Maniac

I'm a fan of Jimmy Sangster's work and after reading a few reviews of this movie here I was anxious to see it. Unfortunately I can't give this one a rave review. The best I can say is that it's not a bad movie and it's worth seeing once. After an intriguing opening the movie proceeds at a snail's pace for the longest time. It is excruciatingly slow. Since the actors involved are all as exciting as cardboard you can imagine how much slower that makes an already slow pace feel. Finally business picks up and then we're bombarded with one plot twist after another, not one of which is particularly impressive. The only twist I didn't see coming was one that was out of left field and there were no clues in the movie beforehand so it felt like a cheat. It's like Sangster knew his twists couldn't match Psycho so he decided on quantity instead of quality. If you're a fan of Jimmy Sangster or Hammer, then check it out but keep expectations low.

If Hammer movies had been released the same way as vinyl records "Maniac" would be a typical B-side effort; meaning it's an extremely low-keyed, low-budgeted and nearly forgotten little black-and-white thriller that understandably stood in the shadows of the studios' contemporary Grand-Guignol horror productions, like the Frankenstein cycle starring Peter Cushing and the Dracula series featuring Christopher Lee. There are quite a bit of hidden treasures to discover amongst Hammer's modest thriller productions of the 1960's ("Scream of Fear", "Hysteria" …), but sadly "Maniac" isn't the studios' – or writer Jimmy Sangster's – finest piece of work. The film nevertheless opens very promisingly and provides a fairly large number of slick and unpredictable plot twists during the grand finale, but everything in between is dull and incredibly uninteresting. But what a great opening! In the usually quiet and peaceful French Camargue, a father catches the rapist of his 15-year-old daughter in the act and promptly extracts his bloody vengeance with a blowtorch! Hell yes! Four years later, the man – Georges - resides in a mental asylum while his gorgeous wife and astonishing daughter both fall in love with the traveling American painter Jeff Farrell. In return for his wife, Jeff agrees to help Georges escape from the institution and out of the country. But the plan goes horribly wrong and the blowtorch will have to be used some more! The basic plot is ingenious and suspenseful enough, but the 90% of the film revolves on the dire and slowly unfolding triangular relationship between the American, the mother and the daughter. The "maniac" in question also doesn't really deserve to be referred to as a maniac, as he doesn't come across as very menacing and makes a couple of really dumb moves during the climax. Still, the killer's choice of weapon is original and Michael Carreras occasionally generates a tense and unsettling atmosphere. "Maniac" is reasonably interesting material for Hammer fanatics, but not exactly recommended viewing.

American landscape painter Geoff Farrell (Kerwin Matthews), stranded in Europe, is attracted to Annette, a young French barmaid, but ends up falling for her seductive step-mother, Eve (Nadia Gray), instead. Four years earlier, the teen-aged Annette was raped on her way home from school and her father, Georges, institutionalized for taking an acetylene torch to her assailant. Eve soon convinces Geoff to help her husband, now a local hero, escape from the insane asylum but, once free, a frightening series of events makes it look like Georges was a homicidal maniac after all...

In the wake of PSYCHO, England's Hammer Studios made a few black and white "mini-Hitchcock" thrillers that tried to emulate the "Master of Suspense". PARANOIAC, MANIAC, and HYSTERIA all featured real or imagined madness, murder, sex, and deception -along with numerous plot twists- to keep viewers on the edge of their seats with varying degrees of success. There's a stark, creepy, noir-like quality to MANIAC and the unseen rape, torture and murder in the beginning is quite disturbing. The location shooting in the isolated region of the French Camargue is a decided asset and the compelling story, written by Jimmy Sangster, includes a number of suspenseful sequences before a surprise revelation that is near impossible to see coming. I've read complaints that this wasn't directed by Freddie Francis but Michael Carreras does just fine with the gialloesque material. Recommended.

When the American painter Jeff Farrell (Kerwin Mathews) dumps his girlfriend in Camarga, France, he meets the eighteen year-old waitress Annette Beynat (Liliane Brousse) in a bar and decides to stay in the town on vacation at a bed and breakfast owned by her stepmother Eve Beynat (Nadia Gray). Jeff feels a great attraction for Annette but soon he is seduced by Eve and has a love affair with her. He learns that three years ago Annette was raped by a man called Janiello (Arnold Diamond) and her father Henri (Donald Houston), who is locked in an asylum, killed the man using an acetylene torch. After visiting Henri, Eve tells to Jeff that he accepts to let her go with him provided they help him to escape from the asylum driving a runaway car to the harbor. Jeff decides to help Henri but soon he is visited by Inspector Etienne (George Pastell) and discovers dark secrets.

"Maniac" is a combination of film-noir with psychological thriller by Hammer having a triangle of love to complete the big picture. The sexual tension between Henri, Annette and Eve is constant and the relationship of Henri with the two women is unusual and strange. The plot has many twists and is engaging. My vote is seven.

Title (Brazil): "Maniac"

Hammer Studios will always best be remembered for the horror movies they made but their ventures into other styles were by no means negligible and this neat little mystery is a good example of the thrillers they embarked upon now and again. Kerwin Matthews is Paul Farrell ,an American stranded in a small French village in the Camargue ,where some four years earlier a young girl had been raped and her attacker murdered by her father ,who is languishing in prison for the crime.The girl works at the hotel/bar where Farrell is staying and she falls in love with the personable young American who in turn is attracted to her mother ,Eve ,played by Nadia Gray.Together Farrell and Eve plot to help her husband escape and flee the country so they can be free to pursue a relationship. The plot goes awry and soon they are coping with a body in the trunk of their car and mysterious activity in their garage .The twist ending is neat and unexpected . The acting is a little under powered but the whole thing is a neat little piece of double bill fodder that will keep an audience diverted till the main feature arrives.