O Sol é para Todos

Generally, I prefer to review movies I dislike, because I am better able to quantify negative opinions than positive ones, but "To Kill a Mockingbird" deserves a review as few other movies I have ever seen. I probably cannot make any statement about this film that has not already been made many times, but it really is one of the most beautiful and moving films I have ever seen.

I first read Harper Lee's lovely novel when I was a young teen, and it was one of those books that gave me an experience that changed the way I perceived the world and my own family. The movie stays true to the wonderful, innocent prose.

Every time I watch, I see my father in Atticus Finch. He, too, is a southerner who respects people and defends his beliefs. He also has always respected his children and treated us the way Atticus treats Scout and Jem. I also see other family and friends in various characters in the film, because we have such strong southern roots. Even the negative aspects of racial antipathy and loss of childish innocence bring certain memories to mind.

Those who did not grow up in the south or with southern families might not see parallels the way I do, but the movie would be a gem to anyone. Gregory Peck put in the performance of his career, and the children acted in the least forced manner I have ever seen. The cinematography is also beautiful, and the script is perfectly balanced-not too sparse, but also not dialogue heavy.

The best thing about "To Kill a Mockingbird" is that it preserves the spirit of the novel that resounds with so many people. This film stands as one of the best ever arguments for tolerance, loving families, and the beauty of life through a child's eyes. Everyone who watches movies ought to see it.

It's a story that's riven with themes, of prejudice, hate, broken dreams, there's courage and caring, there's taunting and daring, growing up, finding out what life means. At its heart you'll find Atticus Finch, defends a man most town folk want to lynch, no evidence in play, to support what they say, but they're adamant and won't move an inch. Scout and Jem watch these awful events, through child's eyes losing their innocence, in a world that's gone mad, it makes you so sad, but there's hope that leaves some recompense. Plus there's Boo, who defies more perceptions, all shrouded in cloaked misconceptions, hidden from view, most people eschew, but a saviour, and a child's revelation.

As good as it gets.

Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).

"To Kill a Mockingbird" rises to the top of the pile easily.

Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.

The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.

"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.

Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.

If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.

I'm surprised that there aren't more comments on Peck's amazing depiction of Atticus Finch, the father. In this era of absent fathers, preoccupied fathers, abusive fathers, immature fathers, etc, etc, Peck's Finch gives us all a soothing view of the best of fatherhood. Where else do we get to watch a man sit up with his ill child, stand firm in his convictions, show patience and gentleness with his children, demonstrate an appropriate level of humility, communicate righteous values to his children, and give his children a picture of integrity to emulate. Every time I view this film I wonder how Peck was able to pull this off. Every time I view this film, it gives me hope for the future of fatherhood.

This is why I watch movies. Every once in a while I stumble upon such a masterpiece which moves me to tears, because it reminds me that, all bad things aside, there is good in all of us - we just have to help each other search for it and bring it to light.

This is definitely one of the best films I've ever seen. Mary Badham is absolutely wonderful as 'Scout', and I think she deserves just as much credit as Gregory Peck for this picture.

The rest of the cast are great as well, and a special mention goes to Elmer Bernstein for his delicate and so appropriate score.

I love this movie and recommend it to anyone. 10/10