As Sete Caras do Dr. Lao

My friends and I were used to going to lightweight movies in the Sixties. We would see Doris Day or Rock Hudson or Shirley MacLaine. Tony Randall often played a best friend to a romantic lead or some other less significant role. This one shows what a wonderful actor he was. He plays a strange Chinese "magician" who comes to a dying town in Arizona. The people are in disarray because they see that things are falling apart. Arthur O'Connel (who usually played kindly types) is aware of the railroad going through the town and is doing everything to get people to sell him their land. The thing with Dr. Lao's circus is that when one goes to it, they learn things about themselves. Some of things are very disturbing. Lao is able to bring up monsters and mythological figures. When someone does something evil, he counteracts their actions or punishes them in some way. Randall plays all seven faces, each having significant effect on the town-folks. Mostly, I remember how I could not get this film out of my head for weeks because it was like nothing I had ever seen before. I have since read the book and watched the film a couple more times. It has aged really well.

There aren't many movies like "7 Faces of Dr. Lao." It's an amazing feast for the eyes and the mind. Tony Randall plays the title character, Dr. Lao, the ringmaster of a magical circus that comes to the troubled town of Abalo. Not only does he play that role, but several attractions at the circus, creatures and characters of legend. (He even provided the voice-over for the trailer!) The circus not only provides entertainment, but also teaches the residents of Abalo a few lessons. At times, the story is campy, and some of the special effects are cheap (about as good as could be expected for 1964!). But it also produces food for thought, and makes you think about the magic of everyday life. It's one trip to the circus you won't soon forget!

A movie produced in the great times of Ameican movie making. Simple themes were required, for general entertainment, but that did not stop the writers and directors from putting in their own often very insightful comments.

The conversion by Dr Lao of Arthur O'Connell from a cynical property developer to "good guy" - "I've always hoped that someday a town would have enough get-up-and-go to band together and do the right thing" is, of course a simple and basic one.

So, to is the awakening of the love interest between John Ericson (if I have things the right way round) - by Pan, his pipes stirring the hormones of widow Angela Benedict (Barbara Eden, I Dream of Jeannie 15 Year Later amongst others).

And the simple lessons given to the young boy by the enigmatic Dr Lao, the wise philosiphising fool also fit a simple pattern.

But I've never seen anything quite like the short scene between (if I have it right) Sarah Benedict (Rose of Cimmaron, 1952) and Apollonius of Tyana, where she is told in no uncertain terms that her life is of no import, and she will grow old "without gaining wisdom, will die alone, and when dead, no one will mourn your passing". Her reporting of that fortune telling as a positive one, "I'm sure to marry Mr .." is one I will always remember.

For some reason, Tony Randall who plays 7 roles in this one never liked the film. A pity. It's played reasonably often, and I never tire of it.

"The whole world is a circus, if you know how to look at it." The inhabitants of an old western town are being terrorized by a corrupt mayor and his cronies. Only a handful of people are brave enough to fight back, until a strange old Chinese man appears in town and opens up a circus. I grew up watching this movie. It contains excellent lessons about life, magic, fighting for what you believe in, and love. The scene with Merlin makes me cry without fail every time I watch it. This is something I intend to raise my children on. The moral message is strong without being preachy or adhering to any religious preference.

"This is the Circus of Dr. Lao. We show you things that you don't know. Oh, we spare no pains and we spare no dough, but we're going to give you one helluva show!"

And the Good Doctor certainly did, thanks to the boundless imagination of producer-director George Pal, the cutting-edge script from Twilight Zone veteran Charles Beaumont, and of course MGM's remarkably talented makeup wizard, William Tuttle, whose efforts for this film earned him a Special Achievement Oscar, long before Best Makeup ever became the more permanent category it is these days.

The story, based on the book by Charles Finney, takes place at the cusp of the early 1910's. The setting is a small Arizona town named Abilone, whose inhabitants are facing a crisis that threatens the overall future of the town. The greater crisis, however, lies in the townsfolk's own humanity, and the balance of our story follows Dr. Lao and his Circus as they transform that crisis into a better understanding.

At the heart of the town's battle to survive is the personal conflict pitting newsman Ed Cunningham (John Ericson) against town shyster Clinton Stark (Arthur O'Connell). Only the intervention of the Circus will permit them to come to terms with who they really are, as opposed to who they should become. Ed has also fallen in love with Angela Benedict, the town librarian (Barbara Eden), and must confront his own passions for her while covering Dr. Lao's Circus.

But when Angie's young son Mike (Kevin Tate) befriends Dr. Lao, the film is strengthened with its greatest wisdom, one that is best explored when the entire family watches this film. "The whole world is a circus if you learn to look at it the right way," the seven-millennia-old Dr. Lao reminds his new friend. "Every time you pick up a handful of dust, and see not the dust, but a mystery, a miracle, right there in your hands --- every time you stop to think, 'I'm alive, and being alive is fantastic!' --- every time such a thing happens, Mike, only then are you part of the Circus of Dr. Lao."

Even today, I still shed a tear when I see this film, especially during the scene in which Lao summons Merlin the Magician to perform for the good folks of Abilone. Most of them have pretty much lost their ability to believe in magic. But not Mike Benedict. How can you not be moved to tears when you see Merlin tenderly embracing the lad, to thank him for having believed in the wonder of Magic?

The 7 Faces of Dr. Lao is one of the few quintessential examples of the astounding range of Tony Randall's acting versatility.... a versatility we will most certainly miss.... and most certainly remember.

As my Wizardly alter ego Blackwolf will tell you, that one scene --- Merlin's magic show --- holds a special place in the hearts of all Magic-users. With the news of Tony Randall's death having just gone out over the wires, I think fans of Dr. Lao will want another look at this remarkable little film that reminds us all how important it is to take a look at ourselves and our future. This is Dr. Lao's greatest feat, and to accomplish it, he tells the tale of "The Fall of the City" to the townsfolk of Abilone. Using stock footage from George Pal's Atlantis: The Lost Continent, interspersed with new footage featuring the Dr. Lao adult cast performing double duty as various Atlantean inhabitants, and the awesome strains of Bach's Toccata and Fugue in D Minor booming in the background, "The Fall of the City" sequence is a masterpiece of drama, and an inspiring reminder that life is worth the battle so long as you learn something from it.

Overall, The 7 Faces of Dr. Lao is that rare curiosity of a movie, the kind that has something to say, and says it eloquently without preaching or sensationalizing its subject matter. We should all thank Tony Randall for having taken on this unique, one-of-a-kind filmmaking challenge. That, I think, is why we will miss him most of all.