A Mão

As a psychological thriller this actually works. In large part because of Michael Caine. As a B movie about a killer hand or a schizo cartoonist it features Olive Stone's tortured man, driven to ruin by a woman, whose lack of self-knowledge and unchecked rage propel him to violence. I kind of agree with another reviewer's disappointment at the ending not wrapping it up, but The Hand is enough of a thing that I feel neither way about the end. Stone's vitriol for women, a characterization many have stuck on throughout his career, is very apparent here. Caine as Johnathan Lansdale is comfortable in his beautiful country home, crafting a semi-popular syndicated cartoon. But his yogic wife Anne (Andrea Marcovicci) wants to do something with her life and demands a move to NYC. This ends up undoing him, but not before he struggles with having his writing/drawing hand severed. Without saying more, I'd recommend this for Caine's gradual unraveling, an engrossing trip into The Mind and even a good Oliver Stone cameo.

OK, the murders weren't gory (Just strangling), it was slow at sometimes, but still an enjoyable movie. I mean, Idle Hands was gory, funnier, fast-moving, has a great soundtrack, and better, but it's still a great flick.

The story is about a cartoonist played by Michael Caine who shows his girl a lizard's tail (The name of the story the movie is based on) which is still moving which fore-shadows what happens later in the movie. Then in an automobile accident, he loses his hand. They can't find it, so they give him a robot hand for a replacement. And the hand he lost was the hand he draws and writes with, so they have to have a replacement. He complains the artist is not as good as him and they find a recent cartoon scribbled on. And then there's the murders. A bum (played by director Oliver Stone) is killed by the hand (In a brilliant black and white sequence). Then Caine moves to some place to teach and cheats on another girl. Then other murders happen.

I won't give away what else happens. If you want a psychological thriller about a killing hand, rent this (Or And Now the Screaming Starts). But if you want a killer hand and a comedy, see Idle Hands (Don't listen to critics).

The Hand: B+ Idle Hands: A-

Comic strip artist, Jonathan Lansdale (Michael Caine) has it pretty rough. His marriage is falling apart, and an accident leaves him without his drawing hand. Soon, Jon starts losing his mind, suffers from blackouts, and people start dying.

As horror movies go, Director Oliver Stone's THE HAND is rather dull, and could have been at least 20 minutes shorter. Caine is mostly overwrought in a "look-out-I'm-crazy!" sort of way. The movie does get points for ambiguity, leaving it open as to whether Jon is the killer, or his disembodied mitt.

BONUS: Watch for the cross-eyed corpse! You don't see those every day!...

I remember watching this movie soon after it came out and the special effects were not bad for the time period that it came out despite what people say. Remember, Star Wars had only been out a few years by this time. As far as the movie goes, Caine does quite well with his part and the plot is believable in the way Freddie Kruger is believable. If you've seen many "creature" movies, then this one could seem to be predictable and thus lose some of it's "boo" effect. Wait until the end and watch closely. If you've seen this movie you should know what I mean, if not then pay close attention. After seeing that final scene you suddenly realize that maybe all wasn't as it seemed. Go back through this movie and keep in mind that last scene. Suddenly the whole movie transcends the Freddie Kruger believable and becomes in fact quite plausible. It's like watching Star Wars Episode 4 after just watching Episode 3, it all takes on new meaning!

Oliver Stone and Michael Caine may well feel a little embarrassed by this tale of a cartoonist haunted by his own severed drawing hand, but despite it's ludicrous premise and rather rubbery effects from Stan Winston, the film isn't all THAT bad.

Michael Caine brings an amiable nonchalance to the E. C. horror comic style proceedings while portraying his character's ever growing bitterness perfectly. While the story provides little in surprises the film does work on more than one level, leaving the viewer wondering if what's going on, is all in the mind of Caine's character or that it is indeed actually happening. And for a film like this that makes you think, or more fittingly, makes you stop thinking how all very silly it all is, is no mean feat.