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I am not a Crosby fan by any means but as usual, Debbie Reynolds brights up this film. Fun debut for Stella Stevens as a wisecracking chorus girl.

At the time this film was made, there was actually a Catholic parish in the New York theater district (maybe there still is). Since films rarely depict the religious life of theater people, this was a potentially interesting background for a musical comedy-drama. Unfortunately it goes off in many wrong directions. Even Bing Crosby, in his third screen outing as a priest, seems to have lost a lot of his charm and humor. This cleric is much sterner and more sanctimonious than Father O'Malley.

Frank Tashlin directed some good comedies that took irreverent pokes at various 1950's institutions, but I don't think he was the type for the kind of sincere, schmaltzy Christmas fare this movie was apparently supposed to be.

There are some nice moments, some good tunes and performances. If you can lower your expectations, it's not altogether bad entertainment, but it's a shame it wasn't better, given the interesting premise.

The cast that tries to breathe life into the hackneyed show is a pretty good one, with Debbie Reynolds coming off best. Robert Wagner isn't altogether believable as a song and dance man. He's actually surprisingly good in the song numbers. It's just that he's playing someone who should be terrific. (I think the part was intended for Frank Sinatra, early on.) He handles the heel-like tendencies of the role pretty well.

The movie is watchable, relatively entertaining, professionally produced...not a total bomb. The songs are good. So you could do worse.

Tacky Twentieth Century-Fox comedy-drama with music (and an eleventh-hour holiday theme) has Robert Wagner miscast as the wolfish manager of a risqué nightclub. He's having trouble conquering new showgirl Debbie Reynolds, a church-going college kid trying to earn enough dough to pay for her father's operation. Bing Crosby plays the local priest who tracks Debbie down ("She said she was working as a secretary!" ... "Find the typewriter!"), only to steal a joke from the floor-show to help out a local comedian. Wan mixture of spiritual uplift and boy-chases-girl nonsense doesn't quite jell, at least not with old-school comedy vet Frank Tashlin at the helm. Tashlin's pacing is lively enough, and he works well with Reynolds, but the combination of prayer with salty backstage personalities trips him up. The picture never finds an appropriate tone, and Crosby--trading his famous Father O'Malley role from "Going My Way" for the lookalike Father Conroy--phones his performance in. ** from ****

Not sure why the "critics" disliked this movie that much. I first saw it as a kid and even now--in my 30's--I still find myself enjoying the simple story of a "bad seed"--Wagner's character--going good.

Top-notch music and dance numbers with Debbie Reynolds add that special spark to keep the story fresh and full of energy. The talents of an emsemble cast including the great Bing Crosby, dashing Robert Wagner, and versatile Ray Walston contribute greatly to this film's appeal.

Your best bet to see this fine film would be cable since as of this writing SAY ONE FOR ME is not available on vhs or dvd.

As the saying goes--try it, you'll like it! See SAY ONE FOR ME sometime soon! It's worth it!

I have always enjoyed this movie and the songs from it! I always thought of Ray Walston as Uncle Martin, but after viewing this movie many years ago, I have seen him in a new light. Singing and dancing is not one of Robert Wagner's strong points but in this movie he's not bad to look at. It's a shame that the sound track to this movie and others are not available in CD format.