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IMDbPro

O Falcão

Título original: Hawk
  • Série de TV
  • 1966
  • 1 h
AVALIAÇÃO DA IMDb
6,9/10
187
SUA AVALIAÇÃO
Burt Reynolds in O Falcão (1966)
CrimeDrama

As técnicas de combate ao crime do detetive iroquês ​​John Hawk, do gabinete do promotor público da cidade de Nova York.As técnicas de combate ao crime do detetive iroquês ​​John Hawk, do gabinete do promotor público da cidade de Nova York.As técnicas de combate ao crime do detetive iroquês ​​John Hawk, do gabinete do promotor público da cidade de Nova York.

  • Criação
    • Allan Sloane
  • Artistas
    • Burt Reynolds
    • Wayne Grice
    • Leon Janney
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    187
    SUA AVALIAÇÃO
    • Criação
      • Allan Sloane
    • Artistas
      • Burt Reynolds
      • Wayne Grice
      • Leon Janney
    • 8Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Episódios17

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    PrincipaisMais avaliados1 temporada1966

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    Editar
    Burt Reynolds
    Burt Reynolds
    • Detective Lt. John Hawk
    • 1966
    Wayne Grice
    • Det. Dan Carter…
    • 1966
    Leon Janney
    Leon Janney
    • Ed Gorten…
    • 1966
    John Marley
    John Marley
    • Sam Crown
    • 1966
    Robert Gerringer
    Robert Gerringer
    • Murray Sanders…
    • 1966
    Jon Lee
    • Lab Technician
    • 1966
    Jason Wingreen
    Jason Wingreen
    • Assistant District Attorney…
    • 1966
    Carl Low
    • Medical Examiner
    • 1966
    William Smidt
    • Detective Melhorn…
    • 1966
    Peter Gumeny
    • Detective Nolley…
    • 1966
    Robert Duvall
    Robert Duvall
    • Dick Olmstead
    • 1966
    Martin Sheen
    Martin Sheen
    • Peter Jannus
    • 1966
    Diane Baker
    Diane Baker
    • Mary Wheelis
    • 1966
    James Best
    James Best
    • Emile White
    • 1966
    Louise Sorel
    Louise Sorel
    • Melissa Grant
    • 1966
    Kim Hunter
    Kim Hunter
    • Mrs. Gilworth
    • 1966
    Richard Jordan
    Richard Jordan
    • Warren Cross
    • 1966
    Bert Convy
    Bert Convy
    • Len Vardis
    • 1966
    • Criação
      • Allan Sloane
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários8

    6,9187
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    Avaliações em destaque

    8mulroon02

    Hawk Would Be Great For A Complete Series DVD

    Hawk retains the grittiness of an earlier Screen Gems series, Naked City, but has a nice touch with it's use of color film in mostly night shots. One of the best aspects is the sound by Don Kirshner, and the very eerie nocturnal theme music by Kenyon Hopkins played while Hawk drives his 1966 Pontiac Bonneville up 7th Avenue at 11:52:59 pm (according to a digital clock).
    8DeanNYC

    NYC 400 - #363 - "Hawk"

    It's not often that a television series attempts to push the envelope on a social issue, but this program was one that tried to do it, even as it presented itself as a standard cop show.

    Lieutenant John Hawk, as played by Burt Reynolds, was an NYPD detective working with the DA's office on various cases. But Hawk wasn't just a detective, he was a full blooded Iroquois tribesman. Elements of the show had Hawk battling not just the "bad guys," but also fellow officers whose racism and prejudice had them challenging and attempting to diminish his accomplishments.

    Notably Mr. Reynolds did have some Native American blood on his father's side of the family. He was part Cherokee and was playing an Indian on the CBS western, "Gunsmoke" before he got this role, his first lead in any TV or film production.

    Hawk had a partner, Detective Dan Carter, played by Wayne Grice. Just in case the issues of racism weren't obvious enough for you, Hawk's partner was a Black American, which may have been an attempt to capitalize on another popular series of the day, "I Spy." Carter was what we would call today, a nerd: a by the book, stay out of trouble, high intelligence level cop just out to do the job. He was the opposite of Hawk, low-key, avoid the confrontation and keep the peace kind of fellow.

    The way they handled the story of Hawk's history was an interesting choice. There were some episodes of the series where it didn't come into play at all, while others where it was a major part of the storyline. It's clear that they were really trying to have the issue of Hawk's heritage be a part of the plot in organic ways, rather than it being a requisite element of every week's episode.

    Also important was that Burt Reynolds did just about all of his own stunts in the show. If a fight scene needed to be a part of that week's episode, it was Burt throwing the punches, which added a level of gritty realism to the process. And, of course, there were a lot of fight scenes to be done.

    New York played a part in that Hawk was typically a "Second Shifter," so he was working nights and overnights. The bright lights of the Big City came into play, as Hawk drove around town in his blue 1966 Pontiac Bonneville with the siren light on the dashboard. So stylish!

    Burt even got to direct an episode or two of the series as it ran, which gave him more opportunities to slug the bad guys and show off the sights and sounds of New York, as the series was filmed on location.

    Thanks to Reynolds' eventual success in acting, this show has has managed to remain on the pop culture scene, though the elements of his ancestry might bring the question of cultural appropriation, nowadays. After all, his Native roots were barely acknowledged in any of his roles that followed.

    The fatal problem for the program was the schedule. "Hawk" ran opposite the hugely popular "The Dean Martin Show" on NBC, and even a straight-shooting cop like Hawk couldn't outrun a Rat Packer.
    Cheyenne-Bodie

    Burt Reynolds should have played John Hawk more like Quint Asper and less like Ben Casey

    "Hawk" (1966) had a brilliant core idea of filming a detective series on location in New York City at night. Making the central character an American Indian and casting 30-year old Burt Reynolds as Lt. John Hawk were also extremely smart moves. (David Carradine was also considered for the role of Hawk.) This show had enormous promise.

    "Hawk" was created by Emmy winner Allan Sloane ("Teacher, Teacher", "East Side, West Side", "The Breaking Point"). Sloane also wrote several strong episodes. The executive producer was Hubbell Robinson ("Boris Karloff's Thriller", "87th Precint"), who always strove for quality.

    The stories were literate and intriguing (coming from the same people who were doing "The Defenders" and the other top dramatic shows of the day.) The casting of guests was impeccable, often drawing from the fine pool of actors working out of New York City. Some of the guest stars were Gene Hackman, Robert Duvall, Martin Sheen, Frank Converse, Philip Bosco, Scott Glenn, Diana Muldaur, Diane Baker, Louise Sorel, Bradford Dillman, Carol Rossen, James Best, Emily Prager and Beverlee McKinsey.

    The main problem with the series was that the character of John Hawk was an arrogant jerk, apparently modeled after Ben Casey with a little Marlon Brando thrown in. Hawk had a big chip on his shoulder. It was impossible to like him. Burt Reynolds was never more appealing than as "half-breed" blacksmith Quint Asper on "Gunsmoke" for two years in the early 60's. The writers and producers should have let Reynolds play Hawk more like Quint Asper.

    Another weakness was that Hawk always had to be right and always had to perform the heroics solo. This made Hawk even more insufferable. The producers should have given Hawk a partner who was an equal rather than an eager beaver trainee. Gerald S. O'Loughlin, Ossie Davis or Frank Converse could have been good choices for Hawk's partner. Reynolds could have easily developed a humorous, easy rapport with any of those actors. The partner could have shared some of the heroics and might even have made fun of John Hawk's preening self-importance.

    Even with its weaknesses, "Hawk" was an excellent effort, and I wish it had lasted longer. With just a little tweaking of the main character, this could have been one of the finest TV cop shows in history. Indeed, th premise of "Hawk" was so good, it could be remade as a series today.
    purakek

    Fine drama

    Between this and Quinn Martin's Dan August, Burt's potential as a dramatic action star seemed sealed. He was good in this moody, jazzy and sometimes violent series. There was always that emphasis on his (American) Indian heritage and the wretchedness of his job (one episode dealt with the unrewarding job of a stool pigeon). Too bad Burt didn't seem to care much about his movie career considering the spate of bad films he made in the 70's (Deliverance notwithstanding).
    8jameselliot-1

    The angry Burt Reynolds before he became a good ol' boy with a mustache

    Burt Reynolds was at his surliest and angriest in Screen Gems' production, Hawk, a series by Allen Sloane, writer of TV shows with a socially relevant point of view. Unfortunately, Hawk was cancelled with only 17 episodes broadcast, unable to compete with Dean Martin and a movie of the week.

    Hawk was gritty and was filmed that way. It didn't have the overall natural feel of the groundbreaking Naked City but its night scenes of a shabby, grungy, sleazy 1966 Manhattan filmed in color have an eerie quality enhanced by the spooky music of the great Kenyon Hopkins. (Nelson Riddle's one episode has riffs too similar to the Batman series.) This is the dangerous Manhattan that was the backdrop for Death Wish in 1974. Hawk's New York is a city populated by psycho-killers, mobsters, maniacs, mental cases, punks, nightcrawlers and assorted career criminals.

    Reynolds generally had two expressions in Hawk, angry and angrier, with a soft spot for some ladies but he was never given a steady girlfriend. His father was a high iron worker who fell to his death and this propels Hawk, especially in one episode when he goes after a corrupt contractor. Hawk was blunt and direct, not concerned about offending anyone including his superiors, suspects and potential sources of information. He had an African-American coworker and sidekick played well by Wayne Grice who saved him from death a few times, including getting crushed in an industrial size compactor.

    When it came to the action scenes, common sense and proper procedure was usually neglected. Faced with gun-totting thugs, Hawk would fling himself bodily at them like a bull and get into wild, furniture smashing brawls. In most episodes he would take brutal beatings that would put anyone in the hospital, unlike most TV detectives who'd win every fight. Mannix was hit over the head once a week but Hawk took a far worse beating in almost every show. Reynolds did his own stunts and as he grew older the effects of these stunts took its toll. He could barely walk near the end of life.

    Many guest stars went on to great fame or solid careers. Tony LoBianco is a thief who steals heroin, predating the French Connection. Frank Converse, fresh off Coronet Blue and a year from N.Y.P.D., is a crooked cop working for the mob. Gene Hackman is a frightening religious fanatic who murders strangers. Robert Duval is a killer after negotiable bonds. Many of the female guest stars went on to prolific New York soap opera careers.

    The directors were an accomplished lot including Sam Wanamaker, Alexander Singer and Paul Henreid. Reynolds directed one episode, Blind Man's Bluff that starred his close friend James Best as a psychopathic killer targeting cabbies.

    One of the best episodes was Wall of Silence featuring Emily Prager as a very pretty autistic teen who witnesses the shooting of a policeman by punk Scott Glenn but doesn't understand what she's seen, can't speak and is Hawk's only witness. It was one of the early shows (besides Breaking Point starring Paul Richards) that explored the relatively unknown condition of autism. Her character is something of a "baby doll," a behavioral trait that would probably not be permitted in a modern script.

    After Reynolds passed away. Get TV programmed post-midnight episodes of Hawk for two weeks. The slicker California-based Dan August was shown during the day. Less angry than Hawk, August was not too far removed in temperament. Since Coronet Blue was released on DVD last year, there's still hope for Hawk getting a release one day.

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    Enredo

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    • Curiosidades
      Burt Reynolds' salary for the show was six thousand dollars a week.
    • Conexões
      Featured in 7 Nights to Remember (1966)

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    Perguntas frequentes17

    • How many seasons does Hawk have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 8 de setembro de 1966 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Hawk
    • Locações de filme
      • Filmways Studios - 246 East 127th Street, East Harlem, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Screen Gems Television
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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