The Cat Burglar

In Low-Rent Los Angeles (rent $9 per wk) that our Anti-Hero, Jack Hogan, has Trouble Paying, and is Badgered by a Mumbling Landlady (Billie Bird), becomes Involved by Happenstance in a Spy-Ring Moving Sensitive Documents.

The Papers were in a Briefcase of His Latest "Clout", an also Innocent June Kenney.

It's Her Boyfriend that's the Bad-Guy who Used Her to Unwittingly Procure the Papers.

Inspired by Sam Fuller's "Pickup on South Street" (1953), one Guesses.

The Movie Moves Along with an Initially "Cool Pink Pantherish" Score (Buddy Bergman), that is Used a bit too Much and Loses some of its Nifty.

The Digs are Low-Life, like a Pawn-Brokers Place, the Filthy Apt. Of an Obese Whino (Bruno DeSota), and the Obligatory Warehouse Climax that is Filmed with Some Style, as was the Opening, by Director William Whitney.

Produced by Roger Corman's Brother Gene, it has All the Ingredients that Make for Some Slumming by "Buffs", like a Young Quentin Tarantino, that Touts this Cheap Thrill with Gusto.

At 65 min. It Never Wears-Out Before it's Over and Overall is Above Average for its Type with some Hard-Boiled Fisticuffs, and a Feline Tie-In that's a Hoot.

Worth a Watch.

Directed with some style by the man Quentin Tarentino described "one of the greatest action directors in the history of the business", 'The Cat Burglar' perfect exemplifies the sort of film on which the young fellow misspent his youth consuming.

Produced by Roger Corman's brother Gene, who enlisted Corman regulars like Daniel Haller and scripted by actor Leo Gordon - who shows quite a capacity for quirkiness when one of the crooks vents his rage by snarling "You stupid insipid fool!!" and naming a landlady 'Mrs Prattle'.

In true Tarantino fashion the criminal fraternity are depicted as simple working stiffs. While the plot gets rather involved and the general tone is rather deadpan, Buddy Bergman's jazz score suggests otherwise.

The Cat Burglar starts off nice and strong as we enter in the midst of the cat burglar in action. The sequence is well done and engaging, from the direction, acting, and soundtrack, it's all working. It continues on fairly solid ground but by midpoint it starts to get slightly complicated and a bit cumbersome. Still the soundtrack is working and we do get some new and kind of interesting characters along the way. Despite some ebbing the pace remains fairly brisk and everything does seem to manage to coalesce toward the film's finish line. Overall, The Cat Burglar still manages to be kind of fun and worth checking out.

No really the William Witney's style, trademark, he who was the best serial maker of all times. After the mid forties, he resumed his career with one hour films for Republic Pictures and some other Poverty Row companies. This little crime thriller is rather agreeable, never boring and production design very clean and sharp. But that's all, I prefered BONNIE PARKER STORY and STRANGER AT MY DOOR, from the same William Witney, but ten times more inspired. However, you have here Leo Gordon as screenwriter but unfortunately not as actor. I think it would have given more strength to this interesting little gem. Even Quentin Tarantino loved it.

Jack Hogan is "The Cat Burglar" who steals the briefcase sexy blonde June Kenney (as Nan) is holding for her secretive suitor John Baer (as Alan). He is really out for her jewels, but picks up the briefcase as an afterthought. Unbeknownst, he has acquired a notebook filled with top secret spy formula doodling - the stuff men KILL, and DIE, for!

This film begins with fluid direction from William Witney, mirrored cat-like burgling by Mr. Hogan, and cool soundtrack music from Buddy Bregman. As the plot develops, the film unravels. The soundtrack becomes annoyingly repetitive. The characters get lost in a wildly illogical story; possibly the most incredible element is the bonding (love?) of the characters played by Mr. Hogan and Ms. Kenney. The players continue to try, however; and, the warehouse climax is nicely shot.

*** The Cat Burglar (1961) William Witney ~ Jack Hogan, June Kenney, John Baer