O Terrível Pesadelo

Hammer studios are best known for their campy horror efforts such as the Frankenstein and Dracula series', but in the mid-sixties they also produced a number of satisfying little thrillers (mostly directed by Freddie Francis) and this film belongs to that side of the studio's output. The film is not as appealing as Francis' earlier Paranoiac, but Hysteria works primarily because of the swinging sixties atmosphere and the mysterious plot, which is played to the maximum and finishes with a great twisted climax. It's amazing that this film was produced by Hammer studios, as it feels much more like a Hitchcockian mystery/film noir than anything else that the studio produced. The plot follows an American who wakes up in an English hospital, unable to recall what has happened to him and how he got there. All we know about the man is that he was involved in a car accident, and he has a mysterious benefactor who's paying all of his hospital bills and has paid for a penthouse suite for him to stay in upon his release. His only real link to his past is a newspaper cut-out of a mysterious French model...

It's obvious that this film was an attempt to mimic the successful American mystery movies of the sixties. Robert Webber's suave performance isn't a world away from Cary Grant, while Lelia Goldoni does her best Audrey Hepburn impression, and actually does rather well with it. Hammer films are distinctly English, but despite being set in the home nation; this one feels more like an American film overall. Of course, the lead character's accent helps this greatly. The film may be a disappointment to die-hard Hammer fans who prefer the colourful imagery of their most successful horror films, but Hysteria is good because it shows that the studio have some diversity. Freddie Francis was certainly one of Hammer's most capable directors, and in his hands this story is allowed to show some characterisation and present a good mystery. Hysteria keeps its audience on the edge of their seat throughout, and manages to deliver just the right amount of humour to be funny, without taking anything away from the mystery. The conclusion is well worked and makes sense, and overall; although this isn't a classic Hammer film, it's certainly a very good one!

Hysteria is directed by Freddie Francis and written by Jimmy Sangster. It stars Robert Webber, Anthony Newlands, Jennifer Jayne, Maurice Denham and Lelia Gordon. Music is by Don Banks and cinematography by John Wilcox.

From the long line of Hammer Thrillers with one word titles that followed in the wake of Psycho, Hysteria is a decent addition to the roster. Plot in simple terms finds Webber as Chris Smith, a survivor of a car crash who is suffering with amnesia. Upon finding out some mysterious benefactor has been footing the hospital bills for him, he is naturally intrigued as to who it is. Following the bare minimum of clues, while struggling with angry voices he hears in his head, Smith finds himself in a vortex of mystery and shifty shenanigans.

What follows is a monochrome murder mystery laced with psychopathic tendencies, paranoia, dangerous attractions, twists and extended flashbacks. It's all a bit flimsy if you wanted to dissect it as a viable story, but Sangster comes up with some good ideas in the name of entertainment, and Francis is able to eek out suspense at regular intervals. Cast are fine, including the sometimes maligned Webber who sits the role well, while Denham offers up a good one as the detective who is not to be taken lightly.

Good solid twisty thriller from Hammer. 7/10

This is by no means an esoteric, deeply psychological thriller, but entertain it does, and well at that. Not an unfamiliar plot thesis here but it is a cleverly laid out amnesia story and suitably paced melodrama with a lot of the usual mid 60's ambiance, including a nicely orchestrated jazz score, (from Don Banks & co.), which ever so deftly weaves in and out of a given scene with subtle acuity. Special kudos to the tenor sax player in the orchestra for his gorgeous musical renderings.

It was nice to see the "Hammer" people opt for Robert Webber as the lead here, something he rarely got a chance to do stateside. The other cast members were more than competent in fulfilling the requirements of their respective roles which also helped make for a nice 90 minute flashback to an earlier time. The story itself takes a twist or two in the plot development to keep things interesting.

Thanks go to TCM for airing films like this which would probably never be shown anywhere else.

Hammer studios gained fame and fortune by producing tons of eerie horror films, filled with monsters, madmen or classic gothic influences. In short, films high on adrenalin and action. Hysteria is one of their least known films just because it's the exact opposite. It's a mysterious, slow-moving thriller that requires a little more thinking and involvement from the viewer. An American (Robert Webber, known from cinema classics like `12 Angry Men' and `Bring me the Head of Alfredo Garcia') wakes up in a British hospital after a car-accident. He suffers from a bad case of amnesia and he has to start digging into his own past and personality. The only thing he was carrying at the time of the accident was a picture of a stunningly beautiful, mysterious girl! Also, someone is paying for his hospital bills and arranged an apartment for him but he has no idea who that is.

Hysteria contains a few nice and unpredictable twists and the screenplay is overall solid and realistic. Alfred Hitchcock influences are never far away. Jimmy Sangster, who delivered many decent scripts for Hammer productions in his career, wrote the film and co-produced. There's a compelling atmosphere to detect and the cheap black and white photography helps increasing the suspense. Too bad about the constant guiding Jazz music which isn't really appropriate for this type of film. Judging by modern standards, the film is now pretty dated and heavily flawed, but with the right state of mind, you'll be enjoying this old-fashioned, low budgeted film. Freddie Francis is a professional director, not afraid to bring a little diversity in his career. He directed famous Hammer stories (Dracula has Risen from the Grave, the Creeping Flesh) as well as modest, more story driven tales like this one but also `Paranoiac' and `Nightmare'. Good acting as well! Robert Webber is very convincing and the gorgeous beauty Lelia Goldina (Invasion of the Body Snatchers) portrays a terrific muse. Recommended!

I really liked this film, lots of suspense with an interesting story line full of twists and turns as the plot unfolds.

I quickly recorded this on late night TV in the UK without knowing anything about it just because i seen it listed as a hammer film and seen it stared Robert Webber who i knew from "12 Angry Men". I thought that would make a interesting combination but when you think of the kind of films that Hammer are more well known for this dose`nt quite fit in now that i`ve seen it. But i`m glad i did record it.

What i like about it is Robert Webber seems to be going mad but is he? is he going mad or are we being made to think he is going mad? more to the point is someone trying to make him think he is mad ..... try and find a copy and find out, fans of psychological mysteries will love this one.