotos Larry e Deke roubam o gerente de um supermercado para comprar um carro que os ajudará a aumentar suas chances nas corridas. A fuga não sai como planejado quando Mary, a namorada de Larry, se junta a eles no passeio.
- Direção
- Roteiristas
- Artistas
T.J. Castronovo
- Steve
- (as Tom Castranova)
James W. Gavin
- Helicopter Pilot
- (as James Gavin)
Edna MacAfee
- Seller at Swapmeet
- (as Edna Macafee)
Avaliações em destaque
with a little senseless fun? I love movies like this, where you don't have to think too hard and try and figure out what's going on, just sit back and enjoy!
i'd say this kicks Smokey & the Bandit's tail!
i'd say this kicks Smokey & the Bandit's tail!
Ostensibly a mindless, flashy car-chase-&-crash B-flick has all the usual drive-in elements, but there's more going on here than at first appears. Two NASCAR enthusiasts, needing to buy a new entry vehicle, concoct an elaborate plan to rob a grocery store; Larry is the talent behind the wheel, Deke is the contemplative brains of the outfit. Soon they're saddled with good-time girl Mary, stubborn and sassy, who proves her mettle on a wild ride getting out of town. From Richard Unekis' book "The Chase", with a plot that is exactly that, yet the script by Leigh Chapman and Antonio Santean is surprisingly funny and literate and John Hough's direction is exceptionally tight with very little nonsense. Peter Fonda is appropriately manic, loose and shaggy, and Susan George has fun playing low-class (she has a tough time camouflaging her British accent, but it passes); every time Mary uses her brains, it provides more shading and substance in the character. Adam Roarke is a revelation as accomplice Deke, a sensitive, complicated man with heart and soul; he's not above larceny--he even masterminds it--but he's a thinker, and a realist. This film should have broken Roarke as a star in Hollywood, he is incredibly good. Vic Morrow has the standard role of the lawman on the trio's trail (he plays cat-and-mouse with them, and vice-versa, which is routine) and it's nice to see Roddy McDowall in a non-hysterical role as the supermarket manager. The chases are terrifically charged with adrenaline and excitement, and while the character animosities are trivial, the movie is stylish and wire-drawn. Apparently a big hit with Quentin Tarantino, who used a film-clip in his "Jackie Brown" (and adopted this picture's violent, jokey tone as well). Good show: *** from ****
If you're an aspiring writer/director or just a fan of the cinema? Then you have to watch, "Dirty Mary, Crazy Larry". The movie isn't just another 70's Drive-In exploitation car chase flick. It's the 70's Drive-In exploitation car chase flick to end all other 70's Drive-In exploitation car chase flicks that came before it. Movies like Vanishing Point, White Lightening and The Seven Ups.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
I saw this movie as a young boy and didn't see it again until this Christmas when I ordered the DVD. It was one of my favorite movies from my childhood. I remembered many of the scenes but had forgotten many and enjoyed watching it again. I really enjoyed the interviews and the "extras" on the DVD. I grew up in the muscle car era of the '70's but was too young to drive at the time. This movie along with the Smokey and the Bandit part one were big hits back then. It was definitely worth the money. I will enjoy watching it again sometime soon. I always wondered why I never did see it advertised to be shown on any cable channels. It probably did play down through the years but I never did see it. It does take me back to the days of driving fast with the windows rolled down and listening to the CB radio. They don't make the good old high speed car movies like this anymore.
I saw it on DVD one hour ago, i really enjoy it as I did 40 years ago, these kind of movies are totally awesomes, nostalgics, I would never get tired to watch it again, it was a great rest time for me
Você sabia?
- CuriosidadesVic Morrow, playing 'Franklin', insisted on a $1 million life insurance policy before he would film any scenes involving the helicopter, and said that if he wouldn't be insured, he would walk off the picture. His wish was granted, and he very reluctantly agreed to fly in the chopper. When asked why he wanted the policy, Morrow replied "I have always had a premonition that I'll be killed in a helicopter crash!" Of course, on July 23, 1982, Morrow was indeed killed, along with two children, when a helicopter was brought down by special effects explosions, right on top of them while they were filming No Limite da Realidade (1983). Morrow was decapitated by the helicopter's main rotor, as was one of the children. The other child was crushed to death. Incidentally, famed stunt coordinator Gary McLarty, who was one of the passengers inside the helicopter that killed Morrow, also appears in this movie as a State Trooper.
- Erros de gravaçãoThe first getaway car is repeatedly referred to as a 1967 or 1968 Chevy by the police. It is actually a 1966 Impala and the differences between the model years are obvious.
- Cenas durante ou pós-créditosThe 20th Century Fox logo plays without the fanfare.
- Versões alternativasSeveral scenes cut from the original theatrical release were re-inserted for some television cuts of the film: Among these is a scene in the walnut grove after the collision with the fruit truck where Mary (Susan George) chides Larry (Peter Fonda) about not being literate enough to understand a quote from a book. Another occurs where four hoods at the swap meet are being interviewed by the police after Larry, Mary, and Deke tear off in the souped up Dodge Charger. The houdlums stall the officer's questions by commenting back and forth about what kind of engine was in the Charger.
- ConexõesEdited into Duro na Queda (1981)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Dirty Mary Crazy Larry
- Locações de filme
- 130 West Stockton St., Sonora, Califórnia, EUA(supermarket)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.140.000 (estimativa)
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Proporção
- 1.85 : 1
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