The Hand

I am extremely indebted to the other reviewers of this Butchers B Movie since i realised after viewing it that i had rather lost the plot.I just could not fathom out what was happening.Mind you when a film starts with the subtitle "Burma 1946" and starts with scenes set in the Second world war you are bound to be a bit mystified.As has been stated by other reviewers the best part of the film is the opening 7 minutes set in Burma.The rest of the film rather lets it all down.The climax in particular is extremely badly handled.The ending is predictable and ironic but there is a total lack of suspense.You would think that with just an hour to tell a story that it could be kept fairly straightforward,but alas the producers of this film failed to achieve that.

This is a strange addition to the British 60's Horror collection- though in truth it also fits somewhere between mild thriller and fairly obvious whodunnit. First qu: why do the film's producers go to the trouble of setting the opening scenes as "Burma - 1946", when Japan had surrendered in August 1945, ending WW2? An inauspicious start.

The acting is a little stilted, although interesting to see Ray Cooney (the future king of farce) standing in as Ronald Leigh-Hunt's sidekick. Unfortunately the screenplay isn't Cooney's best and the editing is so frantic it must have been done with the finesse of a chainsaw. Despite all this and its obvious shoestring budget, there's some fun to had for us cult b+w geeks...

I'm still giving it '7' for sheer weirdness more than anything else. As 'Malcolm' the reviewer of 26.5.2013 states, it mysteriously starts off with a caption of: 'Burma, 1946'. I wondered where that was going as strangely, it looks like WW2 - with British commandos being tortured by the Japanese. The latter threaten to cut off the hands of the soldiers unless they tittle-tattle their military secrets. Two don't and have their hands cut off. One, Derek Bond, alias 'Crawshaw', looks more nervy and it's left there, before going to the present day (well, 1960). It seems like a tramp has had his hand cut off in the present day by Crawshaw's bent, or lent on brother, who on police investigation by Ronald Leigh-hunt, is trying to get to the bottom of that. Brodie, one of the soldiers who had his hand cut off ends up dead after Crawshaw has visited him in the meanwhile. This can be a vague story, but as one other reviewer says perhaps some credit should go to 'Run for Your Wife' Ray Cooney who wrote and stars in it. It 'does' seem as if Crawshaw who retained his hand by not telling the Japanese soldiers the secrets, may have tried to ease his conscience by 'producing' a hand to Brodie and the other chum to show it wasn't him, or that his secret was out in the open as a sort of traitor. The cops eventually catch up with Crawshaw when he visits the other officer who wouldn't blab (and one-handless of course), Crawshaw runs off and you can guess what happens - let's say he may as well have held back in WW2. Strange, but loved the London locations. So much so (is this sad?) I looked them up and went to see them - quite interesting, most hadn't changed apart from one side of the road churned up for a council estate. Worth watching for the weird factor as well. (Okay, I admit, I've recorded it for my collection of British B-flicks!)

Great start!

And yeah - lots of talk, and no action - which was the curse of British B movies of the time. But you've got to pay attention to the dialogue this time, or you won't work out what the motivation is. In other words, Ray Cooney's dialogue is a bit cleverer than the norm at the time.

Nasty shots (for 1961) - one severed hand (natch!)

Who's the murderer, then? Bloody Hell - Derek Bond has the lead role on the posters, and doesn't appear after the MEANINGFUL prologue until well into the movie.

Ray Cooney wrote the screenplay, and went on to script several extremely successful comedy/farce plays. This seems to have been his only foray into nasty stuff.He also appears in the movie. Several rewinds suggest that he's the main Cop's second hand( heh, heh!) man.(The credits aren't helpful)

I had to hunt this movie down after many years. Hard to find. Is it good? Well - all I can say is that, had I the chance to view it at the time, I may not have been disappointed. Very English, shoestring budget. Today?

It's an hour long, you've got to pay attention to throw-away dialogue - but it's much better than those Butcher Film movies that send you to sleep after 5 minutes and -

Amazing for 1960: Bad language! In the prologue, a character calls his WW2 captors "Dirty Bastards!" Believe me, STRONG stuff for the time.

BUT - this is NOT a lost classic. Tape it on late night TV if it ever shows, but don't pay what I did to give you this review.

GEISTERZUG

Director Henry Cass's final exploitation film before he embraced Moral Rearmament.

Both very cheap and very nasty with an incredibly complicated plot devised by a young Ray Cooney and Tony Hilton, who also kept costs down by both playing coppers investgating a gruesome discovery made in a then contemporary East End of payphones with button Bs (when the NHS was already staffed by foreign nurses).

In only sixty minutes it also manages to throw in Japanese wartime atrocities and incredibly only carried an 'A' certificate from the British censor. But AIP were sufficiently satisfied with it to release it stateside.