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Chantaje a un torero

  • 1963
  • 1 h 45 min
AVALIAÇÃO DA IMDb
5,0/10
32
SUA AVALIAÇÃO
Chantaje a un torero (1963)
CrimeDrama

Adicionar um enredo no seu idiomaA young man nicknamed "El Cordobés" wants to become a famous bullfighter, but he is jailed after becoming involved in a foreign woman's murder. When he finally completes his sentence and get... Ler tudoA young man nicknamed "El Cordobés" wants to become a famous bullfighter, but he is jailed after becoming involved in a foreign woman's murder. When he finally completes his sentence and gets released, his life changes.A young man nicknamed "El Cordobés" wants to become a famous bullfighter, but he is jailed after becoming involved in a foreign woman's murder. When he finally completes his sentence and gets released, his life changes.

  • Direção
    • Rafael Gil
  • Roteiristas
    • José López Rubio
    • José Vicente Puente
  • Artistas
    • Manuel Benítez 'El Cordobés'
    • Alberto de Mendoza
    • Manolo Morán
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,0/10
    32
    SUA AVALIAÇÃO
    • Direção
      • Rafael Gil
    • Roteiristas
      • José López Rubio
      • José Vicente Puente
    • Artistas
      • Manuel Benítez 'El Cordobés'
      • Alberto de Mendoza
      • Manolo Morán
    • 2Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos7

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    Elenco principal20

    Editar
    Manuel Benítez 'El Cordobés'
    Manuel Benítez 'El Cordobés'
    • Juan Medina
    Alberto de Mendoza
    Alberto de Mendoza
    • Vergara 'El Americano'
    Manolo Morán
    Manolo Morán
    • Don Fulgencio, apoderado de Juan
    María Andersen
    • Wilma, turista alemana
    Elena Duque
    • Marta, novia de Juan
    Luis Dávila
    Luis Dávila
    • Don Andrés, el sacerdote
    Venancio Muro
    • El Tinta
    Carlos Mendy
    Carlos Mendy
    • Torralbo
    José Mata
    • Calero
    José María Seoane
    José María Seoane
    • Fiscal
    Manuel Alexandre
    Manuel Alexandre
    • Preso en cárcel
    Luis Induni
    Luis Induni
    • Turista alemán
    Antonio Casas
    Antonio Casas
    José María Caffarel
    José María Caffarel
    Juan Cortés
    Hugo Pimentel
    Hugo Pimentel
    Yelena Samarina
    Yelena Samarina
    • Belly, turista inglesa
    José Morales
    • Direção
      • Rafael Gil
    • Roteiristas
      • José López Rubio
      • José Vicente Puente
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2

    5,032
    1
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    10

    Avaliações em destaque

    6ma-cortes

    Passable melodrama with intrigue , dealing with a killing and about the bullfighting world

    Drama , tragedy , blackmails , murder , love stories and Toreo in this fictious version about life of a famous bullfighter . Having been a poor boy who grew up in the hospice Juan Medina/Manuel Benítez 'El Cordobés' awaits his opportunity , as his dream is to become himself a great bullfighter . A young man Juan Medina , nicknamed "El Cordobés" , wants to be a known bullfighter, but becoming involved in the killing of a foreign woman and he is put in prison . In jail is helped by a good priest , Don Andrés (Luis Dávila) . Out of prison , things go wrong , he complies , as he is blackmailed by some crooks (Alberto De Mendoza, Venancio Muro) and finally his life changes , at worst . At last , Medina triumphs , as he gets to be famous , but he is apparently unrequited . Meantime , he falls in love for a beautiful girl (Elena Duque) . When he is blackmailed , then tragedies and distresses emerge . At the end , he confronts at a noisy plaza where takes place a suspenseful denouement .

    This is a bullfighting drama about a notorious Torero , narrating his humble origin as well as his successful raise , in which he will learn to overcome difficulties and penury . It revolves around the bullfighting world and displaying a colorful , evocative cinematography and being professionally directed by Rafael Gil who made a great number of Spanish classics . The movie gives a nice description about the culture of Spain surrounding the age old traditions of the Matador , in which Toreros are really submitted to nerves during slaughter. As the ancient Toreo art-form is described with unflinching and fetching realism , it is the story of bullfighters against brave beasts . The motion picture was competently made by Rafael Gil carrying out an acceptable filming , halfway between a thriller and a bullfighting issue , as he pulls off in this production a brief description on the brave bullfighters , and there are lots of shots about bullfighting , especially in its final part , showing a spectacular Corrida , being technical consultants the professional Toreros . Lousy acting by Manuel Benitez El Cordobes as a simple but honest boy who finds patronage to become a Torero -bullfighter- thanks to an ¨Apoderado¨ , well played by the great veteran Manolo Morán . Although Benitez's debut film was ¨Aprendiendo a morir¨(1962), it dealt with own life , and here concerns about a fictional story about killing and blackmail . Support cast is frankly excellent , plenty of Spanish secondary star-studded , such as : Alberto De Mendoza , Manuel Alexandre , Venancio Muro , José María Seoane , Luis Induni , Antonio Casas , José María Caffarel , Juán Cortés , Hugo Pimentel , Yelena Samarina and special mention for Manolo Morán in one of his always sympathetic roles .

    The film gives an appropriate portrayal about ¨Bullfighting¨ art , as the bull is released into the ring , where he is tested for ferocity by the matador and Banderilleros with the magenta and gold Capote ("Cape"). This is the first stage , the Tercio de Varas ("the lancing third"). The matador confronts the bull with the Capote , performing a series of passes and observing the behavior and quirks of the bull . Next , a ¨picador¨ enters the arena on horseback armed with a Vara (lance) . In the next stage, the Tercio De Banderillas ("the third of Banderillas") , each of the three Banderilleros attempts to plant two Banderillas, sharp barbed sticks, into the bull's shoulders . In the final stage, the "the third of death" , the matador re-enters the ring alone with a small red cape, or Muleta, and a sword .

    Atmospheric photography in Eastmancolor by the Spanish classic cameraman José F. Aguayo , shot on location from Alcala De Henares , Aranjuez , Madrid Fuengirola, Málaga, Andalucía, Marbella, Torremolinos, Málaga ,Andalucía, Spain and Munich, Bavaria, Germany . Evocative and popular musical score by Gregorio García Segura .The motion picture lavishly produced by Marciano De La Fuente and the powerful producer Cesareo Gonzalez , Suevia Films' owner , that along with Cia Cifesa were the most known production companies during Francoist period , that often financed these false but breathtaking historical spectacles , being well directed by Rafael Gil , though it has some flaws and failures . This movie was professionally realized by Rafael Gil , shooting a hastily assembled decent picture , but uneven and ups and downs . Director Gil took advantage of the marvelous exteriors from Andalucia and the breathtaking ¨Corridas¨. Being filmed in usual style of the sixties and in stylistic scholarship , without leaving a trace the dramatic issues , in terms of moving and narrative excitement . He was one of the best filmmakers from Spanish cinema , fiming a large numeber of vintage movies , such as : ¨Don Quijote De La Mancha¨ , ¨El Clavo¨ , ¨La Fe¨ , ¨La Señora De Fatima¨, ¨Aventuras De Juán Lucas¨, ¨La Reina Santa¨ , ¨La Guerra De Dios¨ , ¨El Beso De Judas¨ , and several others . And he made some films about bullfighting as ¨Currito de la Cruz¨, ¨El Litri y su sombra¨ , ¨El relicario¨, ¨Sangre en el ruedo¨ , starred by known toreros such as : Angel Teruel , El Litri , Antonio Bienvenida , El Pireo , and Manuel Benitez El Cordobes. Rating : Acceptable and passable 5.5/10 . The motion picture will appeal to bullfighting aficionados .
    4dalton2

    Any real aspect in this film is pure coincidence...

    After telling his own life in his first film, Aprendiendo a morir (1962), El Cordobés made his first real performance. In Chantaje a un torero (1963) he is no longer Manuel Benítez, but Juan Medina, a fiction character. As he himself states, he's not a good actor and doesn't like to act, and that's something evident in this film. Directed by a good director, Rafael Gil, and with several good actors in the cast, Chantaje a un torero is a bad film. It's a bad film because it was made to be shown in a dictatorship's time. Reality is passed through a filter and the result is nothing but annoying. To be more explicit, I'll explain myself: Rich people are 'the good people', the prison priest is almost a saint, beloved and respected by everybody, the prison director looks like a wonderful person, the dialogue is full of 'remarkable' quotes ("What happens if you happen to be guilty? Then I'll pay for my fault like a man")... I think you get the point.

    This film was mainly made to show El Cordobés's abilities at bullfighting. The fact is that he only appears doing his thing for a few minutes. So I can't even recommend this film to the bullfighter's fans.

    3 or 4 out of 10.

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    • Conexões
      Referenced in El poder del deseo (1975)

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    Detalhes

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    • Data de lançamento
      • 23 de outubro de 1963 (Portugal)
    • País de origem
      • Espanha
    • Idioma
      • Espanhol
    • Também conhecido como
      • The Blackmailers
    • Locações de filme
      • Alcalá de Henares, Madri, Espanha
    • Empresa de produção
      • Cesáreo González Producciones Cinematográficas
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 45 minutos

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