Conflito Íntimo

Título original: The Man Inside

1958
Approved
1 h 37 min

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Anita Ekberg and Jack Palance in Conflito Íntimo (1958)

Adicionar um enredo no seu idiomaA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him t... Ler tudoA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.A jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.

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AVALIAÇÃO DA IMDb

5,9/10

381

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Veja as informações de produção no IMDbPro

Fotos48

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Avaliações de usuários17

5,9381

Avaliações em destaque

8musical-2

Superb British answer to The Third Man?

This is a modest British adventure thriller which was hoped would hit the world market at a time when this kind of picture was in vogue. A jewellers book keeper steals a priceless diamond and is trailed by various factions half across Europe. Interesting vehicle for Anthony Newley who was given a more meatier role than his usual light musical comedy roles as taxi driver Ernesto. The all star cast includes the very British Nigel Patrick, Sid James (before his Carry On days), and a guest appearance by Donald Pleasence. Palance and Ekberg gave this British movie the American market interest. Richard Bennett's brilliant theme is akin to The Harry Lime Theme from The Third Man. Written by John Gilling (later of Hammer film fame). A rare movie, not released on video nor seen on TV for many years. Paul Goodhead - President Anthony Newley Society Worldwide.

6petersjoelen

5.6 would be more accurate

Despite the quite original theme and the strong start of the film, the film ultimately fails to captivate enough, in terms of pace the film flies from pillar to post, also literally, from Portugal to Madrid, and from Madrid to Paris.

I increasingly got the feeling that much more could have been done with this, the characters remain superficial and actually it all goes way too fast sometimes.

Much was shot on location and that gives the film a good vibe.

Nice to see Jack Palance in a role of the good guy for once, films in which he plays always seem to have an added value, and Anita Ekberg is of course a beauty but her character also remains superficial, it's all just not quite right, unfortunately.

searchanddestroy-1

John Gilling was not only a horror film maker

John Gilling was, for the British film industry, a director who gave us thrillers, adventure movies and also horror ones, as also did Terence Fisher, Roy Ward Baker, Freddie Francis. But for each of those directors, we always remind the horror features. For John Gilling, we remind THE REPTILE, SHADOW OF THE CAT, PLAGUE OF THE ZOMBIES, MUMMY'S SHROUD but never his thrillers: PICK UP ALLEY, MAN INSIDE, IT TAKES A THIEF - THE CHALLENGE. I don't even speak of this colonial adventure films speaking of pirates or British Army in India or Afghanistan - BRIGAND OF KANDAHAR, BANDIT OF ZHOBE. For all those films, non horror I mean, Gilling brought his trade mark in the script, directing. Here, he meets Anita Ekberg with whom he also made PICK UP ALLEY, a good thriller where the villain Nigel Patrick nearly steals the show for his performance.

71bilbo

A good plot and a great cast.

I suspect that this was a "B" movie of the day. We don't have "Second feature" movies any more, nowadays we are presented with one almighty production that revolves around a single famous actor and a host of special effects.

This little offering is different, there is a host of really great actors and a lot of character development. Anthony Newley is great and fits his role so well. Palance seems to be not quite with it but I have noticed this in a few of his films, his Texan accent was a mistake.

It was interesting to see the change in our leading lady after she had been beaten up. Even her ample top didn't seem to be bursting at the seams!

Well worth a watch - if you can get it.

6dnhalliday

Unfortunate miscasting but still enjoyable

Nigel Patrick gives a great performance as usual, ably supported by screen stalwarts such as Sid James Donald Pleasance Gerard Heinz and especially Anthony Newley. Anita Ekberg provides the glamour and there are lots of exotic locations in Europe. However, Jack Palance is woefully miscast as the romantic lead and this film would have been far better if he had swapped roles with Bonar Colleano and played the villainous heavy. Having said that there is still a lot to enjoy as the story is good and there are plenty of entertaining scenes and dialogue. I liked the scenes on the train and particularly those with the precocious little girl. Incidentally, the train seems to start out in Paris as the famous Golden Arrow but ends up being pulled by an ordinary tank engine.

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Curiosidades
This was Bonar Colleano's final film before he was killed in a car accident on August 18, 1958 at the age of 34, three weeks before the film was released.

Erros de gravação
When Sam Carter takes delivery of his forged Spanish passport he runs through the attributes it lists - eye colour blue, hair colour fair, height 5 feet 11 and a half inches and so on. However, Spain adopted the metric system in 1849, so his height would have been given in metres/centimetres.

Citações
Robert Stone: Without any warning at all, the door closed on me. I shouted and finally...
Milo March: You say you've known him for a long time?
Robert Stone: Yes, he's been doing our books for fifteen years at least. The quietest, nicest fellow you could meet. He came here about once in two weeks. Carter and I used to look at the stone together. We used to stand here, just looking.
Franklin: Hand in hand?
Robert Stone: Mr. March, you know anything about diamonds?
Milo March: Yeah, I know I can't afford them.
Robert Stone: Then let me ask you; have you ever seen something that became an obsession, something you simply had to possess?
Milo March: Aha. But she ran away with a Texas oil man.
Robert Stone: Well, Carter in a sense, eloped with the diamond. I don't condone him stealing it, mind you. But I can understand why he did it. He took it because he fell in love with it.
Franklin: It's like stealing another man's wife.
Milo March: Oh, come on now. What can a diamond do for you on a cold night?
Robert Stone: If you're lucky enough to find The Tyrahna Blue, you'll know what I mean. You see, Mr. March, every man is actually two men: the one the world sees, the other the man inside.
Milo March: You think that I'll steal it?
Robert Stone: [chuckles] No, course not, Mr March. But the idea may cross your mind. A diamond like The Tyrahna Blue is like a beautiful woman - irresistible. A fire with passion.