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IMDbPro

Monterey Pop

  • 1968
  • Not Rated
  • 1 h 18 min
AVALIAÇÃO DA IMDb
7,9/10
5,2 mil
SUA AVALIAÇÃO
Monterey Pop (1968)
Trailer for Monterey Pop: 50th Anniversary
Reproduzir trailer2:27
2 vídeos
67 fotos
ConcertDocumentaryHistoryMusic

Um filme sobre o maior festival de rock pré-Woodstock.Um filme sobre o maior festival de rock pré-Woodstock.Um filme sobre o maior festival de rock pré-Woodstock.

  • Direção
    • D.A. Pennebaker
  • Artistas
    • Otis Redding
    • Jimi Hendrix
    • Ravi Shankar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    5,2 mil
    SUA AVALIAÇÃO
    • Direção
      • D.A. Pennebaker
    • Artistas
      • Otis Redding
      • Jimi Hendrix
      • Ravi Shankar
    • 38Avaliações de usuários
    • 52Avaliações da crítica
    • 77Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Vídeos2

    Monterey Pop: 50th Anniversary
    Trailer 2:27
    Monterey Pop: 50th Anniversary
    What to Watch When You Want to Rock Out and Laugh
    Clip 1:08
    What to Watch When You Want to Rock Out and Laugh
    What to Watch When You Want to Rock Out and Laugh
    Clip 1:08
    What to Watch When You Want to Rock Out and Laugh

    Fotos67

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    Elenco principal64

    Editar
    Otis Redding
    Otis Redding
    • Performer
    Jimi Hendrix
    Jimi Hendrix
    • Performer
    Ravi Shankar
    Ravi Shankar
    • Performer
    Country Joe McDonald
    Country Joe McDonald
    • Performers
    • (as Country Joe and The Fish)
    Scott McKenzie
    • Performer
    Denny Doherty
    Denny Doherty
    • Performers
    • (as Mamas and the Papas)
    Cass Elliot
    Cass Elliot
    • Performers
    • (as Mamas and the Papas)
    The Mamas and the Papas
    The Mamas and the Papas
    • Themselves
    • (as Mamas and Papas)
    John Phillips
    John Phillips
    • Performers
    • (as Mamas and the Papas)
    Michelle Phillips
    Michelle Phillips
    • Performers
    • (as Mamas and the Papas)
    Canned Heat
    Canned Heat
    • Themselves
    Frank Cook
    • Performers
    • (as Canned Heat)
    Bob Hite
    • Performers
    • (as Canned Heat)
    Henry Vestine
    • Performers
    • (as Canned Heat)
    Alan Wilson
    Alan Wilson
    • Performers
    • (as Canned Heat)
    Art Garfunkel
    Art Garfunkel
    • Performers
    • (as Simon and Garfunkel)
    Paul Simon
    Paul Simon
    • Performers
    • (as Simon and Garfunkel)
    Hugh Masekela
    Hugh Masekela
    • Performer
    • Direção
      • D.A. Pennebaker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    7,95.2K
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    Avaliações em destaque

    10AudioFileZ

    The 60's Personified...Period!

    A most excellent time capsule of a period. No questions. If you want to see what the sixties were like...Then watch. This really does put in a time capsule more of the generation than anything I've seen. You can feel the shift happening via the music. I vote this is infinitely more important than Woodstock because the movement was already in full swing at that point. Witness the birth of so much of what we still are listening to today. This is the real unadulterated thing. Kudos to the "Criterion Collection"! If only Otis Redding would have lived longer?There is no telling the musical legacy he was going to leave? Based on the incendiary performance here it would have been formidable. This is a must see for anyone interested in the procession of rock through all the permutations of soul and blues. Not to be missed.
    10Sargebri

    If You Think The Film Is Great, Check Out the Outtakes

    This has to be one of the greatest concert documentaries ever made. You get to see some of the greatest early performances by some of rock's greatest legends (Jimi Hendrix, The Who and Janis Joplin) as well as the performance of one band on their last legs, the Mamas and the Papas. The festival also could be seen as a turning point in popular music due to the fact that after the festiveal the more singles oriented acts were being pushed aside in favor of the more progressive album oriented artists.

    Also, if you need more convincing of how much of a pivotal event this was, check out the outtakes video. It contains many of the performances that didn't make it to the film, including Buffalo Springfield without Neil Young who had quit the band a month before their scheduled appearance. Replacing him for this performance was David Crosby, who performed earlier with the Byrds but joined his friend Stephen Stills and the rest of the Springfield for the show (less than a year later Crosby and Stills would team up with Graham Nash and the rest is history). Also check out Laura Nyro. Legend has it that she was booed off the stage. However, she gets a nice applause for her renditions of her classics "Wedding Bell Blues" and "Poverty Train".
    nycsf

    So many gone too young

    There was a time in 1969 when a friend and I went to see Monterey Pop every Friday night at the Kips Bay Cinema in NYC just to hear Janis sing Ball and Chain and Otis sing I've been Lovin You Too Long. Then we'd go to dinner and maybe another movie, but it set up our entire weekend.

    Now, I think about how many of the performers were gone too soon, too young -- Janis, Jimi, Otis, Mama Cass... How amazing to have them all there in this one glorious celebration of music and the innocence (yes) of the 60's.

    Maybe it's not the best "film-making" but it's a treasure to be appreciated as the years go by. Would love to see a DVD release with any additional available footage. Enjoy and remember, (or discover)
    10eddiez61

    The Original Mind Blower

    I wasn't at Monterey in '67, and neither were 99.999% of the people now commenting on this film. To read so many of these comments you'd think that the entire audience was now online and writing reviews. They criticize the song selections, the blaring omissions, the crowd scene inserts, and even the haircuts. They seem to be saying that this film doesn't quite present an accurate picture of the unprecedented 3 day phenomenon that was the Monterey Pop Festival. Well, WHAT would present an accurate picture of that amazing event? I suppose, maybe, hearing someone who was ACTUALLY there tell us his or her story of those wild days. Someone like, I dunno... D.A. Pennebaker? Hey, right, he WAS there, and this film is HIS story (history). At only 78 or so minutes it's more so his impression, his true reaction, in condensed user friendly form, like a good story is supposed to be.

    It was a powerful moment in pop culture - something of an evolutionary turning point. Monterey Pop was very soon understood to be the coming-of-age party for the next generation of cultural leaders. As I watched it the first time some 25 years ago I remember feeling like I was witnessing a natural birth. The birth of a new social order that cherished and honored peace and love above all else. Like all births it wasn't all pretty. Often it's messy and painful and even scary.

    Pennebaker opens his story with the splendid Janis Joplin and Big Brother and the Holding Company's up tempo "Combination of the Two" playing over pre-concert footage. The hippy dippy love and peace vibe was so thick and fun. Appropriately, Scott McKenzie is then heard over more concert prep footage singing "San Francisco (Be Sure To Wear Flowers In Your Hair)", which festival co-founder John Phillips wrote to promote the event. The first stage act we see are The Mamas and The Papas doing "California Dreaming" - a fine expression of the spirit of the day. Sensational rock acts including Canned Heat, Simon & Garfunkle, and Jefferson Airplane follow. Big Brother & The Holding Company really get things deep with Janis wailing a remarkable "Ball and Chain." The romance sours a bit as Eric Burden and The Animals perform a sinister "Paint It Black." It then gets very rough when the Who really beat up the crowd with what sounds like early Punk, their ultra loud hooligan posture in stark contrast to the relatively mild preceding sets - ominous signs of a possibly troubled pregnancy. Destroying their instruments at the end of their set in a fit of hyper adolescent rage seems to be a not-to-be-topped show-ender. This may be a stillbirth.

    And it would have been if The Who hadn't been later followed by the yet not well known Jimi Hendrix who then assumes total control of The Delivery. The water's broken, The Baby is coming and Doctor Jimi is Chief Physician. But he's not your typical Md with an axe. He is transforming before our eyes, mutating, expanding into enormous dimensions and capacities into a monumental Shaman. A molten force from prehistorical depths erupting and reforming endlessly, now being entirely recreated. He writhes and coils as if caught in the throws of powerful contractions. An electric, sonic fetus has instantly developed on stage into a gargantuan, cosmic sound. His symphonic offspring, now fully formed, complete, gorgeous, pure like Apollo, the god of healing who taught man medicine. The god of light. The god of truth, who can not speak a lie. And then Jimi sets fire to his guitar - a ritual sacrifice, appeasing the greater gods that this brand new, better, infant world he has just ushered in might live and prosper.

    Pretty heady stuff, aye? And the truly amazing, wonderful bit that still thrills me is that Ravi Shankar outdoes Jimi. Ravi had done it earlier on the preceding Sunday afternoon, but realizing the awesome achievement of Shankar's act, Pennebaker wisely saves this astounding performance for last. Time, after all, is just an illusion. In what starts like a modest and polite display of a bygone technique, Ravi's raga soon has summoned the attention of everyone and directed it to the Here And Now. The rhythmic syncopation building upon itself, repeating and quickening, everyone's awareness now finely focused on the increasingly heated, emphatic call and response between Ravi's Sitar and Alla Rakha's Tabla. The pace and intensity increase and hold the entire population helplessly captive. It's a formidable, inexorable current that has grasped everyone's consciousness as the pace continues to build and grow. Each pass seems to be the limit but the next surpasses. Everyone's psyche is pummeled with ferocious spasms of rhythm. We are not just witnessing but actually experiencing the conception of our new life. A great cosmic mind f*** with the potent seed of eternity being implanted into the open, pulsing, unsuspecting, tender minds of all.

    Tho they didn't know it yet, on that Sunday afternoon of the final scheduled day of the Monterey Pop Festival, a roundish, dark skinned, simple cotton cloth swaddled gnome had very thoroughly, graciously ravished the collective mind of that naive bunch. And you can see it on the stunned, gaping faces of anonymous spectators and fellow performers alike. They just didn't have the words or ideas or emotions to grasp what was happening.

    So it was in such a fertile, pregnant state that Janis, and Pete and Jimi took that evening's and next morning's stage and completed the inevitable, miraculous act that Ravi had so cunningly initiated.

    This is what I felt when I first watched that edited, incomplete personal tale that is "Monterey Pop." That deformed near-abortion is, to me, perfect. As perfect as any life can be.
    8SnoopyStyle

    music history

    It's the legendary California music festival in June 1967. D. A. Pennebaker films the incredible iconic concert. There is great music. It is an important time capsule for popular music in general. Two of the most notorious performances are Jimi Hendrix burning his guitar and Joplin singing with Mama Cass watching in shock from the audience. One does learn a few things. I didn't think they had chairs but the metal chairs are all neatly lined up in their rows. This is more than a movie, a documentary, or a concert film. It is music history.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Although they declined the invitation to perform because they had sworn off touring permanently, all four of The Beatles were on the festival's board of directors. George Harrison had helped recommend Ravi Shankar, and Paul McCartney had pushed for the organizers to sign Jimi Hendrix, who was unknown in the United States at the time.
    • Erros de gravação
      In the opening credits, a hand-drawn title says "IN ORDER OF PEFORMANCE", misspelling the word "PERFORMANCE".
    • Citações

      Female Fan: I think its gonna be like Easter and Christmas and New Year's and your Birthday all together, you know! Hearing all the different bands, you know. It's just, like, I've heard a lot of them; but, all at the same time - it's going to be too much. I mean, the vibrations are just going to be floating everywhere!

    • Versões alternativas
      The 1997 video version includes as an appendix The Who's performance of "A Quick One While He's Away."
    • Conexões
      Edited into The Who: The Kids Are Alright (1979)
    • Trilhas sonoras
      San Francisco (Be Sure to Wear Flowers in Your Hair)
      Written by John Phillips

      Performed by Scott McKenzie

      Studio version, played over film footage of pre-concert activity.

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    Perguntas frequentes14

    • How long is Monterey Pop?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de abril de 1969 (França)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Monterrey Pop
    • Locações de filme
      • Monterey County Fairgrounds - 2004 Fairground Road, Monterey, Califórnia, EUA(location of the festival)
    • Empresas de produção
      • John Phillips-Lou Adler
      • Leacock-Pennebaker
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.524
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.524
      • 26 de ago. de 2001
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 18 minutos
    • Cor
      • Color
    • Mixagem de som
      • 4-Track Stereo(original release)
      • Mono(original release)
    • Proporção
      • 1.37 : 1

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