Bancando a Ama-Seca

I've read the preceding comments and they pretty much tell the story of why this is a classic Jerry Lewis film. However, I think one of the reasons I love this one so much is that it also captures a feel for what life was like growing up in the fifties (as I did). In many ways it typifies the fifties mindset, but also exemplifies the entertainment of the period. Things were so much more family-oriented. Sex wasn't non-existence in films, but it was more often handled tastefully. Language was wholesome and the humor didn't depend on "shock" (such as the name of Navin Johnson's dog in The Jerk).

I find the segment in Hill Valley of the fifties in Back to the Future especially enjoyable as Robert Zemeckis does a great job of re-creating the era. Watching Rock a Bye Baby, which is authentically of the era confirms that. (In fact, the court house and town square in both of these films appear to have a striking similarity to one another.)

Although the story owes a lot to The Miracle of Morgan's Creek as inspiration (and even gives Preston Sturges credit), it really has its own unique flavor as well. Like a son who bears a resemblance to his father but also has his own personality. In many ways I think that Frank Tashlin has improved upon it. The subplot with the sister and its resolution are wonderful additions.

Over all I think it is a great film and can't wait till it's available on DVD (Is anybody listening?).

Saw this film in its original release and later on some television re-runs. I like the film because it allows Jerry to face the situations that make for a movie that is a lot of fun. He is called upon to watch twin babies of a girl he thinks he is in love with who is a movie star, so while she goes all over the world filming he gets a crash course in baby rearing. Connie Stevens at her best is also along as a girl who really likes him. Some of the moves she put on him are quite risque for the 50's. Jerry does it all in this film. I like this period of his career after he broke up with Dean Martin. He made some great films until he transferred to Columbia. He seemed to get too much control of what he did and most of these films are quite unfunny. The wonderful Paramount's including this film, Who's Minding the Store, and his best in my opinion The Nutty Professor show him in his heyday. It's hard to imagine a theater full of families laughing so hard but I assure you they did, I was there.

I have seen most of Jerry Lewis' comedies and I wasn't surprised that I liked this film, as it was made during a period in which most of his best films were made--the late 1950s (don't ask me what I think of the ones from the late 60s and 70s...yick). However, I must confess that while I liked the film overall, it was very uneven and about as many gags worked as flopped. As for me, I actually preferred many of the moments when Jerry wasn't trying to be funny-- such as one of the musical numbers where Jerry and the babies' grandfather sing a nice little duet.

The plot to this film is kind of weird. Clayton Poole (Lewis) used to date Carla Naples (Marilyn Maxwell) but now Carla has gone on to better things. She's now a big Hollywood star and her career is about to take a hit because she's pregnant and her husband died after only a day...and no one knows about the marriage. So, to avoid any sort of scandal, she plans on dumping the baby off on Clayton. However, she is surprised when she ends up having triplets. Yet, oddly, Clayton agrees to raise the kids even though they aren't his and he spends most of the rest of the film with the three adorable little girls. But, some rich biddy without kids decides to go to court to try to take the kids away, as everyone back in the 1950s KNEW that a man cannot raise a child by himself. What's next?

The film has lots of jokes that simply fall flat. The ones with the babies tended to work better because they were gentler and seemed less forced. As for the music, Jerry sings a lot of tunes (several of which were poorly chosen, as they were out of his musical range) and his acting is very nice. Overall, a cute little film that Lewis fans will love and others will at least tolerate.

This is another typical Jerry Lewis comedy. Overall, it will make you laugh. But more, this is a musical that makes you laugh. Jerry Lewis hits a home run for his typical audience. No surprises here, if you are a fan of his work, this is a treat. Then again, the supporting cast including Marilyn Maxwell, Connie Stevens and Salvatore Baccaloni make it more than just a Jerry Lewis comedy. Baccaloni is perfect. At first you hate him and then love him. Connie Stevens is beyond beautiful. She is as sexy as she can be for the decade. She plays the perfect girl next door who is head over heels for Jerry. The trick is, it is Jerry who is playing hard to get. This adds to the wonderful genre that Lewis created in his comedies. This is a nice story that offends nobody. This is hard to do when making a successful comedy. Somewhere, usually someone is the butt of the joke. Here, Jerry is the butt as well as the rest of the cigarette (wink wink).

I used to love Jerry Lewis films as a kid, and although I prefer the Lewis/Martin combos to his solo efforts, this would have to be one of my favorites.

I never used to like this, I found the slapstick unfunny, but it has grown on me over the years. Although the first 15-30 minutes aren't great, once Lewis is looking after the triplets there is a lot of fun to be had here, and Lewis plays his character with great pathos, in fact some parts of his performance are enough to bring tears, the way he portrays Claytons unrequited love for Carla.

The film also includes some lovely songs, particularly the Italian lullaby he sings with Papa Naples.

Recommended!