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IMDbPro

Woodstock: 3 Dias de Paz, Amor e Música

Título original: Woodstock
  • 1970
  • R
  • 3 h 4 min
AVALIAÇÃO DA IMDb
8,1/10
19 mil
SUA AVALIAÇÃO
Woodstock: 3 Dias de Paz, Amor e Música (1970)
Official Trailer
Reproduzir trailer1:44
7 vídeos
99+ fotos
ConcertMusic DocumentaryDocumentaryHistoryMusic

A crônica do filme do lendário festival de música de 1969.A crônica do filme do lendário festival de música de 1969.A crônica do filme do lendário festival de música de 1969.

  • Direção
    • Michael Wadleigh
  • Artistas
    • Joan Baez
    • Richie Havens
    • Roger Daltrey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    19 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Wadleigh
    • Artistas
      • Joan Baez
      • Richie Havens
      • Roger Daltrey
    • 80Avaliações de usuários
    • 67Avaliações da crítica
    • 95Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 2 vitórias e 2 indicações no total

    Vídeos7

    Woodstock
    Trailer 1:44
    Woodstock
    Woodstock: Three Days of Peace And Music
    Trailer 1:38
    Woodstock: Three Days of Peace And Music
    Woodstock: Three Days of Peace And Music
    Trailer 1:38
    Woodstock: Three Days of Peace And Music
    Woodstock: Three Days of Peace And Music
    Trailer 1:25
    Woodstock: Three Days of Peace And Music
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Santana)
    Clip 0:57
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Santana)
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (The Who)
    Clip 0:43
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (The Who)
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Swing Low)
    Clip 0:56
    Woodstock: 3 Days Of Peace And Music Director's Cut 40th Anniversary Edition (Swing Low)

    Fotos215

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    Elenco principal62

    Editar
    Joan Baez
    Joan Baez
    • Self
    Richie Havens
    Richie Havens
    • Self
    Roger Daltrey
    Roger Daltrey
    • Self - The Who
    • (não creditado)
    Joe Cocker
    Joe Cocker
    • Self
    The Who
    The Who
    • Themselves
    Sha-Na-Na
    Sha-Na-Na
    • Themselves
    • (as Sha Na Na)
    Country Joe and the Fish
    Country Joe and the Fish
    • Themselves
    Arlo Guthrie
    Arlo Guthrie
    • Self
    Crosby Stills & Nash
    Crosby Stills & Nash
    • Themselves
    • (as Crosby Stills and Nash)
    Ten Years After
    Ten Years After
    • Themselves
    John Sebastian
    John Sebastian
    • Self
    Santana
    Santana
    • Themselves
    Sly and the Family Stone
    Sly and the Family Stone
    • Themselves
    • (as Sly & the Family Stone)
    Jimi Hendrix
    Jimi Hendrix
    • Self
    Canned Heat
    Canned Heat
    • Themselves
    Bob Davis
    • Self
    Lilli Georgescu
    • Lilli
    Jefferson Airplane
    Jefferson Airplane
    • Themselves
    • Direção
      • Michael Wadleigh
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários80

    8,119K
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    Avaliações em destaque

    Baroque

    "We must be in Heaven, man!"

    Wavy Gravy said it best. Three days of peace, love and music, captured onto film. Everybody has their own opinions about which groups are better than others, but the overall effect is a dizzying one. 500,000 people (with an additional 1 million on the roads who couldn't get any closer) gathered in one spot, for a festival that named a generation. It's hard to believe that the concert was supposed to be a nothing more than a publicity event for a proposed recording studio, financed by a pair of venture capitalists. But the sun, moon and the stars were all in the proper alignment to create an event that we can only stand back and admire. I praise the organizers for having the foresight to document this event on film, for future generations to enjoy and behold. And perhaps, one day, repeat in some form.
    9magic8ballfl

    The Mother Of All Documentaries!

    I was 8 years old the time this event took place and having older siblings into the times, styles, and cultures of the era I certainly got a feel and liking for the bands in this documentary. I have seen bits and pieces of this event throughout the years, but never took the time to sit down and watch the whole event from start to finish; that is until last weekend. This definitely is what music documentaries have used as the measuring stick to define themselves ever since. The Director's Cut, which is what I viewed, is 224 min in length. It's amazing how one can get "sucked into the experience" and not notice the time elapsing! The Remastered version is incredible especially regarding the visual and audio equipment used in that time period. The 2 channel effect with the split screen is interesting and keeps the viewer entertained by the different sounds and noises in the interview segments. Best musical and visual picks are Jimi Hendrix, CSN, Country Joe (cute use of the "bouncing ball" - can we say Karaoke?), Jefferson Airplane, and my favorite Janis Joplin. If you're a period person, grew up in the late 60's, or appreciate classic rock music, then I urge you to go and watch this classic piece of work.

    9 out of 10 ***
    kon-tiki-2

    A spectacular look at the 1960's.

    "Woodstock" was meant as a documentary about the famous 3-day 1969 New York rock festival of the same name, but it's really more valuable as a record of 1960's hippy culture. This is unquestionably the best film to capture the spirit of the 60's. Between musical acts, the camera meanders through the audience and the enormous outlying crowds to interview spectators, or just eves-drop on the scene. This is the most interesting, entertaining, and eye-opening aspect of the film.

    Several of the musical performances are memorable and deserve mention: Richie Havens' awesome concert opener is a classic--you could watch it a hundred times and still get goose bumps--pure magic. Jimi Hendrix comes pretty close to magic also with the final musical number. His frenzied rendition of the "Star Spangled Banner" is incredible, and a fitting closer. Country Joe and the Fish and Joe Cocker are also memorable. A few of the musical acts don't seem to fit: Sha-Na-Na comes across as a weird oddity--(a throwback to the fifties), and Alvin Lee's "Ten Years After" is just too long and boring. Most of the other performances are so-so, but worth watching.

    Overall, the film captures the mood, spirit, and music of the times better than any other. I would also venture to say that this may be one of the very best documentaries ever filmed on any subject. The depth of coverage is spectacular -- fitting for such a historical event. A great movie!
    9Wuchakk

    The good, the bad and the ugly of hippie culture -- and all entertaining

    I was too young for Woodstock, but I heard of it spoken in reverent tones over the years. I also heard great things about Michael Wadleigh's 1970 documentary-concert. Despite this, I put off seeing the film. Maybe because I thought it was going to be some roll-your-eyes groovy experience, man. I don't know, but I didn't get around to viewing it until the late 90s and I was blown away. I've seen it three or four more times since then and it always has the same awe-inspiring effect.

    The concert took place over 3.5 days in mid-August, 1969, at the height of the Vietnam fiasco and the counterculture movement. Twice as many people attended than expected and it was the biggest gathering of people in one place in history, about 400,000, only beat by the infamous Isle of Wight concert in England a year later.

    The film shows the good and bad of the hippie culture. Generally speaking, the movement was a reaction against the Vietnam war and the sterile legalism that America and similar countries had devolved into by the early-mid 60s. The youth wanted freedom, peace and love and you can see this in the movie. It was a good thing. Yet you can also see the bad -- like the bad acid situation ("Hey, it's your trip, man..."). Both Janis Joplin and Jimi Hendrix appear at Woodstock, and they're great, but they'll be dead in a little over a year, both only 27 years-old. Jim Morrison and the Doors didn't play because they declined at the last moment and later regretted it. Jim died shortly after the other two, also only 27. Interestingly, Jethro Tull declined because Ian Anderson didn't like hippies and was concerned about things like inappropriate nudity (?!).

    But I don't mean to put a downer on Woodstock because it was an amazing event, never to be repeated. They tried to repeat it at Altamont Speedway in California, less than four months after Woodstock, and also at Isle of Wight, but both festivals turned out badly and put the the kibosh on the movement's noble ideals, even though it was pretty much inevitable since freedom without wise parameters naturally devolves into chaos and self-destruction.

    Regardless, as a snapshot in time, "Woodstock" is fascinating and supremely entertaining. Half of the appeal is the incredible magnitude of the event itself and the footage of the people -- the hippies who came and the adults who lived there and tried to help or, in a couple cases, complained. This includes the fun and sometimes outrageous escapades of the festival. A good example would be the skinny dipping or, in many cases, semi-skinny dipping. Although this may have been a cool experiment at the event it never caught-on in the culture at large. Why? Probably because few people want to see someone else's Captain Winky and, unless a female has the body of a starlet, who wants to see it? (lol).

    But what can explain the mass appeal of Woodstock? What made the hippies come out en masse? Was it just the music? The filmmakers ask this very question of a guy at the festival who looks about 16-17 years old. He says it wasn't just the music, at least not for him. The hippies crawled out of the woodwork, so to speak, like zombies seeking some kind of solace, a sense of community, a reason to... live. And Woodstock met that need.

    The other half of the appeal is, of course, the performances and music. What's amazing is how diversified the styles of music were and how non-heavy. Don't get me wrong, many of the performances are seriously energetic, but they're light compared to what rock/metal evolved into in the 70s to the present. There was acoustic folk, Caribbean, blues, rock, gospel, pop, 50s, Latin rock, jazz fusion and psychedelic rock. Some of it I like and some of it I don't much care for, but they're all entertaining in one way or another. Since I'm into metal, my favorites are Santana, The Who and Jimi Hendrix, but I also enjoy a lot of the lighter stuff, like Joan Baez ("Swing Low Sweet Chariot") and Arlo Guthrie ("Coming into Los Angeles"). And then there are the acts that come out of left field, like Sly and the Family Stone and Sha Na Na, even Ritchie Havens.

    What's amazing is how brief the classic hippie era was. It started around '65 and its apex was Woodstock in August '69, a mere four years later. From there it was all downhill with Altamont, Isle of Wight and the deaths of the movement's principal musical icons. As such, it only lasted some eight years.

    Thankfully, we have this film to see the good aspects of the period -- some bad, some eye-rolling -- but mostly good, and definitely entertaining.

    The film was shot in White Lake, New York, and runs 184 minutes while the 1994 Director's Cut runs 225 minutes. I've only seen the latter.

    GRADE: A
    8dcipa

    different experience as an adult

    when the movie was first released, I saw Woodstock in a theater with my great uncle. I was in 8th grade. He took me to see it because we both played guitar and shared a love of music. It was quite an experience - especially some of the "free love" scenes, but we loved it and he was especially awed by Jimi Hendrix.

    I had a chance to see the director's cut in a theater this year. It was such a gift to go back in time and recapture the feeling of that time. While four hours is a long time, the extra footage of Jimi Hendrix and the dreamy scenes of Janis Joplin near the end are worth it.

    Yes, Woodstock is ESSENTIAL viewing for any rock fan and for anyone who wants to capture the real sense of what it was like to feel part of a generational "love' movement. It seems so unreal in retrospect, but those of us who lived it - remember it. See Woodstock and enjoy.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The two- and three-panel screen presentations seen through much of the movie were innovations born of necessity on the part of its creators and film editor Martin Scorsese. With so much footage shot and the studio's unwillingness to expand the length of the released movie's running time, it was decided that a way must be found to maximize the amount of footage that could be used. Because of the wide-screen aspect of the release, it was realized that the multi-panel format could be used most effectively to not only include as much film footage as possible, but to also have concert footage and crowd reaction shots together on the same screen. The filmmakers believed it was important to show the viewing public just what a monumental event the Woodstock festival had unintentionally become. This method also allowed them to show many behind-the-scene activities that reflected all the hard work put in by the production staff and crew, another important detail that the concert's producers thought was very important for the public to see as they always had contended that without the efforts of the entire production staff, this event easily could have degenerated into a disaster.
    • Citações

      Interviewer: What do you think about the kids?

      Police Officer: From what I've heard from the outside sources for many years I was very, very much surprised and I'm very happy to say we think the people of this country should be proud of these kids, not withstanding the way they dress or the way they wear their hair, that's their own personal business; but their, their inner workings, their inner selves, their, their self-demeanour cannot be questioned; they can't be questioned as good American citizens.

      Interviewer: That's kind of surprising coming from a cop.

      Police Officer: [smiling] I'm not a cop, I'm the Chief of Police.

    • Cenas durante ou pós-créditos
      After the closing credits of the Director's Cut, Crosby Stills & Nash are heard singing "Cost of Freedom". The visuals are of a still shot of the crowd at Woodstock, fading into a long list of names of various people, including performers who were at Woodstock, who since have passed away. The list of names ends with the following: Peace Music Ecology, Liberty Community Democracy, Alternatives Knowledge Altruism.

      This is then followed by: Woodstock Generation 19**-20**. R.I.P. it up, tear it up, have a Ball.
    • Versões alternativas
      NBC edited 88 minutes from this film for its 1981 network television premiere.
    • Conexões
      Edited into The Who: The Kids Are Alright (1979)
    • Trilhas sonoras
      Woodstock
      (Studio Recording)

      Written by Joni Mitchell

      Performed by Crosby Stills Nash & Young

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    Perguntas frequentes16

    • How long is Woodstock?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 26 de março de 1970 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Woodstock - Onde Tudo Começou
    • Locações de filme
      • Bethel, Nova Iorque, EUA
    • Empresas de produção
      • Wadleigh-Maurice
      • Warner Bros. Home Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 600.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 126.562
    • Faturamento bruto mundial
      • US$ 321.295
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      3 horas 4 minutos
    • Cor
      • Color
    • Mixagem de som
      • 4-Track Stereo(original release)

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