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Resisting Enemy Interrogation

  • 1944
  • Not Rated
  • 1 h 10 min
AVALIAÇÃO DA IMDb
6,8/10
348
SUA AVALIAÇÃO
Resisting Enemy Interrogation (1944)
DramaWar

Adicionar um enredo no seu idiomaA downed American bomber crew quickly falls prey to the clever interrogation techniques of the Germans in this dramatic training film.A downed American bomber crew quickly falls prey to the clever interrogation techniques of the Germans in this dramatic training film.A downed American bomber crew quickly falls prey to the clever interrogation techniques of the Germans in this dramatic training film.

  • Direção
    • Bernard Vorhaus
  • Roteirista
    • Harold Medford
  • Artistas
    • Louis Adlon
    • Rand Brooks
    • Frederic Brunn
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    348
    SUA AVALIAÇÃO
    • Direção
      • Bernard Vorhaus
    • Roteirista
      • Harold Medford
    • Artistas
      • Louis Adlon
      • Rand Brooks
      • Frederic Brunn
    • 17Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 1 indicação no total

    Fotos19

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    Elenco principal26

    Editar
    Louis Adlon
    Louis Adlon
    • Maj. Franz Kohmer
    • (não creditado)
    Rand Brooks
    Rand Brooks
    • Pilot
    • (não creditado)
    Frederic Brunn
    • German Yard Guard
    • (não creditado)
    Peter Coe
    Peter Coe
    • German Lt. Marx
    • (não creditado)
    Don Dillaway
    Don Dillaway
    • Air Squadron Flyer
    • (não creditado)
    George Dolenz
    George Dolenz
    • Capt. Volbricht
    • (não creditado)
    Carl Esmond
    Carl Esmond
    • Maj. von Behn - Nazi Commandant
    • (não creditado)
    Steven Geray
    Steven Geray
    • Dr. Victor Münz - Camp Doctor
    • (não creditado)
    Liesl Handl
    Liesl Handl
    • Nazi Nurse
    • (não creditado)
    Arthur Kennedy
    Arthur Kennedy
    • Sgt. Alfred Mason
    • (não creditado)
    Sam Locke
    • Nazi
    • (não creditado)
    Richard Martin
    Richard Martin
    • Air Squadron Flyer
    • (não creditado)
    Lloyd Nolan
    Lloyd Nolan
    • USAF Debriefing Officer
    • (não creditado)
    • …
    George O'Hanlon
    George O'Hanlon
    • American Pilot at Headquarters
    • (não creditado)
    Don Porter
    Don Porter
    • Lt. Frank L. Williams, Jr. - American Co-pilot
    • (não creditado)
    Otto Reichow
    Otto Reichow
    • German Prison Guard
    • (não creditado)
    Henry Rowland
    Henry Rowland
    • German Sgt. Renser
    • (não creditado)
    Hans Schumm
    Hans Schumm
    • German Guard
    • (não creditado)
    • Direção
      • Bernard Vorhaus
    • Roteirista
      • Harold Medford
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,8348
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    Avaliações em destaque

    8planktonrules

    A really wild time capsule into the past!

    Because this film doesn't appear to have been made for viewing by the public at large, it's very hard to rate it. Instead, I assume that it was a Hollywood film meant as a training aid to show flight crews the importance of keeping quiet and recognizing various means the enemy might use to interrogate them. I am not sure how true all the scenarios are, though they seemed way too subtle and nice for Nazis. I assume in reality, if the Germans really wanted to get these secrets they would probably just torture it out of them. However, soldiers needed to be aware of the mind games that might be played and the consequences to America fliers if they gabbed to their captors.

    When seen today, the movie is quite fascinating for historical reasons. Plus, it's neat to see some stars in various roles (such as Kent Smith as a Nazi as well as Arthur Kennedy and Don Porter as American fliers). Considering I am an old movie fan AND a history teacher, it's natural I'd enjoy it. However, even for NORMAL folks, it's pretty entertaining and worth a look.
    7AlsExGal

    Military docu-drama from the U.S. Army Air Force...

    ...and director Bernard Vorhaus. An American bomber crew, shot down over enemy territory, is captured and brought to a villa for interrogation. There are no torture or other hardcase tactics used. Instead, the Germans use subtle psychological manipulation, electronic surveillance, and other techniques to amass intelligence on future bombing missions. Featuring Lloyd Nolan, Carl Esmond, Arthur Kennedy, Steven Geray, Craig Stevens, Don Porter, James Seay, Peter Van Eyck, and Kent Smith.

    This is a military training film that uses fictionalized events to illustrate real-world problems and solutions for air combat crews. It was meant for military use only, but got a screening in New York City that made it eligible for a Best Documentary Feature Oscar. That seems like a stretch, as this is a scripted movie with actors playing parts, and not at all what I would consider a documentary.

    It's entertaining in its depictions of the various sneaky techniques used to ferret out info. I liked one scene where the American being subtly questioned catches on and "reveals" info about the US's brand new Flash Gordon fighter jets equipped with disintegrator rays and "magnetic arcs". This was remade as a mainstream feature in 1951 titled Target Unknown, which also featured Steven Geray.
    coltrane679

    Well-done drama masquerading as "training film"

    Thanks to TCM for giving us an opportunity to see this gem. Made by the Army Air Force's famous First Movie Unit well into the war (1944), this is one of their most polished efforts. It has a simple, but effective narrative: a US air crew of 5 is downed by the Nazis, who use every trick in the book (short of torture) to pump information out of them: ingratiation, intimidation, deceit and psychological welfare. None of the downed fliers means to co-operate with the enemy, but each in his own way contributes some information to their clever Nazis captors, which is then pieced together by the Nazi commanding officer, somewhat flamboyantly portrayed by Carl Esmond. The consequences are disaster.

    The point of the film as a training device (forcefully driven home by Lloyd Nolan in the closing sequence) was that ANY information, no matter how innocent or trivial seeming on its face, could complete the jigsaw puzzle for Nazi intelligence services. All that should EVER be revealed to ANYONE outside your own crew once you were captured was name, rank and serial number. A simple lesson, you would suppose, but for 70 minutes (rather lengthy by the genre's standards, I think) the point is expertly honed by a fairly effective little drama.

    In addition to Nolan, the other "big name" actor here is a young Arthur Kennedy, who appeared in many excellent films over the following quarter century.
    7Goingbegging

    We have (other) ways of making you talk

    Low-budget army training films seldom get nominated for an Oscar. But that is what happened with this longer-than-usual 1944 effort by the Army Air Force, instructing American aircrews in how to resist interrogation when captured.

    It starts with quite a good joke. While being driven to the prison camp, the crew are chatting in the back of the van, when the German sergeant turns round and barks at them "You will not talk!" Their leader answers quietly and significantly "No, we will not talk." That is, of course, their brief - just to give their name, rank and number, as decreed under the Geneva Convention. Anything more, however trivial, could be added to the enemy's intelligence jigsaw, perhaps revealingly.

    The main theme is that the interrogators will probably be trying methods more subtle than whips or knuckle-dusters. Such as innocent small-talk to relieve the boredom of camp life. What could be wrong with that? And for the officers, perhaps a little drink in the mess? Hmm...

    Bit by bit, through careless revelations (even the trees have ears), their mission is revealed, almost in its entirety, though the enemy are still having to guess at the key question - which big city is the bombers' target? How they figure this out is a triumph of ingenuity, which we cannot reveal here.

    In black-& white, the uniforms all look the same colour, so we aren't always able to distinguish between captives and captors. (I had always assumed that prisoners could not wear headgear, but it seems they did.) Also it sounded at first as though there was a musical code to indicate penalty-points for an indiscreet statement, but this turned out to be an illusion, rather disappointingly. Meanwhile we are left wondering how the Americans would have known so much about enemy interrogation techniques, unless they were simply replicating their own. And noting that Oscar nomination, this must have played to a large civilian audience, for whom it would have been doubling as a propaganda film. As such, it doesn't leave you hating the enemy as much as it should. But even after 77 years of vast changes in warfare, the message remains just as valid as ever: silence is golden.
    8L_Miller

    Nice use of archetypes.

    Other comments cover the quality; the interesting part is how the Germans identify the weaknesses of each man and play to them. I don't know if the Nazis were always as subtle as this (I imagine a lit cigarette to the groin or pulling out a few fingernails to a subject or his friends would encourage a frank and open discussion).

    Good film, relatively propaganda free. It's interesting to watch the way American WWII propaganda treats the Germans as opposed to the Japanese. The Germans are usually portrayed as sophisticated and slimy while the Japanese are shown as little more than cunning animals. Compare "Identification of the Japanese Zero" with this film.

    Watchable on its own terms, interesting to watch the Germans working on each guy in their own way and piecing together the scraps they get from each man to finding the whole story. I imagine the black-bag boys at Gitmo are doing much the same thing.

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    • Curiosidades
      The AMC documentary "Hollywood Commandos" reveals the contribution made by this Oscar nominated docudrama. Repatriated Air Force POWs later reported that "Resisting Enemy Interrogation" had accurately depicted German interrogation trickery. The American air crew members were well prepared for Nazi techniques.
    • Citações

      USAF Debriefing Officer: Yes, one word can give you a place of prominence in the gallery of friends of the Reich.

    • Conexões
      Featured in The First Motion Picture Unit: When Hollywood Went to War (2014)

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    Detalhes

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    • Data de lançamento
      • janeiro de 1945 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
    • Também conhecido como
      • Nazi Interrogation
    • Locações de filme
      • Hal Roach Studios - 8822 Washington Blvd., Culver City, Califórnia, EUA(Studio)
    • Empresa de produção
      • First Motion Picture Unit, United States Army Air Forces
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 10 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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