A Prize of Arms

I was surprised that this film has not yet been reviewed here since it stars a major British talent, the late Sir Stanley Baker.

The film is set against a background of a Suez type military action. The main protagonists including Tom Bell of later Prime Suspect fame, decide this would be a perfect time to rob an army camp where there is lots of cash for the deployment and an overall atmosphere of confusion.

The plan is well thought out and feasible but, inevitably small things start to go wrong. The film is quite gripping and the whole business is resolved in a more than competent fashion.

The screenplay of the movie was co-written by Nicholas Roeg. The version I watched, a PAL disc viewed NTSC ran 102 minutes.

The long awaited DVD release cover gives equal billing to Rodney Bewes and Fulton McKay. Why? Bewes only has one line and I cannot recall Fulton McKay at all. Surely Patrick Magee should have taken a billing slot? Apart from that I consider this film to be on a par with the likes of Hell Drivers, Hell is a City, Villain and Robbery - all finely cast gritty crime dramas of that era. The tight direction, army camp locations, vehicles used and military discipline & bull all add to the reality. The film is gripping throughout and keeps you in suspense. Although Stanley Baker and Tom Bell are again typecast as villains, it would be difficult think of other actors who could have carried this off, except say for Michael Craig. Well recommended.

I watched APOA courtesy of TalkingPictures TV channel, which is proving a treasure trove of little-known films, often low budget, of the 1960s.

The plot unfolded in a satisfying way, with a parade of familiar British actors of yesteryear in small parts, including,as noted, "Likely Lad" Rodney Bewes. Stanley Baker inevitably impresses in the starring role.

The film must have been made with the co-operation of the British Army and so shows officers and soldiers reacting to the raid in an efficient manner. (One or two of the actors could have worn their berets in a more military manner, and there was one sloppy salute - and what about the motor-cycle rider stopping off at a pub for a drink or two on duty?) One thing that did puzzle me was why the highly-strung Fenner was running in a panic through crowds of mocking soldiers and incurring the wrath of, I think, the regimental sergeant-major. Perhaps the clip that showed the reason for this was edited out?

Overall, very entertaining.

This film grabs you from the very start. Its simple bare-bones approach emphasises the clever plot, and engaging character development. The lack of soundtrack actually heightens tension appropriately, along with deft camera work, and tight dialog.

The plot itself is clearly the major player in this ensemble, not to denigrate the cast, who do a superb job of tense interaction, with appropriate support from typical British aloofness, and clipped military tones.

The plot ducks and weaves as it unfolds before your eyes. At times you wonder the significance of a particular action, only to later admire its genius as you appreciate its subtle significance. The tension is magnificently maintained throughout.

As another reviewer has commented - the movie has you rooting for the anti-heroes right to the end!! What a splendid achievement. Worthy of the 8 stars!!

A PRIZE OF ARMS is quite similar stylistically to Stanley Baker's HELL DRIVERS, although not quite as good as that movie. It's an engaging little piece that tells of a trio of crooks who set an elaborate plan into action to rob an army payroll. The plan involves them infiltrating an army camp and posing as soldiers before they truly set the wheels in motion.

This makes for tight, focused story-telling throughout, with no time for the usual romantic sub-plots and the like to pad out the storyline. In fact, there are no actresses in the film whatsoever. The use of a flamethrower in some crucial scenes also makes for novelty value and this feels way ahead of its time in that respect.

Baker gives a dependable turn as the antihero lead and the supporting cast has also been well chosen. What's particularly interesting is the sheer quantity of future famous faces lining up to play the soldiers: Rodney Bewes, Patrick Magee, Stephen Lewis, Geoffrey Palmer, Fulton Mackay, and Michael Ripper are all present here and certainly add to the experience for British cinema fans.