Em 1940, a Força Aérea Real Britânica trava uma batalha desesperada para impedir que a Luftwaffe ganhe superioridade aérea sobre o Canal da Mancha como prelúdio para uma possível invasão do ... Ler tudoEm 1940, a Força Aérea Real Britânica trava uma batalha desesperada para impedir que a Luftwaffe ganhe superioridade aérea sobre o Canal da Mancha como prelúdio para uma possível invasão do eixo do Reino Unido.Em 1940, a Força Aérea Real Britânica trava uma batalha desesperada para impedir que a Luftwaffe ganhe superioridade aérea sobre o Canal da Mancha como prelúdio para uma possível invasão do eixo do Reino Unido.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 1 vitória e 1 indicação no total
- Baron von Richter
- (as Curt Jurgens)
Avaliações em destaque
The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.
This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.
The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.
On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.
More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.
This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.
An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.
In Australia this one has beeen dragged out on Saturday afternoon TV ever since its debut to educate generations of young boys - a great when one discusses 'Warries'.
Made early enough to use (reasonably) accurate aircraft, with the de rigeur sixties ensemble (when all the good warries really had a stellar cast), original and actual dog-fight footage (even if they do slip up repeating the same crash 3 times), a stirring score and even Michael Caine's black lab waiting in vain for his return.
This flick isn't afraid to show the rivalries amongst the top brass, the German fighting man in a good light (with a big poke at 'fat Herman'), the realities of romance with flaming death around the corner(groan from the kiddies), - and they even switch to a poetry of the air without screenplay for a while! There are so many brilliant scenes that are pulled together masterfully into a cohesive, stirring story.
8/10
As a straight historical account this film fails rather badly. Most of the characters are artificial, created for the Stars and stars involved. Dowding and Park, historically absolutely crucial, never develop properly - a pity. Goering is cartoonised, but at least reflects his total failure to conduct a strategic assault on the UK.
The flying sequences are, mostly, superb. It was a huge achievement to bring together the aircraft used. As an enthusiast I can pick massive holes in those used. None of the 'German' aircraft have correct engines - they were post-war Spanish Air Force stand ins. And that's before we start on the late war mark Spitfires etc. But who cares? The point is the conflict in the air. It is not close enough to 'real' aerial combat - 10 seconds of terror in 60 mins of boredom. But that is the nature of the cinema medium.
The distraction of Suzanne York (BTW she's not trying to get divorced!) in full 40's u/wear was very exciting when I was 16. At 52 I suppose it still gives me the odd moment!
And look for the hanger being 'bombed' behind Suzanne York and Kenneth More, it really WAS blown up at Duxford - boy, were they cross!
The revisionist historians like to claim that the (actual) Battle of Britain was not that important. That the Germans couldn't have crossed the Channel anyway because of the Royal Navy (probably, but not necessarily so. With air supremacy JU87s would have massacred RN vessels). That the Germans already had eyes on Russia and really wanted to ignore GB as a sideline, possible and a fatal mistake. That the Germans lost the battle, rather than the RAF won it (no statistical basis for this, the Luftwaffe smashed itself against the RAF).
But the Battle WAS fought, and won by the RAF.
Which is why I believe this film is worth a viewing.
Especially the Walton scored sequence, where the Luftwaffe's bombers are hacked down by the Hurricanes and Spitfires of the RAF. An impressively moving sequence of the horror of war in the air. To which the music adds enormously.
I place this film well ahead of the 1990's Memphis Belle travesty in depicting the reality of war. It is certainly on a par with 12 O'Clock High.
Here as many stars as could be gotten under one roof paid tribute to the valiant fighting heart of the United Kingdom's Royal Air Force which did nothing less than save civilization itself in their defense of their 'blessed isle.' Such folks as Christopher Plummer, Michael Caine, and Robert Shaw portrayed RAF squadron commanders who had to be mobilized at an instant notice to face the German Luftwaffe which outnumbered the Royal Air Force 4 to 1. As Laurence Olivier put it just to stay even our young men will have to shoot down their young men at a rate of 4 to 1.
Olivier plays the guy ultimately responsible for the success of the RAF as Fighter Command chief Air Marshal Hugh R. Dowding. Olivier did very well in capturing the essence of character that was Dowding who was a brooding pessimistic sort not given to wild claims of bravado. That in itself did not near and endear him to his Prime Minister who liked a great show of spunk from his military commanders. Dowding was also into spiritualism and after retiring in 1942 claimed contact with the spirits of dead RAF men from the other side.
Dowding had to referee between dueling Air Vice Marshals Keith Park and Trafford Leigh-Mallory played by Trevor Howard and Patrick Wymark. Leigh-Mallory wanted a more offensive type strategy and Park was for husbanding what resources the RAF had. Good arguments were put forth by both men. Dowding came down eventually on Park's side though after Dowding was retired by Churchill, Leigh-Mallory got his way. By that time through Lend-Lease, Britain had enough planes to do what Leigh-Mallory envisioned. The conflict between these guys was a great deal nastier than portrayed here. But Olivier, Howard, and Wymark give you some insight into the character of each.
My favorite bit in Battle of Britain is not any of the aerial combat sequences which are spectacularly done, nor is it the conflict in the higher command. It's a scene that takes place in Geneva where the ministers from Great Britain and Germany meet. The German minister is not a Nazi party hack, but a career diplomat. Yet he's real full of himself when he tells Ralph Richardson that you British might just as well surrender because we got the resources to take you out right now.
Classical actor that Ralph Richardson was, his reply was in the spirit of John Wayne when he tells them if you think you can, you're welcome to try, just don't make with the mouth. Minister David Kelly was echoing the bulldog defiance of his prime minister who was stiffening the backbone of his people for the long haul.
One thing I wish had been showed in Battle of Britain. There was reference to Buckingham Palace being bombed and it did get hit a few times over the course of the next five years. King George VI and his family stayed there, they certainly could have left for the relatively safer areas where Sandringham, Windsor, and Frogmore were. But they chose to stay as well. Not enough is ever spoken about the King and the other royals in that period. They too were an inspiration to their subjects. I wish that the Royals had been portrayed here, it might give some insight to non-Commonwealth people about why the Monarchy is held in such respect despite recent antics by some of its members.
Of course the Germans took Ralph Richardson's invitation to step up and get the job done and they failed. Thanks to some 600 RAF pilots which included volunteers from other commonwealth countries, from exiles from such places as Poland and Czechoslovakia and even from the USA, Great Britain kept control of its skies and a planned invasion never took place. Although aerial attacks took place over the United Kingdom for the length of the war, the threat of invasion was officially over when Hitler turned his attention east and southeast.
Battle of Britain is a wonderful tribute to the 20th century's noble 600.
Você sabia?
- CuriosidadesSir Michael Caine initially thought he was too young to play a squadron leader. However, veterans of the battle told him he was actually too old for the part.
- Erros de gravaçãoWhen ACM Hugh Dowding and the Air Minister are discussing relative aircraft numbers, the minister states, "We have radar." The term radar was not used in Britain in 1940. The term RDF was used. The term radar was invented by the US Navy in 1940 and held as secret until later in the war.
- Citações
Baron von Richter: David, we are not asking for anything. Europe is ours, we can walk into Britain whenever we like.
Sir David Kelly: If you think we're going to gamble on Herr Hitler's guarantees, you're making a grave mistake. All those years in England seems to have left you none the wiser. We're not easily frightened. Also we know how hard it is for an army to cross the Channel. The last little Corporal who tried came a cropper. So don't threaten or dictate to us until you're marching up Whitehall... and even then we won't listen.
- Versões alternativasSome TV prints of the film retain the Transamerica/UA production logo, which is now frequently edited out of other UA films of that period.
- ConexõesEdited into A Batalha de Midway (1976)
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Detalhes
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- A Batalha Britânica
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Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.723
- Tempo de duração2 horas 12 minutos
- Cor
- Proporção
- 2.35 : 1