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IMDbPro

Monterey Pop

  • 1968
  • Not Rated
  • 1 h 18 min
AVALIAÇÃO DA IMDb
7,9/10
5,2 mil
SUA AVALIAÇÃO
Monterey Pop (1968)
Trailer for Monterey Pop: 50th Anniversary
Reproduzir trailer2:27
2 vídeos
67 fotos
ConcertDocumentaryHistoryMusic

Um filme sobre o maior festival de rock pré-Woodstock.Um filme sobre o maior festival de rock pré-Woodstock.Um filme sobre o maior festival de rock pré-Woodstock.

  • Direção
    • D.A. Pennebaker
  • Artistas
    • Otis Redding
    • Jimi Hendrix
    • Ravi Shankar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,9/10
    5,2 mil
    SUA AVALIAÇÃO
    • Direção
      • D.A. Pennebaker
    • Artistas
      • Otis Redding
      • Jimi Hendrix
      • Ravi Shankar
    • 38Avaliações de usuários
    • 52Avaliações da crítica
    • 77Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Vídeos2

    Monterey Pop: 50th Anniversary
    Trailer 2:27
    Monterey Pop: 50th Anniversary
    What to Watch When You Want to Rock Out and Laugh
    Clip 1:08
    What to Watch When You Want to Rock Out and Laugh
    What to Watch When You Want to Rock Out and Laugh
    Clip 1:08
    What to Watch When You Want to Rock Out and Laugh

    Fotos67

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    Elenco principal64

    Editar
    Otis Redding
    Otis Redding
    • Performer
    Jimi Hendrix
    Jimi Hendrix
    • Performer
    Ravi Shankar
    Ravi Shankar
    • Performer
    Country Joe McDonald
    Country Joe McDonald
    • Performers
    • (as Country Joe and The Fish)
    Scott McKenzie
    • Performer
    Denny Doherty
    Denny Doherty
    • Performers
    • (as Mamas and the Papas)
    Cass Elliot
    Cass Elliot
    • Performers
    • (as Mamas and the Papas)
    The Mamas and the Papas
    The Mamas and the Papas
    • Themselves
    • (as Mamas and Papas)
    John Phillips
    John Phillips
    • Performers
    • (as Mamas and the Papas)
    Michelle Phillips
    Michelle Phillips
    • Performers
    • (as Mamas and the Papas)
    Canned Heat
    Canned Heat
    • Themselves
    Frank Cook
    • Performers
    • (as Canned Heat)
    Bob Hite
    • Performers
    • (as Canned Heat)
    Henry Vestine
    • Performers
    • (as Canned Heat)
    Alan Wilson
    Alan Wilson
    • Performers
    • (as Canned Heat)
    Art Garfunkel
    Art Garfunkel
    • Performers
    • (as Simon and Garfunkel)
    Paul Simon
    Paul Simon
    • Performers
    • (as Simon and Garfunkel)
    Hugh Masekela
    Hugh Masekela
    • Performer
    • Direção
      • D.A. Pennebaker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    7,95.2K
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    Avaliações em destaque

    8SnoopyStyle

    music history

    It's the legendary California music festival in June 1967. D. A. Pennebaker films the incredible iconic concert. There is great music. It is an important time capsule for popular music in general. Two of the most notorious performances are Jimi Hendrix burning his guitar and Joplin singing with Mama Cass watching in shock from the audience. One does learn a few things. I didn't think they had chairs but the metal chairs are all neatly lined up in their rows. This is more than a movie, a documentary, or a concert film. It is music history.
    billymac72

    Watch out for your ears!!

    I've heard it commented that Monterey Pop is less of a `movie' than Woodstock because it doesn't really get to know the Audience as a character (through interviews, pointed observation, thru-stories, etc.). This is nothing more than old-fashioned critic snobbery. The distance is precisely the mystique of the film. Do we need to talk to the audience or to Janis Joplin, for example, after her performance? As an impressed Cass Elliot looks on, we see Joplin playfully skitter off the stage like a schoolgirl to embrace a friend after her victorious `Ball & Chain,' and we totally feel her sense of accomplishment and state of exhaustion after delivering such a powerhouse. Sometimes a picture speaks a thousand words.

    Monterey Pop, in comparison to Woodstock, does indeed have a distant feel and, overall, lacks that film's spit & polish. But this is like comparing two different directing styles – say Kubrick vs. Ford. Based on its own merits, this film is a fantastic, bare-bones look back at the state of (what was then!) underground music…before drugs & death took their massive toll, before it all became `classic rock' commercialism, and before everyone (including myself) had a chance to pontificate on its merits ad nauseum. The distance afforded their subjects by the filmmakers adds to this experimental `street' allure and is actually very appropriate. Have you ever felt cheated by a band simply because they went commercial? How it just doesn't feel the same because what once seemed like a hip secret kept by a choice few had now gained Mass Audience Appeal? The jig was up. Alas, for those old days… Monterey captures that spirit of an unbridled, non-compromised and spontaneous movement that has just the right touch of danger attached.

    Even though Monterey Pop has a garage rock feel, it's not really about `garage rock' per se, which has its roots back to 50s. It's more about a time when rock really went through a kind of psychedelic overhaul that continues to influence today. Besides the psychedelia, however, rock went through a diverse artistic transition that begun to incorporate music from other countries, styles and mediums (You want diversity? Try Otis Redding and Ravi Shankar on the same bill!). Although the Beatles had already begun to incorporate this stuff, most had not by '67 and were just perfecting their own innovative sounds (Janis Joplin, for instance, did not bring in a full horn section until a couple of years later, and Big Brother remained very guitar-driven). The jazz of Hugh Mesekela, for instance, is a standout here. I don't see Woodstock as having such a wide scope.

    On the other hand, comparisons made to Woodstock are valuable enhancements to this film's enjoyment, not necessarily the base of negative critique. One reviewer, for instance, pointed out the medium hairstyle length of most of the men here (most were so new to The Scene that they hadn't had enough time to grow it out yet. Crew cuts and horn-rimmed glasses also abound). Many of the bands also look surprisingly young & innocent when compared with their Woodstock performances only 2 years later (the results of hard living?). Hendrix at Woodstock, in particular, comes off as nearly sedate when compared to his historic appearance here. Such details are what make Monterey Pop a gorgeous document of this period.
    10HSauer

    Classic

    This is a classic documentary of 60s rock, captured live before all the hype and hoopla of hippiedom sank most of these acts (and many others). The Monterey Pop Festival kicked off the Summer of Love and remains the prime event of that epoch. The film should be seen by anyone who claims a passing interest in "Woodstock" or "the 60s." I give it 10 stars.
    TxMike

    Great glimpse into the joyous 1960s.

    I found this documentary on DVD at my local library.

    I know all about the 1960s, I graduated from high school, I graduated from college, I completed my graduate studies, I got married, I started my career, I had my first child. She will be 49 later this year, 2018.

    But I never went to any music festivals. So finding this film on DVD was a joy. It has a good mix of on-stage performances and views of the mostly young crowd away from the stage. While I didn't know any of them I recognize all of them. That is how we looked and behaved in the late 1960s.

    Funny, when I was younger I avoided Janis Joplin, I just hated her singing style. But I saw a documentary on her, I became a fan of sorts. And here at roughly 25 minutes into the documentary she performs "Ball and Chain" which was a real show-stopper., showing her extremely wide range of talent. There is a memorable shot of Mama Cass Elliot in the crowd mouthing "WOW" when Janis' performance was over.

    Anyway, good film that brings back good memories.
    7maccas-56367

    Music history

    I'm over 2020 and want to escape - so Monterey Pop was my choice tonight. No regrets. It acted as the perfect form of escapism and time machine back to the 1960s. You almost start to feel a bit high just watching. It captures the concert experience perfectly and this pivotal moment in time.

    I would've happily enjoyed a longer film, with full sets. As it was, it seemed like a mini taster of the event, that just meandered around. Featured a bit too much sitar at the end.

    My highlights were Mamas and Papas, The Who, Jimi Hendrix, Simon and Garfunkel.

    And damn, 60s women were something else. So beautiful. In fact, all the people here seemed beautiful, happy and free-spirited. Just what my soul needed after a long day.

    Mais itens semelhantes

    Jimi Hendrix - Live at Monterey
    8,1
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    Woodstock: 3 Dias de Paz, Amor e Música
    8,1
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    Gimme Shelter
    7,8
    Gimme Shelter
    Shake!: Otis at Monterey
    7,9
    Shake!: Otis at Monterey
    Led Zeppelin: The Song Remains the Same
    7,6
    Led Zeppelin: The Song Remains the Same
    A Caminho do Leste
    7,9
    A Caminho do Leste
    Um Filme Sobre Jimi Hendrix
    7,7
    Um Filme Sobre Jimi Hendrix
    The Rolling Stones Rock and Roll Circus
    7,6
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    7,5
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    Monterey Pop: The Outtake Performances
    7,9
    Monterey Pop: The Outtake Performances
    Para Toda Uma Humanidade
    8,1
    Para Toda Uma Humanidade

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Although they declined the invitation to perform because they had sworn off touring permanently, all four of The Beatles were on the festival's board of directors. George Harrison had helped recommend Ravi Shankar, and Paul McCartney had pushed for the organizers to sign Jimi Hendrix, who was unknown in the United States at the time.
    • Erros de gravação
      In the opening credits, a hand-drawn title says "IN ORDER OF PEFORMANCE", misspelling the word "PERFORMANCE".
    • Citações

      Female Fan: I think its gonna be like Easter and Christmas and New Year's and your Birthday all together, you know! Hearing all the different bands, you know. It's just, like, I've heard a lot of them; but, all at the same time - it's going to be too much. I mean, the vibrations are just going to be floating everywhere!

    • Versões alternativas
      The 1997 video version includes as an appendix The Who's performance of "A Quick One While He's Away."
    • Conexões
      Edited into The Who: The Kids Are Alright (1979)
    • Trilhas sonoras
      San Francisco (Be Sure to Wear Flowers in Your Hair)
      Written by John Phillips

      Performed by Scott McKenzie

      Studio version, played over film footage of pre-concert activity.

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    Perguntas frequentes14

    • How long is Monterey Pop?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de abril de 1969 (França)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Monterrey Pop
    • Locações de filme
      • Monterey County Fairgrounds - 2004 Fairground Road, Monterey, Califórnia, EUA(location of the festival)
    • Empresas de produção
      • John Phillips-Lou Adler
      • Leacock-Pennebaker
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.524
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.524
      • 26 de ago. de 2001
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 18 minutos
    • Cor
      • Color
    • Mixagem de som
      • 4-Track Stereo(original release)
      • Mono(original release)
    • Proporção
      • 1.37 : 1

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