AVALIAÇÃO DA IMDb
7,4/10
6,1 mil
SUA AVALIAÇÃO
Uma jovem de cadeira de rodas retorna à casa do pai depois de dez anos e, embora ele esteja morto, ela continua vendo seu cadáver na casa.Uma jovem de cadeira de rodas retorna à casa do pai depois de dez anos e, embora ele esteja morto, ela continua vendo seu cadáver na casa.Uma jovem de cadeira de rodas retorna à casa do pai depois de dez anos e, embora ele esteja morto, ela continua vendo seu cadáver na casa.
- Direção
- Roteirista
- Artistas
Heinz Bernard
- Plainclothes Officer
- (não creditado)
Bernard Browne
- Gendarme
- (não creditado)
Rodney Burke
- Policeman
- (não creditado)
Brian Jackson
- Plainclothes Officer
- (não creditado)
Richard Klee
- Plainclothes Sergeant
- (não creditado)
Madame Lobegue
- Swiss Air Hostess
- (não creditado)
Frederick Rawlings
- Plainclothes Sergeant
- (não creditado)
Frederick Schrecker
- Plainclothes Officer
- (não creditado)
Gordon Sterne
- Policeman
- (não creditado)
Avaliações em destaque
God bless the internet and god bless DVD. The reason I say that is because once hidden gems like this film are now being discovered by a bigger audience. Taste Of Fear (AKA:Scream Of Fear) is produced out of that bastion of British horror, Hammer Films, it's directed by Seth Holt (The Nanny), written by Jimmy Sangster (X:The Unknown/The Curse Of Frankenstein) and stars Susan Strasberg, Ronald Lewis, Ann Todd & that cornerstone of Hammer Horror, Christopher Lee.
Shot in moody black & white by Holt and cinematographer Douglas Slocombe, and eerily scored by Clifton Parker, the story sees a young paralysed woman return to her family home in France to visit her father who she hasn't seen for years; and to finally meet her new step-mother. Upon arrival she is informed that her father has had to go away on business, which becomes a problem as she starts to see his dead body, first in the summer house, then in the lounge! The mind can play tricks, especially to the traumatised, but she's convinced that what she is seeing is real. Even the family doctor (Lee in a suitably suspicious role) thinks there are mental issues here. Undaunted she enlists the help of friendly chauffeur Bob and sets about unravelling either her mind, or the mystery that lurks at the Appleby home.
The film opens with an attention grabbing sequence as police drag a lake for a body, from there on the film becomes essentially a four character piece. Now it's been said in some quarters that this structure telegraphs where the film is going to end up. There's a tiny bit of truth in that but there are at least three twisty kickers here to steer this far away from charges of predictability. In fact the finale has a double whammy that is most rewarding. The whole film pulses with atmosphere and is cloaked in shadows and low tone conversations. The sound work here is also top quality, the constant jabber of the crickets gnaw away at the ears, while the swish of the nearby sea instills a calm that ultimately sets up a false sense of security. The acting is on the money too, be it Strasberg perfectly conveying a multitude of emotions from her wheelchair, or Todd doing a nice line in the "too good to be true?" wholesome step-mom routine. All parties ensure that the story is built up right and that the pay off provides maximum impact.
Christopher Lee once said that this was one of the best Hammer Horror film's he was ever involved with, that's a fine selling point to be sure. A different kind of Hammer Horror, one that drips with dread and thrives on its mystery elements. Taste Of Fear is highly recommended to genre fans who prefer psychological chillers over blood letting and overkilled boo jump movies. 8/10
Shot in moody black & white by Holt and cinematographer Douglas Slocombe, and eerily scored by Clifton Parker, the story sees a young paralysed woman return to her family home in France to visit her father who she hasn't seen for years; and to finally meet her new step-mother. Upon arrival she is informed that her father has had to go away on business, which becomes a problem as she starts to see his dead body, first in the summer house, then in the lounge! The mind can play tricks, especially to the traumatised, but she's convinced that what she is seeing is real. Even the family doctor (Lee in a suitably suspicious role) thinks there are mental issues here. Undaunted she enlists the help of friendly chauffeur Bob and sets about unravelling either her mind, or the mystery that lurks at the Appleby home.
The film opens with an attention grabbing sequence as police drag a lake for a body, from there on the film becomes essentially a four character piece. Now it's been said in some quarters that this structure telegraphs where the film is going to end up. There's a tiny bit of truth in that but there are at least three twisty kickers here to steer this far away from charges of predictability. In fact the finale has a double whammy that is most rewarding. The whole film pulses with atmosphere and is cloaked in shadows and low tone conversations. The sound work here is also top quality, the constant jabber of the crickets gnaw away at the ears, while the swish of the nearby sea instills a calm that ultimately sets up a false sense of security. The acting is on the money too, be it Strasberg perfectly conveying a multitude of emotions from her wheelchair, or Todd doing a nice line in the "too good to be true?" wholesome step-mom routine. All parties ensure that the story is built up right and that the pay off provides maximum impact.
Christopher Lee once said that this was one of the best Hammer Horror film's he was ever involved with, that's a fine selling point to be sure. A different kind of Hammer Horror, one that drips with dread and thrives on its mystery elements. Taste Of Fear is highly recommended to genre fans who prefer psychological chillers over blood letting and overkilled boo jump movies. 8/10
Atmospheric Hammer thriller with great sets (including a deceptively deep pool!). It feels a little slow in the middle, as it covers familiar "Gaslight"-type territory, but the final stretch has several clever twists which are worth waiting for, and a killer ending (no pun intended). Susan Strasberg is very good in the lead; perhaps the movie's only mistake is Christopher Lee's French accent! *** out of 4.
This is quite possibly the best of the Hammer films, it's labeled as 'horror', but is more of a classic psychological thriller. The plot revolves around Susan Strasberg's visit to her father's estate after a decade of estrangement. Her physical condition (in a wheelchair, unable to walk after a horseback riding accident) and the recent death of her long time companion set her up to be the 'perfect victim'.
Her step mother, Ann Todd, and the family chauffeur Ronald Lewis are oh-so accommodating and thoughtful, explaining that her father is out of town. But, Strasberg starts to see dead dad popping up all over, while Todd, Lewis, and family doctor Christopher Lee try to persuade her she's just stressed and overly-imaginative. Is she crazy? Are they gas-lighting her? Although the viewer will remain suspicious, we are wisely kept in the dark as to motives (of all the characters..) until the final twist. The black and white photography is really well done -moody, shadowy - and is probably as important as the characters which is not the usual Hammer screamer in intense shades of red.
Her step mother, Ann Todd, and the family chauffeur Ronald Lewis are oh-so accommodating and thoughtful, explaining that her father is out of town. But, Strasberg starts to see dead dad popping up all over, while Todd, Lewis, and family doctor Christopher Lee try to persuade her she's just stressed and overly-imaginative. Is she crazy? Are they gas-lighting her? Although the viewer will remain suspicious, we are wisely kept in the dark as to motives (of all the characters..) until the final twist. The black and white photography is really well done -moody, shadowy - and is probably as important as the characters which is not the usual Hammer screamer in intense shades of red.
I saw this movie with my brother when we were kids. It is absolutely stunning! I remember we have been so afraid about some scenes that it was hard to close the light in our room for sleeping. Some facts are revealed at the end of the movie which makes it fascinating too! A "must see" movie! Shame on the industries, cannot get it on DVD!
Back in 1973 I had a Bell and Howell 16mm projector and used to hire films to show to family and others.
This film was one of them and I can remember it scaring people back then.
Yesterday I watched it again through a modern projector, as BBC 2 had shown it recently, and thought it was just as good now as back in 1973.
It benefits from being shot in black and white, the acting is very good from all the cast, and there are some scary moments, the swimming pool being an obvious one.
It is really good to see an old fashioned horror film with no over-the-top effects, just a genuinely chilling story, well worth waiting for it to be shown again as not sure if available on DVD or video.
This film was one of them and I can remember it scaring people back then.
Yesterday I watched it again through a modern projector, as BBC 2 had shown it recently, and thought it was just as good now as back in 1973.
It benefits from being shot in black and white, the acting is very good from all the cast, and there are some scary moments, the swimming pool being an obvious one.
It is really good to see an old fashioned horror film with no over-the-top effects, just a genuinely chilling story, well worth waiting for it to be shown again as not sure if available on DVD or video.
Você sabia?
- CuriosidadesIn "The Films of Christopher Lee", the actor is on record as saying of the movie, "In my opinion, the best film Hammer ever made." He added that Seth Holt was "one of the best directors Britain ever had."
- Erros de gravaçãoWhen the policeman is telling Mrs. Abblebee and Bob about the car accident, he says the car was found in 30 feet of water. When we see the car in the water, it is just below the surface.
- Citações
Penny Appleby: [to Dr. Gerrard] You say my mind is affecting my legs. You're wrong. It's my legs that are affecting my mind.
- ConexõesFeatured in The World of Hammer: Chiller (1994)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Scream of Fear
- Locações de filme
- Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, Inglaterra, Reino Unido(studio: produced at Associated British Elstree Studios, England)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 21 min(81 min)
- Cor
- Proporção
- 1.85 : 1
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