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IMDbPro

Woodstock: 3 Dias de Paz, Amor e Música

Título original: Woodstock
  • 1970
  • R
  • 3 h 4 min
AVALIAÇÃO DA IMDb
8,1/10
19 mil
SUA AVALIAÇÃO
Woodstock: 3 Dias de Paz, Amor e Música (1970)
Official Trailer
Reproduzir trailer1:44
7 vídeos
99+ fotos
ConcertMusic DocumentaryDocumentaryHistoryMusic

A crônica do filme do lendário festival de música de 1969.A crônica do filme do lendário festival de música de 1969.A crônica do filme do lendário festival de música de 1969.

  • Direção
    • Michael Wadleigh
  • Artistas
    • Joan Baez
    • Richie Havens
    • Roger Daltrey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    19 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Wadleigh
    • Artistas
      • Joan Baez
      • Richie Havens
      • Roger Daltrey
    • 80Avaliações de usuários
    • 67Avaliações da crítica
    • 95Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 2 vitórias e 2 indicações no total

    Vídeos7

    Woodstock
    Trailer 1:44
    Woodstock
    Woodstock: Three Days of Peace And Music
    Trailer 1:38
    Woodstock: Three Days of Peace And Music
    Woodstock: Three Days of Peace And Music
    Trailer 1:38
    Woodstock: Three Days of Peace And Music
    Woodstock: Three Days of Peace And Music
    Trailer 1:25
    Woodstock: Three Days of Peace And Music
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Santana)
    Clip 0:57
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Santana)
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (The Who)
    Clip 0:43
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (The Who)
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Swing Low)
    Clip 0:56
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Swing Low)

    Fotos215

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    Elenco principal62

    Editar
    Joan Baez
    Joan Baez
    • Self
    Richie Havens
    Richie Havens
    • Self
    Roger Daltrey
    Roger Daltrey
    • Self - The Who
    • (não creditado)
    Joe Cocker
    Joe Cocker
    • Self
    The Who
    The Who
    • Themselves
    Sha-Na-Na
    Sha-Na-Na
    • Themselves
    • (as Sha Na Na)
    Country Joe and the Fish
    Country Joe and the Fish
    • Themselves
    Arlo Guthrie
    Arlo Guthrie
    • Self
    Crosby Stills & Nash
    Crosby Stills & Nash
    • Themselves
    • (as Crosby Stills and Nash)
    Ten Years After
    Ten Years After
    • Themselves
    John Sebastian
    John Sebastian
    • Self
    Santana
    Santana
    • Themselves
    Sly and the Family Stone
    Sly and the Family Stone
    • Themselves
    • (as Sly & the Family Stone)
    Jimi Hendrix
    Jimi Hendrix
    • Self
    Canned Heat
    Canned Heat
    • Themselves
    Bob Davis
    • Self
    Lilli Georgescu
    • Lilli
    Jefferson Airplane
    Jefferson Airplane
    • Themselves
    • Direção
      • Michael Wadleigh
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários80

    8,119K
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    Avaliações em destaque

    eht5y

    Forget the peace & love baloney--just rock out

    This 'defining moment of a generation' has been over-romanticized to the point of parody. Woodstock changed nothing about American life or culture--the mythos surrounding it is just a nostalgia trip for aging hippies and guilty yuppies longing for the days before mandatory drug-testing. The notion that getting stoned and balling in the mud at a rock concert could qualify as a form of social or political activism is so ridiculous that it's almost contemptible.

    Nevertheless, 'Woodstock' the movie is a gem for its numerous moments of brilliance on stage and the relatively innovative use of multiple sound-tracks and camera angles that paved the way first for similarly brilliant concert films like Scorsese's 'The Last Waltz.'

    This film was largely responsible for the explosion in popularity of The Who's 'Tommy,' and it's easy to see why. Their renditions of the rock opera's high points, culminating with 'See Me Feel Me/Listening to You' in the early morning hours, are simply breathtaking. Ironically, the Who frequently slagged their performance at Woodstock and the hippie movement in general, and Townshend famously clobbered anti-establishment activist Abbie Hoffman with a blow to the head from his guitar after Hoffman tried to take the mike during their set (sadly, this legendary bit of rock lore was missed entirely by the film crew, who were changing reels between songs at the time). Their set's most serendipitous aspect--the sun breaking over the horizon during the instrumental climax of their final number--was a consequence of the group's holding up their performance for several hours, demanding to be paid in advance. They were also quite angry about having been unwittingly dosed with LSD, which had been added to basically every form of beverage--including ice-cubes--in the backstage area. They translate their frustration and anger into a manic energy unrivalled in the history of live rock.

    Also perilously high on LSD was Santana, whose performance of 'Soul Sacrifice' became a defining moment for that incarnation of the group. Though Carlos Santana's guitar was always the focus of Santana, the film's sound editing and camera work dwell more on drummer Michael Shreve, a drop-dead brilliant jazz-trained percussionist who joined Santana while still in his teens. One could easily be persuaded that Shreve was the real genius of Santana from this performance.

    Other star-making turns are here to be found: the first public appearance of Crosby, Stills, & Nash, delivering a stripped-down performance of 'Suite: Judy Blue-Eyes' supported only by Still's acoustic guitar and their legendary three-part harmonies, Joe Cocker refashioning the Beatles' 'With a Little Help From My Friends' from psychedelic pop into gut-wrenching soul, and the hugely underrated Richie Havens' acoustic folk introspection.

    The snippets of dialogue and interviews date poorly, with the exception of a humorous turn by Grateful Dead guitarist Jerry Garcia, who gives a quick running commentary as he rolls and displays a fat marijuana joint for the camera (the Dead refused permission to have their performance featured in the film).

    Perhaps the most celebrated moment of the film is Jimi Hendrix's set with his new group, the Band of Gypsies, which features his virtuosic take on the 'Star-Spangled Banner.' Though the hippie rhetoric about the glorious counter-culture revolution of the sixties is tiresome (I find it somewhat telling that, due to weather, Hendrix's set was pushed back to the morning of the last day, and was missed by the majority of the filthy, soaked, and hung-over crowd), Hendrix (who, unbeknownst to many, was an Army paratrooper before he became a rock god) captures the confusion and fear aroused by the Vietnam War and the rift it inspired between American youth and the so-called establishment with stunning clarity. He also proves quite convincingly why he will never be equaled as a rock guitarist or an icon of cool.

    Forget the hippie nonsense and get off on some of the highest-quality recordings and concert footage of the golden age of rock.
    9magic8ballfl

    The Mother Of All Documentaries!

    I was 8 years old the time this event took place and having older siblings into the times, styles, and cultures of the era I certainly got a feel and liking for the bands in this documentary. I have seen bits and pieces of this event throughout the years, but never took the time to sit down and watch the whole event from start to finish; that is until last weekend. This definitely is what music documentaries have used as the measuring stick to define themselves ever since. The Director's Cut, which is what I viewed, is 224 min in length. It's amazing how one can get "sucked into the experience" and not notice the time elapsing! The Remastered version is incredible especially regarding the visual and audio equipment used in that time period. The 2 channel effect with the split screen is interesting and keeps the viewer entertained by the different sounds and noises in the interview segments. Best musical and visual picks are Jimi Hendrix, CSN, Country Joe (cute use of the "bouncing ball" - can we say Karaoke?), Jefferson Airplane, and my favorite Janis Joplin. If you're a period person, grew up in the late 60's, or appreciate classic rock music, then I urge you to go and watch this classic piece of work.

    9 out of 10 ***
    9ccthemovieman-1

    Serves As Both A Documentary & Concert DVD

    As I have seen this many times since it first came out on in the theater and then on VHS, I now just fast-forward chapters on the DVD to the music, enjoying my favorite performances in this epic documentary of the most famous rock concert of all time.

    There is a lot to enjoy, including the stuff between the music if you have never seen this before. It certainly captures the wildness of the late 1960s, the good and the bad. It really brings you back to a unique time in American history. For someone who was part of that time, things that were "cool" back then now look and sound a little stupid and naive, but it's still fun to watch. Not only do you get a ton of music, but you see a half million people weathering storms, the mess, drugs, port-o-johns, drugs, dancing, skinny-dipping, drugs, eating. You get the idea.

    Music-wise, everyone has their favorites so I'll put a plug or two in for the artists I've always enjoying watching-seeing the most in this movie: Ten Years After; Sly And The Family Stone; Canned Heat, The Who, Richie Havens, Santana, Sha Na Na, Country Joe And The Fish, The Jefferson Airplane and Crosby, Stills and Nash.

    At almost four hours, you can choose from a variety of music acts, enough to give you at least an enjoyable couple of hours of that alone, if you wish. This is a must- have for music fans of that era.
    9Wuchakk

    The good, the bad and the ugly of hippie culture -- and all entertaining

    I was too young for Woodstock, but I heard of it spoken in reverent tones over the years. I also heard great things about Michael Wadleigh's 1970 documentary-concert. Despite this, I put off seeing the film. Maybe because I thought it was going to be some roll-your-eyes groovy experience, man. I don't know, but I didn't get around to viewing it until the late 90s and I was blown away. I've seen it three or four more times since then and it always has the same awe-inspiring effect.

    The concert took place over 3.5 days in mid-August, 1969, at the height of the Vietnam fiasco and the counterculture movement. Twice as many people attended than expected and it was the biggest gathering of people in one place in history, about 400,000, only beat by the infamous Isle of Wight concert in England a year later.

    The film shows the good and bad of the hippie culture. Generally speaking, the movement was a reaction against the Vietnam war and the sterile legalism that America and similar countries had devolved into by the early-mid 60s. The youth wanted freedom, peace and love and you can see this in the movie. It was a good thing. Yet you can also see the bad -- like the bad acid situation ("Hey, it's your trip, man..."). Both Janis Joplin and Jimi Hendrix appear at Woodstock, and they're great, but they'll be dead in a little over a year, both only 27 years-old. Jim Morrison and the Doors didn't play because they declined at the last moment and later regretted it. Jim died shortly after the other two, also only 27. Interestingly, Jethro Tull declined because Ian Anderson didn't like hippies and was concerned about things like inappropriate nudity (?!).

    But I don't mean to put a downer on Woodstock because it was an amazing event, never to be repeated. They tried to repeat it at Altamont Speedway in California, less than four months after Woodstock, and also at Isle of Wight, but both festivals turned out badly and put the the kibosh on the movement's noble ideals, even though it was pretty much inevitable since freedom without wise parameters naturally devolves into chaos and self-destruction.

    Regardless, as a snapshot in time, "Woodstock" is fascinating and supremely entertaining. Half of the appeal is the incredible magnitude of the event itself and the footage of the people -- the hippies who came and the adults who lived there and tried to help or, in a couple cases, complained. This includes the fun and sometimes outrageous escapades of the festival. A good example would be the skinny dipping or, in many cases, semi-skinny dipping. Although this may have been a cool experiment at the event it never caught-on in the culture at large. Why? Probably because few people want to see someone else's Captain Winky and, unless a female has the body of a starlet, who wants to see it? (lol).

    But what can explain the mass appeal of Woodstock? What made the hippies come out en masse? Was it just the music? The filmmakers ask this very question of a guy at the festival who looks about 16-17 years old. He says it wasn't just the music, at least not for him. The hippies crawled out of the woodwork, so to speak, like zombies seeking some kind of solace, a sense of community, a reason to... live. And Woodstock met that need.

    The other half of the appeal is, of course, the performances and music. What's amazing is how diversified the styles of music were and how non-heavy. Don't get me wrong, many of the performances are seriously energetic, but they're light compared to what rock/metal evolved into in the 70s to the present. There was acoustic folk, Caribbean, blues, rock, gospel, pop, 50s, Latin rock, jazz fusion and psychedelic rock. Some of it I like and some of it I don't much care for, but they're all entertaining in one way or another. Since I'm into metal, my favorites are Santana, The Who and Jimi Hendrix, but I also enjoy a lot of the lighter stuff, like Joan Baez ("Swing Low Sweet Chariot") and Arlo Guthrie ("Coming into Los Angeles"). And then there are the acts that come out of left field, like Sly and the Family Stone and Sha Na Na, even Ritchie Havens.

    What's amazing is how brief the classic hippie era was. It started around '65 and its apex was Woodstock in August '69, a mere four years later. From there it was all downhill with Altamont, Isle of Wight and the deaths of the movement's principal musical icons. As such, it only lasted some eight years.

    Thankfully, we have this film to see the good aspects of the period -- some bad, some eye-rolling -- but mostly good, and definitely entertaining.

    The film was shot in White Lake, New York, and runs 184 minutes while the 1994 Director's Cut runs 225 minutes. I've only seen the latter.

    GRADE: A
    10preppy-3

    Superb documentary

    Oscar-winning documentary on the 3 day long concert back in 1969. Despite more people showing up than was expected and running out of food, water and medical supplies and dealing with a torrential downpour everything went fine. There was no rioting, no violence...just people helping each other out. The film beautifully captures all this. It contains interviews with the kids attending the concert (their views are absolutely incredible), people in the surrounding town, the police, media...all viewpoints are presented. Everything that comes through is tolerance, peace and love.

    The musical acts are varied--you'll love some and hate others. For me the definite highlights were Joan Baez; the Who; Sha-Na-Na; Joe Cocker; Crosby Stills & Nash; John Sebastian; Country Joe McDonald; Sly and the Family Stone and Jimi Hendrix. Also the sound is great and there is superb editing during the sequences with excellent use of multiple screens.

    I saw the directors cut with adds 40 minutes of music (bringing the running time up to 3 hours and 40 minutes). They add Canned Heat, Jefferson Airplane, Janis Joplin and another number by Hendrix. Except for the Joplin footage none of it is really good or needed. The original 3 hour cut is fine.

    Warning--there's lots of swearing, nudity, sex and drug taking. It didn't bother me, but it might bother others.

    A great one of a kind movie. Don't miss it!

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    • Curiosidades
      The two- and three-panel screen presentations seen through much of the movie were innovations born of necessity on the part of its creators and film editor Martin Scorsese. With so much footage shot and the studio's unwillingness to expand the length of the released movie's running time, it was decided that a way must be found to maximize the amount of footage that could be used. Because of the wide-screen aspect of the release, it was realized that the multi-panel format could be used most effectively to not only include as much film footage as possible, but to also have concert footage and crowd reaction shots together on the same screen. The filmmakers believed it was important to show the viewing public just what a monumental event the Woodstock festival had unintentionally become. This method also allowed them to show many behind-the-scene activities that reflected all the hard work put in by the production staff and crew, another important detail that the concert's producers thought was very important for the public to see as they always had contended that without the efforts of the entire production staff, this event easily could have degenerated into a disaster.
    • Citações

      Interviewer: What do you think about the kids?

      Police Officer: From what I've heard from the outside sources for many years I was very, very much surprised and I'm very happy to say we think the people of this country should be proud of these kids, not withstanding the way they dress or the way they wear their hair, that's their own personal business; but their, their inner workings, their inner selves, their, their self-demeanour cannot be questioned; they can't be questioned as good American citizens.

      Interviewer: That's kind of surprising coming from a cop.

      Police Officer: [smiling] I'm not a cop, I'm the Chief of Police.

    • Cenas durante ou pós-créditos
      After the closing credits of the Director's Cut, Crosby Stills & Nash are heard singing "Cost of Freedom". The visuals are of a still shot of the crowd at Woodstock, fading into a long list of names of various people, including performers who were at Woodstock, who since have passed away. The list of names ends with the following: Peace Music Ecology, Liberty Community Democracy, Alternatives Knowledge Altruism.

      This is then followed by: Woodstock Generation 19**-20**. R.I.P. it up, tear it up, have a Ball.
    • Versões alternativas
      NBC edited 88 minutes from this film for its 1981 network television premiere.
    • Conexões
      Edited into The Who: The Kids Are Alright (1979)
    • Trilhas sonoras
      Woodstock
      (Studio Recording)

      Written by Joni Mitchell

      Performed by Crosby Stills Nash & Young

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    Perguntas frequentes16

    • How long is Woodstock?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 26 de março de 1970 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Woodstock - Onde Tudo Começou
    • Locações de filme
      • Bethel, Nova Iorque, EUA
    • Empresas de produção
      • Wadleigh-Maurice
      • Warner Bros. Home Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Orçamento
      • US$ 600.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 126.562
    • Faturamento bruto mundial
      • US$ 321.295
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      3 horas 4 minutos
    • Cor
      • Color
    • Mixagem de som
      • 4-Track Stereo(original release)

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