AVALIAÇÃO DA IMDb
6,7/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA man long believed dead returns to the family estate to claim his inheritance.A man long believed dead returns to the family estate to claim his inheritance.A man long believed dead returns to the family estate to claim his inheritance.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Sydney Bromley
- Tramp
- (não creditado)
Laurie Leigh
- Woman #1
- (não creditado)
Marianne Stone
- Woman #2
- (não creditado)
Colin Tapley
- Vicar
- (não creditado)
Jack Taylor
- Sailor
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The wealthy Ashby family grieves the tragedy of the death of the patriarch and matriarch Ashby in an airplane crash and their son Tony, who committed suicide, eleven years ago. Tony jumped off the cliff and his body was never found, only a suicide letter. Presently the dysfunctional Ashby family in composed by the alcoholic and reckless organist Simon Ashby (Oliver Reed); his unbalanced sister Eleanor (Janette Scott); and their overprotective aunt Harriet (Sheila Burrell) and their finances are managed by the accountant John Kossett (Maurice Denham), who tries to keep SImon under control. A couple of weeks before the due date for Simon receiving his inheritance, Tony Ashby (Alexander Davion) surprisingly appears for the joy of Eleanor, but Simon and Harriet believe he is an impostor despite his knowledge about the family.
"Paranoiac" is an intriguing and suspenseful film by Hammer, with great storyline and deceptive conclusion. The screenplay builds tension and mystery with the viewer questioning whether tony is who he says. But unfortunately the rushed and senseless conclusion disappoints. My vote is seven.
Title (Brazil): "Paranóico" ("Paranoiac")
"Paranoiac" is an intriguing and suspenseful film by Hammer, with great storyline and deceptive conclusion. The screenplay builds tension and mystery with the viewer questioning whether tony is who he says. But unfortunately the rushed and senseless conclusion disappoints. My vote is seven.
Title (Brazil): "Paranóico" ("Paranoiac")
The presence of a very young Oliver Reed alone should encourage fans of older films to view this one. Reed is very impressive as the spoiled rich kid who never fails to surprise us with what he will do to get his way. He is days away from a large inheritance when his deceased brother shows up at the front door. Nothing is quite what it seems. Is he an imposter or not? Is Reed's sister crazy or not? Does the family have something to hide or not? The ending is not really a surprise but still packs quite a jolt and is a suitable ending to a very fine and underrated film. Available on video.
I'd never seen this Hammer film before and I finally dug it out from my Universal Hammer Collection. What a pleasant surprise it was. It is so refreshing sometimes to see black and white photography at a time when Hammer was known for its colour, and that moody b&w style really compliments this disturbing tale of a family of oddballs and what happens when one of their clan who drowned himself as a boy returns. Oliver Reed drinks as much as he did in real life here (it ultimately killed Reed) and he's really excitingly over the top. A hidden gem in some ways, PARANOIAC is well-scripted by Jimmy Sangster, and nicely directed by Freddie Francis. The more I think about it, the underrated Francis was often better than Terence Fisher. *** out of ****
Simon Ashby (Oliver Reed) is a psychopath who is trying to scare his sister (Janette Scott) to death to get her share of their inheritance. Then their brother Tony (Alexander Davion) who supposedly committed suicide years before shows up. Then things get strange...
Really odd film--very low key (for Hammer). For one thing it was shot in black and white, not the vivid color they usually used. Also there are no monsters here (unless you count Simon) and this is more of a thriller than a horror film. Still it works! It's beautifully directed by Freddie Francis and the plot itself has plenty of twists and turns to keep you off guard.
The acting is good. Reed especially is fantastic--his violent rages are frightening and you can always see the madness lurking underneath him. Scott and Davion are both good-looking (especially Davion) and as good as they can be...considering they're given nothing to do. This is no masterpiece but a quick (only 80 minutes) and efficient thriller which keeps you entertained and guessing. Recommended.
Really odd film--very low key (for Hammer). For one thing it was shot in black and white, not the vivid color they usually used. Also there are no monsters here (unless you count Simon) and this is more of a thriller than a horror film. Still it works! It's beautifully directed by Freddie Francis and the plot itself has plenty of twists and turns to keep you off guard.
The acting is good. Reed especially is fantastic--his violent rages are frightening and you can always see the madness lurking underneath him. Scott and Davion are both good-looking (especially Davion) and as good as they can be...considering they're given nothing to do. This is no masterpiece but a quick (only 80 minutes) and efficient thriller which keeps you entertained and guessing. Recommended.
Fascinating film, an exercise in understated British acting. How did I miss this flick? In 1963 I used to go to movies a lot, and surely this film played the drive-in or "B" movie circuit. Howevr, this is a wannabe "A" movie. The story is convoluted, with lots of twists and unexpected turns. Never be sure of anything in Paranoiac. There are even a couple of genuine thrill jumps along the way to the conclusion. Acting is excellent and the music works well. Best of all, Paranoiac is shot in absolutely gorgeous black and white. Since the movie was released in 1963, Oliver Reed was slim and drop-dead handsome.
No one can make suspense thrillers like the Brits. Actually, Paranoiac reminded me of Bunny Lake Is Missing and Midnight Lace. It's now available in a Hammer studios presentation box of 8 films. Since Paranoiac was one of two films in the package I had not seen, ever, I watched it as soon as I opened the package. Heartily recommended.
No one can make suspense thrillers like the Brits. Actually, Paranoiac reminded me of Bunny Lake Is Missing and Midnight Lace. It's now available in a Hammer studios presentation box of 8 films. Since Paranoiac was one of two films in the package I had not seen, ever, I watched it as soon as I opened the package. Heartily recommended.
Você sabia?
- CuriosidadesLiliane Brousse is dubbed by Christine Finn.
- Erros de gravaçãoAs Simon plays the congregational hymn on the organ in the opening scene at the church the music shown on his stand in the organ loft is an oratorio/anthem music score with SATB lines (soprano/alto/tenor/bass) and a two-stave orchestral/keyboard reduction, emphatically not a church hymn.
- Citações
Simon Ashby: [stumbles through the door inebriated]
Aunt Harriet: Where have you been?
Simon Ashby: [smirk on his face] I've been drinking.
[Looks at the liquor on the bar in the entryway]
Simon Ashby: Now I need to drink some more.
- ConexõesFeatured in The World of Hammer: Chiller (1994)
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- How long is Paranoiac?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 20 minutos
- Cor
- Proporção
- 2.35 : 1
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