A Mansão do Homem Sem Alma

Good and atmospheric Italian horror film that also goes by the title of HORROR CASTLE (which I think is more appropriate). A man's wife is terrorized in a German castle by all sorts of unspeakable sights and goings-on, seemingly committed by a maniac or "ghost" in a hood. The revelation of who is responsible and why is quite interesting. Christopher Lee is on hand as a scarred henchman of sorts, though it's unfortunate that his voice is dubbed. What really clicked for me with this film was the style of the movie. This was a gorgeous-looking film, brilliantly lit and full of mood, utilizing scenic locales and awesome castle dungeons and hallways. Its fine direction by Antonio Margheriti really made me sit up and take notice more than anything else, and it's what really elevated the film. *** out of ****

I collect horror dvds from the 60s and 70s. There are those that are classics because they are well made films artistically speaking. This is one of those films. Before I watched this film I had read that there was a jazz score that didn't seem to match the subject matter. At first, it did seem out of place, but once I got into the film I didn't even notice. The music actually plays a big part in building suspense.

Christopher Lee plays a nice mystery man role. Has a bit of a "who done it" kind of story. Over all a good film, especially for fans of Gothic kind of horror or Hammer films.

This film by Antonio Margheriti certainly tells one of the most unusual stories ever told in a Gothic horror movie. Margheriti directed it through and through Gothic - the old, creepy castle, thunderstorms, secret passage ways, skulls piled up, medieval torture devices and so forth - but the story takes place in the presence.

The Bavarian town of Nuremberg made headlines after World War II: The biggest process against Nazi leaders was held there. So it's no surprise that the motive for the happenings in the film "La Vergine di Norimberga" directly rely on Nazi war atrocities - and to combine Gothic horror with the darkest chapter of German history is undoubtedly unique (the German version, however, censored the whole Nazi subplot and made the killer's motive much simpler - avoid this version at all costs). This combination may sound odd, but it works in this film perfectly and gives it also a "no war ever again"-statement that I fully support (but if one watches how many wars are always going on in all different places on earth, one really wonders if mankind has learned of the past war atrocities including WWII).

Christopher Lee gives another supporting role to remember, and Riz Ortolani's score is bombastic, but fits the Gothic atmosphere of the picture. There are some surprisingly gory moments in the film (concerning it was made in 1963), but they never make the impression of being gratuitous or senseless. I highly recommend this film not only to fans of the genre. The U.S.-video print from "Panther Video" (long out of print, though) presents a surprisingly good looking picture quality with lush colors and clear sound that would also make a fine DVD release possible.

My rating: 8 out of 10 - look for this gem!

This is a popular title in the Gothic tradition of Italian Horror cinema – from one of its most prolific exponents but, in hindsight, not really among the best examples – that I had been rather longing to see. In fact, I acquired it first in an English-dubbed version (also available on R1 DVD) and, subsequently, with its original Italian soundtrack (which is how I watched it now – although I do not recall it ever having played on Italian TV)! Curiously enough, while the film was released in the U.S. as HORROR CASTLE, the DVD sports the literal English translation of the Italian title (which refers to a particularly nasty medieval torture device).

Incidentally, despite the modern-day setting, events unfold completely in a vast ancient German castle! Similarly, the presence of genre icon Christopher Lee (billed Cristopher in the original Italian credits!) as a mysterious and sinister-looking manservant – bearing WWII-induced facial scars – proves misleading, since he is not actually the villain of the piece (although his character still perishes in the obligatory fiery climax)! The killer on the loose (who can also be considered a monster, given his hideous pre-DR. PHIBES look – ludicrously, as a result of the real-life failed "Valkyrie" attempt on Hitler's life, and possibly inspired by the seminal EYES WITHOUT A FACE [1959]!) is a Crimson Executioner-type torturer, albeit anticipating that very film by two years.

The heroine is played by Rossana Podesta' (soon to be divorced from the film's producer Marco Vicario), who spends much of the time prowling the castle grounds and conveniently discovering victims' bodies. Her husband (Georges Riviere) not only shuns her assertions to the ghastly goings-on but absents himself for periods on end which clearly points the finger of suspicion towards him; this notion, however, is dissipated when he finds himself trapped in a flooded underground cave straight out of Fritz Lang's THE TESTAMENT OF DR. MABUSE (1933)! As it turns out, the real identity of the bloodthirsty maniac is not all that hard to guess – despite the film boasting the writing talents of Ernesto (1962's THE HORRIBLE DR. HICHCOCK) Gastaldi and Edmond T. (the 1960 version of THE HANDS OF ORLAC) Greville! Interestingly, the film is accompanied by an incongruously jazzy score by Riz Ortolani which works rather well; its main asset, however, is the enveloping brooding atmosphere vividly rendered through stylish color photography.

While Margheriti started out in low-brow sci-fi, he seemed to really find his métier within the Gothic Horror stakes, following this first effort with such effective examples as two Barbara Steele vehicles shot in monochrome – CASTLE OF BLOOD (though its color remake WEB OF THE SPIDER, dating from 1970, was a disappointment) and THE LONG HAIR OF DEATH (both 1964), THE UNNATURALS (1969) and SEVEN DEATHS IN THE CAT'S EYE (1973).

... starts out with Mary (Podesta) being awakened on a dark and stormy night.

She hears a scream, lights a candle, and goes to investigate. She wanders through the forbidding castle, finally arriving in the dungeon, where she finds a dead body in the torture chamber. Film goes from there.

Movie has beautiful cinematography by Riccardo Pallottini. The color scheme is predominantly red and gold, black and white, with lots of shadows mixed in. The music score by Riz Ortolani is jarring; part of it feels just right for the genre, while part of it sounds like it belongs in a nightclub.

Podesta's Mary is a refreshing change from the usual heroine. She doesn't just scream on cue and faint, she fights back and thinks before she acts. Lee is good, as always. The rest of the cast is ok.

Horror films' screenplay is routine, until the last half hour, when it has twist after plot twist.

Movie is a fun watch, very worth seeing. 3/4.