Avaliações de usuários

I suspect that this was a "B" movie of the day. We don't have "Second feature" movies any more, nowadays we are presented with one almighty production that revolves around a single famous actor and a host of special effects.

This little offering is different, there is a host of really great actors and a lot of character development. Anthony Newley is great and fits his role so well. Palance seems to be not quite with it but I have noticed this in a few of his films, his Texan accent was a mistake.

It was interesting to see the change in our leading lady after she had been beaten up. Even her ample top didn't seem to be bursting at the seams!

Well worth a watch - if you can get it.

Sam Carter (Nigel Patrick) is a seemingly normal guy. He's predictable, people like him and he's the last person you'd think was a criminal. But Sam has been playing the long game and after years of 'normalcy', this bookkeeper for a jeweler not only steals a huge diamond, but he kills one of his coworkers to get away with the gem. Then, through the course of the story, he tries to blow up an American investigator (Jack Palance) and kills again! Clearly this 'nice guy' ain't so nice after all!

The story is told from the viewpoint of the investigator, Milo March (Palance) and takes him from Britain where the crime occurred to the European mainland. But Carter always seems to be just ahead of him or makes an escape...thanks to him being such a vicious man. Along for the ride is a beautiful woman (Anita Ekberg).

The fact that Carter seems to escape much too easily...mostly because March has no backup (which makes little sense considering how dangerous Carter is)...is a deficit of the story. Still, despite this, it's tense and worth seeing. It's also a bit surprising to see Palance playing the hero...something he really wasn't too familiar with at this point in his career.

By the way, you might wonder why an American actor stars in this British film. In the 1950s and 60s, it was not uncommon for European film companies to hired famous American actors (usually second-tier ones, as Palance was at the time) to star in the films. It was assumed the name recognition would help with sales...especially in the American market. It was most common in Italian movies but it was also true in many German and British films.

A detective pursues a stolen diamond and a voluptuous mystery woman.

This is a curious production that had me puzzled until I read Zipper69's informative, if dismissive, review. In my view, he's a little too negative, but the movie remains a disappointment, mainly because of the odd casting. As an actor, Jack Palance may be many good things, but a dashing leading man he's not. Plus, his performance here remains just plain weird, the southern accent about as good as mine. I'm not sure what Palance is reaching for, but the director should have exercised better control. Then there's Ekberg, the mammary goddess, who's a first-rate model, but a third-rate actress, especially as a mystery woman. Between them, they distract heavily from the story itself.

Nonetheless, the plot twists with the golf ball are cleverly inventive, along with the hectic park scene with the magician and the kids. There's also some good noirish photography, but that car trapping the man in the narrow alley was a crime drama cliché even in 1958. Nonetheless, with more appropriate casting and a more engaged director, the film did have real potential. Too bad, it remains a disappointing misfire.

I have never heard of Director John Gilling - and with good reason! At least on IMDB, his work does not get much by way of high ratings.

That said, he had a hand in THE MAN INSIDE's script, and it ain't half bad. Clearly, despite scenes in Lisbon (I would contend that it is really a run down part of Madrid, the locals even speak castillian, not Portuguese, irrespective of the obligatory "obrigado"), Madrid, Paris and London, this has the look of a low budget flick.

The action is entertaining enough, with some zesty moments but cinematography by - to me unknown - Ted Moore is generally dark, mostly inside trains, and not overly memorable.

Nigel Patrick stands out as Sam Carter, who insists on being addressed as Carrasco (meaning "executioner" in both Portuguese and Spanish) . He reminded me of Mr Holland in THE LAVENDER HILL MOB (UK 1951), memorably played by Alec Guinness, but with a far colder and more evil drive, to the point of actually icing two or three people along the way, all for the sake of holding on to a priceless diamond.

I agree with other reviewers that Jack Palance seems miscast. I would have loved to see Joel McCrea in his role as March. Anita Ekberg's posterior alone is worth the price of admission, and seeing her whole must have been a massive boner... hmm, bonus, to many a young male spectator at the time.

Bonar Colleano makes a credible, sophisticated heavy with stylish glasses to boot.

Sid James with a US accent and Newley as a Spaniard miss the mark, though, despite the latter's quick thinking - his English is just too good to come across as a convincing Spaniard.

All told, watching this 90-minute flick is no waste of time. 7/10.

Anita Ekberg is eye candy in a strange British thriller about a diamond heist. Jack Palance from USA, Ekberg from Sweden, Donald Pleasence from UK, Anthony Newly from UK playing a Spaniard make up the some of the cast. Sequences of quality is jewel thief Nigel Patrick playing magic tricks for kids in Lisbon and the train only to be outsmarted by them . The character Ekberg plays is intriguing..

I'd almost forgotten how awful this dreck was until seeing it today on TCM. The format of flying in Nigel Patrick to film the over-title sequence of him walking through the streets of New York (??)and all subsequent " American" scenes actually filmed in the UK (street scenes in some scuzzy suburb of London to approximate the brownstone district), add a motley collection of American cars and a couple of NY cop uniforms with all the extras under order not to speak!! Then we get Sid James adapting his South African accent to approximate a tough New York cop and what looks like the Pinewood commisary doubling as a NY airport (just add TWA posters...). Palance seems to have been under the influence of SOMETHING, his performance is strange and his delivery is nuanced with odd pauses and weird facial expressions in full flow. Ekberg is suitably majestic, first seen from below, standing like a figurehead at the top of the stairs, her generous figure threatening to overcome the stitches of her various clinging outfits at any moment. Basically - rubbish!

Trivia note: amongst the cinematographers listed is Nick Roeg, later to go on to a distinguished career as a director.

Nigel Patrick gives a great performance as usual, ably supported by screen stalwarts such as Sid James Donald Pleasance Gerard Heinz and especially Anthony Newley. Anita Ekberg provides the glamour and there are lots of exotic locations in Europe. However, Jack Palance is woefully miscast as the romantic lead and this film would have been far better if he had swapped roles with Bonar Colleano and played the villainous heavy. Having said that there is still a lot to enjoy as the story is good and there are plenty of entertaining scenes and dialogue. I liked the scenes on the train and particularly those with the precocious little girl. Incidentally, the train seems to start out in Paris as the famous Golden Arrow but ends up being pulled by an ordinary tank engine.

I expected rather more from this movie when I saw the cast. What I got was a poor attempt at a glamorous international pursuit thriller with a far fetched storyline and unbelievable characters. Nigel Patrick's Sam Carter, a mild-mannered book-keeper, lifts a valuable diamond and disappears. A variety of goodies, baddies and don't-knows follow him from New York (studio office, stock footage and London street with American cars) to Lisbon to Madrid to Paris and finally to London. All have their reasons for wanting to relieve Carter of the stone. Milo March (Jack Palance) is a private detective on the case. Trudie Hall (Anita Ekberg) claims it belongs to her family and Lomer (Bonar Colleano) is simply a crook. The action follows March but, he is favoured too much by coincidence. It seems he only has to turn up somewhere and ask a question of the nearest local in order to be given his next lead. Ekberg's only purpose is to be ogled. And there are at least three unsubtle references to her having "concealed weapons" (ba-boom tish!). On the plus side film buffs will have fun spotting the usual suspects who habitually grace 1950s British films. Eric Pohlman (ray!), Sid James, Alfred Burke and Donald Pleasance all have roles, and Anthony Newley plays his usual annoying, chirpy, streetwise foreigner. In this instance, Ernesto the cabby. Some nice location shots and pics of vintage airliners, and a brief shot of The Golden Arrow train. Curiosity value only.

This is a modest British adventure thriller which was hoped would hit the world market at a time when this kind of picture was in vogue. A jewellers book keeper steals a priceless diamond and is trailed by various factions half across Europe. Interesting vehicle for Anthony Newley who was given a more meatier role than his usual light musical comedy roles as taxi driver Ernesto. The all star cast includes the very British Nigel Patrick, Sid James (before his Carry On days), and a guest appearance by Donald Pleasence. Palance and Ekberg gave this British movie the American market interest. Richard Bennett's brilliant theme is akin to The Harry Lime Theme from The Third Man. Written by John Gilling (later of Hammer film fame). A rare movie, not released on video nor seen on TV for many years. Paul Goodhead - President Anthony Newley Society Worldwide.

Despite the quite original theme and the strong start of the film, the film ultimately fails to captivate enough, in terms of pace the film flies from pillar to post, also literally, from Portugal to Madrid, and from Madrid to Paris.

I increasingly got the feeling that much more could have been done with this, the characters remain superficial and actually it all goes way too fast sometimes.

Much was shot on location and that gives the film a good vibe.

Nice to see Jack Palance in a role of the good guy for once, films in which he plays always seem to have an added value, and Anita Ekberg is of course a beauty but her character also remains superficial, it's all just not quite right, unfortunately.

Just finished watching this on Talking Pictures and was very entertained. The film cracks along at a decent pace and the cast are supported by a decent, and often humorous, script. The first-call British actors all turn in their usual good performances (no Sam Kydd though, most have been an oversight) although Sid James's American accent leaves a lot to be desired. As well as a good storyline, one of the delights is seeing European capital cities in the late 1950s. A lot of the film is on location, and as such, for British audiences, this must have seemed impossibly exotic and romantic. The train sequence at the end has echoes of 'From Russia With Love' which was made five or six years later. Finally, a word for Anita Ekberg's corsetry, which deserved an Oscar all of its own. Recommended.

An honourable gentleman commits a theft of a priceless jewel after having worked in the bank for 15 years and all the time planned this coup and how to get away with it. Nevertheless he is being chased all over Europe by Jack Palance, but the jewel in the crown of this film is Anita Ekberg who makes a stunning impression even from the start and remains the centre of attention throughout the film, especially of the leading actors. It's an exotic and intriguing 'Catch the thief' drama with quite a few twists and positively surprising moments and with a persistent tune rivalling that of "The Third Man" which will stick in your mind from the start. Anthony Newley as the constant taxi driver adds some good humour and spirits to the film. Patrick always acts with great style and although rivalled by the attraction of Anita Ekberg you will remember him but hardly Jack Palance.

a crime film. far to be memorable, it is not bad. only version of an old recipes, with clear characters, with wise used actors in key roles. the expectations are far to be high. but the film remains decent and the story, unrealistic in essence, seems be more than nice. because if you ignore the details, nothing is too strange. Jack Palance does a good job using his simple presence. same situation - Anita Ekberg who is only the beautiful seducer with few moral fights but nothing complicated or bizarre. a film from a genre who reflects the expectations from a period. so, nothing special. but a decent crime who, far to be Hitchcock, is useful for memory. and for a kind of nostalgic entertainment.

John Gilling was, for the British film industry, a director who gave us thrillers, adventure movies and also horror ones, as also did Terence Fisher, Roy Ward Baker, Freddie Francis. But for each of those directors, we always remind the horror features. For John Gilling, we remind THE REPTILE, SHADOW OF THE CAT, PLAGUE OF THE ZOMBIES, MUMMY'S SHROUD but never his thrillers: PICK UP ALLEY, MAN INSIDE, IT TAKES A THIEF - THE CHALLENGE. I don't even speak of this colonial adventure films speaking of pirates or British Army in India or Afghanistan - BRIGAND OF KANDAHAR, BANDIT OF ZHOBE. For all those films, non horror I mean, Gilling brought his trade mark in the script, directing. Here, he meets Anita Ekberg with whom he also made PICK UP ALLEY, a good thriller where the villain Nigel Patrick nearly steals the show for his performance.