Em Paris, na França, uma duquesa louca, obcecada com a manutenção de sua juventude, faz o seu amante cientista matar várias mulheres e drenar o sangue para seu uso, enquanto um jornalista pr... Ler tudoEm Paris, na França, uma duquesa louca, obcecada com a manutenção de sua juventude, faz o seu amante cientista matar várias mulheres e drenar o sangue para seu uso, enquanto um jornalista procura desvendar os crimes.Em Paris, na França, uma duquesa louca, obcecada com a manutenção de sua juventude, faz o seu amante cientista matar várias mulheres e drenar o sangue para seu uso, enquanto um jornalista procura desvendar os crimes.
- Direção
- Roteiristas
- Artistas
- L'ispettore Chantal
- (as Carlo d'Angelo)
- Ronald Fontaine
- (as Angiolo Galassi)
- Il professor Julien du Grand
- (as Antoine Balpetré de la Comédie Française)
- Un uomo anziano al funerale
- (não creditado)
- Unknown Role
- (não creditado)
- Porter
- (não creditado)
- Un medico
- (não creditado)
- Il maitre d'
- (não creditado)
- Nora
- (não creditado)
- Anita
- (não creditado)
Avaliações em destaque
This film is the foundation of the short-lived Italian gothic horror sub-genre. Containing much of the elements of the classic American horror films of the 40s (dimly lit corridors, musty dungeons, mad doctors, rotting skeletons etc), this atmospheric production didn't do well in Italy. Only years later, after the success of the Hammer Studios (England) gothic horror revival, was this movie rediscovered and appreciated for what it was. Director of photography Mario Bava (Black Sunday, Lisa and the Devil) gives a great look to this Elisabeth Bathory-inspired tale, using low angle shots and highly contrasted lighting. Bava also took over direction when Freda left the set halfway through production. Look for a young Paul Müller (Nightmare Castle, Bram Stoker's Count Dracula) as the hired killer.
** (out of 4)
Riccardo Freda directed horror film about the police investigation into the discovery of several dead women whose bodies have been drained of blood. Today this film is best remembered as being the first Italian horror film of the sound era as well as being the first film directed by Mario Bava who took the chair after Freda walked away from the project. As with many other Gothic horror films, this one looks nice but while trying to create atmosphere, the director(S) seemed to have forgotten the story, which isn't too interesting. Like many others, the film also features way too much talk, which gets tiresome after a while. The cinematography by Bava is certainly the highlight. Paul Muller has a small role.
"I vampire" is a great Italian horror film with a story of the search for the eternal youth. The film was directed by Riccardo Freda, who left the production that was concluded by Mario Bava (uncredited). The beauty of Gianna Maria Canale is impressive more than sixty years later. My vote is seven.
Title (Brazil): "Os Vampiros" ("The Vampires")
Freda's first great success is compellingly directed with startling visual content . This film, also known as "The Devil's Commandment", was the first Italian made horror film of the sound era and inspired a wave of Gothic Italian horror films . The picture was sadly censored in Italy and other countries . Strong on visual style and plenty of thrills, chills and suspense . The movie belongs to Italian Horror genre , Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) along with Mario Bava (¨Planet of vampires¨, ¨House of exorcism¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films , this ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of photographic effects , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . ¨The vampires¨ packs a good acting from Gianna Maria Canale , directer's wife , as a crazed duchess, obsessed with retaining her youth. There also appears a cameo director , Riccardo Freda as autopsy doctor . The movie has a splendid cinematography by the terror genius , Mario Bava , while working with Freda on The vampires (1956) , the director left the project after an argument with the producers and the film mostly unfinished , then Bava stepped in and directed the majority of the movie, finishing it on schedule.
The motion picture was well directed by Riccardo Freda who used a number of aliases during his career, including Robert Hampton or George Lincoln and as screenwriter Riccardo Fedra . His artistic spirit led him to a strong belief in the importance of visual composition in filmmaking . Freda worked in many popular genres, including viking films, Peplum, spaghetti westerns, action, and even Softcore, but it is his horror films and Giallo mystery films which stand out and for which he is best remembered . Freda along with Vittorio Cottafavi continued to realize films in the historical-spectacular style , at which he developed a considerable skill and mastery . From the mid-50s Freda's liking make for atmospheric and colorful scenes of shock began to itself apparent , especially in such Musclemen epics as ¨Teodora¨ , ¨Spartacus¨ , ¨Giants of Thessaly¨ , ¨The seventh sword¨ , ¨Maciste all's inferno ¨, the latter a gripping/horror Peplum and of course ¨Maciste in the court of the Great Khan¨, one of his best films . In the early 60s , he was a pioneer in Italy of horror-fantasy films frightening audiences the world over , especially with ¨I Vampiri¨ and ¨L'Orrible Segreto del Doctor Hitchcock¨ as he combined with that wide-staring of actress , the British-born Barbara Steele . He also made adventures as ¨Black Eagle¨ , ¨The son of Black Eagle¨ , ¨White devil¨ , ¨Son of D'Artagnan¨ , and uncredited ¨Daughter of D'Artagnan¨ ¨. From there he went to melodrama and spy films as ¨¨Mexican Slayride¨and ¨Coplan FX18¨ and even made some western as ¨No killing without dollars¨ with Mark Damon and signed under pseudonym as George Lincoln . Freda's movies had popular appeal , and were usually commercial hits . Several were French/Spanish/Italian or other European co-productions . He has been called a filmmaker "who brings some style to exploitation pictures", and has something of a cult following . Rating : 7 , better than average horror movie .
The movie its title might be a bit misleading. It's not really your average vampire flick, featuring blood sucking villains. It features a vampire like creature but she hardly gets her hand dirty in this movie. the movie picks more a detective like approach, in which the police is investigating the strange disappearances and murders of young women. Nothing wrong with this approach of course but you sort of have to know what to expect, in order not to end up disappointed.
Can't always say that the story played out too well. They could had definitely done something better and more interesting with its premise at times. But like mentioned earlier, this was still being an early Italian horror production, from the time they were still searching for the right tone and balance. The movie is still lacking in its atmosphere, which is also one of the reasons why this movie doesn't really feel like an horror. It's definitely not an horrible movie, it's still being quite good to watch for most parts. It's a movie that knows to hold your interest and also still works out quite original, due to its unusual approach, for a movie of this sort.
Definitely a good movie but be sure what to expect from it.
7/10
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Você sabia?
- CuriosidadesThis was the first Italian made horror film of the sound era.
- Erros de gravaçãoThe crime lab doctor says type O blood is the rarest blood type when, in fact, it is found in over 40% of the French population.
- Citações
Il professor Julien du Grand: You'll feel nothing.
Laurette Robert: No!
Il professor Julien du Grand: It's much better this way.
Laurette Robert: No! No!
Il professor Julien du Grand: Such of you--alright, now, just be a good little girl!
- Cenas durante ou pós-créditosEnglish dubbed version 'The Devil's Commandment' is credited to director Riccardo Freda's pseudonym Robert Hampton.
- Versões alternativasOriginal Italian version is 82-minutes long. US distributor re-edited the film, inserting new footage starring Al Lewis and Ronny & Joy Holliday, shortened it to 70 minutes and released it as "Devil's Commandment". The differences are as follows:
- Alternate opening scene in which Joseph (played by a body double) stalks a women to her apartment, kills her in the bathtub, and has the body disposed of.
- Several dialogue-heavy scenes are cut or trimmed.
- The scene where Lantin brings the police back to the apartment he tailed Joseph back to is cut.
- The scene where the blind beggar is questioned by the police, and the subsequent house raid, are cut.
- A newly-shot sequence where a woman goes to a nightclub and is subsequently killed by Joseph.
- A newly-shot sequence where one of Dr. Du Grand's assistants (Lewis) forces himself on Lorette (played by a body double).
- Added insert shots of rats crawling toward Lorette.
- ConexõesFeatured in Bloodthirst (2022)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Lust of the Vampire
- Locações de filme
- Titanus Studios, Roma, Lazio, Itália(Studio, as Titanus - Appia)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 22 minutos
- Cor
- Proporção
- 2.35 : 1