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IMDbPro

Terça-Feira Trágica

Título original: Black Tuesday
  • 1954
  • Approved
  • 1 h 20 min
AVALIAÇÃO DA IMDb
6,7/10
1,1 mil
SUA AVALIAÇÃO
Edward G. Robinson and Jean Parker in Terça-Feira Trágica (1954)
Filme NoirCrimeDramaSuspense

O mafioso Vincent Canelli e o ladrão de bancos Peter Manning escapam do corredor da morte minutos antes de sua execução na cadeira elétrica.O mafioso Vincent Canelli e o ladrão de bancos Peter Manning escapam do corredor da morte minutos antes de sua execução na cadeira elétrica.O mafioso Vincent Canelli e o ladrão de bancos Peter Manning escapam do corredor da morte minutos antes de sua execução na cadeira elétrica.

  • Direção
    • Hugo Fregonese
  • Roteirista
    • Sydney Boehm
  • Artistas
    • Edward G. Robinson
    • Jean Parker
    • Peter Graves
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Hugo Fregonese
    • Roteirista
      • Sydney Boehm
    • Artistas
      • Edward G. Robinson
      • Jean Parker
      • Peter Graves
    • 27Avaliações de usuários
    • 17Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos108

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    Elenco principal41

    Editar
    Edward G. Robinson
    Edward G. Robinson
    • Vincent Canelli
    Jean Parker
    Jean Parker
    • Hatti Combest
    Peter Graves
    Peter Graves
    • Peter Manning
    Milburn Stone
    Milburn Stone
    • Father Slocum
    Warren Stevens
    Warren Stevens
    • Joey Stewart
    Sylvia Findley
    • Ellen Norris
    Jack Kelly
    Jack Kelly
    • Frank Carson
    Hal Baylor
    Hal Baylor
    • Lou Mehrtens
    James Bell
    James Bell
    • John Norris
    Vic Perrin
    Vic Perrin
    • Dr. Hart
    Russell Johnson
    Russell Johnson
    • Howard Sloane
    Lee Aaker
    Lee Aaker
    • Little Boy
    • (não creditado)
    James Bacon
    James Bacon
    • Reporter at Electrocution
    • (não creditado)
    Harry Bartell
    Harry Bartell
    • Boland
    • (não creditado)
    Arthur Batanides
    Arthur Batanides
    • Reporter at Electrocution
    • (não creditado)
    Ray Bennett
    Ray Bennett
    • Alexander Watkins
    • (não creditado)
    Don Blackman
    • Selwyn
    • (não creditado)
    David Bond
    David Bond
    • Thompson
    • (não creditado)
    • Direção
      • Hugo Fregonese
    • Roteirista
      • Sydney Boehm
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    6,71K
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    10

    Avaliações em destaque

    brliqq

    When they said Robinson outdoes his Little Ceaser and Key Largo, IT WASN'T HYPE !!!

    Edward G. Robinson shows he still could do the gangster role and keep the performances fresh. Unlike the mob bosses Robinson played in

    "Little Ceaser", "The Last Gangster", and "Key Largo", the role of Vincent Canelli is more modern and vicious than the typical cigar chewing prohabtion gangster. Canelli and gunman Manning{Peter Graves} await their death sentence with a bunch of other prisoners on death row. Canelli's mob kidnap the daughter of one of the prison guards and

    blackmail the guard in helping the death row inmates bust outta the joint!! Canelli needs Manning's money that he stashed away for his final getaway and Manning is just looking for freedom. The story leads

    to a moral climatic stand-off with escaped killers vs. the police. The soul-less Canelli shows how low killers will go to survive. Great performance by Robinson and Graves, especially Robinson who plays a

    gangster ahead of those times. It's sad that not enough people know about this movie. If your any type of gangster, suspense, or just a Eddie G. fan, GET YOUR HANDS ON A COPY OF THIS FILM... NYA'SEE!!!!!
    8secragt

    Ideal Late Night Noir

    An interesting and surprisingly obscure prisoner-on-the-run crime drama, BLACK TUESDAY is perfectly suited for Late, Late Show viewing in the wee small hours of the morning, when much of the action takes place. Like KEY LARGO (also featuring Edward G. Robinson), THE DESPERATE HOURS and the PETRIFIED FOREST, the second half turns into a confined space stageplay. The large cast holed up in the even larger safehouse is game, however, and despite a few unintentionally funny and seemingly out of place romantic interludes, things otherwise generally remain taut. It's like old TV home week as no less than three players from the Desilu stage (Vic Perrin and William Schallert from Star Trek guest appearances, Peter Graves from Mission: Impossible right next door on the lot) get significant screen time. Also look for Russell (The Professor) Johnson in a minor part. Graves in particular has a much more emotive adult part than he customarily got (other than Stalag 17) and he goes for it with gusto, if not much panache. Still, Robinson is at his melodramatic "Where's your messiah now?" best here, blithely slapping broads, torturing gunshot victims and going out in a Little Caeseresque hail of bullets / blaze of glory.

    Seasoned noir veteran Sydney (SIX BRIDGES TO CROSS, ROGUE COP, UNION STATION, THE HIGH WALL and most notably, THE BIG HEAT) Boehm's script is not brain surgery (the prison breakout is dazzlingly improbable) and is frankly a bit derivative of movies like Cagney's KISS TOMORROW GOODBYE and Bogey's HIGH SIERRA. Also, they obviously didn't spend much on production values. Still, there is no one more iconic in this kind of capo titti capi role than Edward G. Robinson and given the lack of exposure this movie has had in the last 40 years, seeing Robinson's performance is akin to unearthing buried noir treasure. Any fan of Edward G. should immediately seek out this elusive screener because his vicious performance is nothing short of breathtaking, and trumps any of the limitations of this movie.
    6arthur_tafero

    Black Tuesday - Violence Fest ala Peckinpah

    Although this film is not as graceful as The Wild Bunch, it is still artfully directed and has a clever storyline. In one respect, though, it is the equal of The WIld Bunch for violent content. There is enough violence in this film for two movies. However, one cannot condemn a movie because it is overly violent. Men like these existed (and worse!) and they were even more violent than the Robinson character. While following the fate of men like these is unpleasant at best, one must come to grips with the reality of the lifestyles of hardened criminals. The prison break is a thing of beauty, but the rest of the film cannot possibly keep up with that event. However, the film as a whole is entertaining.
    9clanciai

    Edward G. Robinson and Peter Graves going to extremes to evade the electric chair

    A grim drama consistently going from bad to worse the whole way to the end, but very efficiently told and acted, and Edward G. Robinson makes one of his most interesting characters as the angry gangster who only knows one way of life which is the worst without any room for any human feelings at all. The priest character (Milburn Stone) is very interesting in this context, while Peter Graves as the second worst gangster ultimately takes matters in his own hands and proves himself a hero after all although in a negative way. It's a very efficient getaway and hostage drama which will keep you biting your nails all the way, although you know it can only end in one way, no matter how perfectly they arranged their escape and almost managed it in spite of the inevitable fact in these operations, that something always must go wrong.
    7MegaSuperstar

    Runing on empty - unknown film noir gem

    Solid film noir by Hugo Fregonese about two inmates running away from the death row the day before their execution. The film's progressively oppresive atmosphere is nicely portrayed by Fregonese in a cinema verité style. Characters are well written and played -supporting cast is excellent as well- with few concessions to sentimentalism -causing censor cuts at some points. Edward G. Robinson brilliantly plays vicious gangster Vincent Canelly while Peter Graves plays nicely his escape partner Peter Manning. Always providing their films with an interesting approach and usually solid scripts, Fregonese directed several prison movies like My six convicts or Apenas un delincuente capturing prisoners' point of view. Unusually dark for its time, the film suffered some censor's cuts in several countries so keep this in mind if you are watching it from a tv pass. Worth watching noir filmed in a realistic and sometimes brutal -for its time -style. It clearly deserves a restoration.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The film was banned by the Memphis Censor Board due to its grimness and brutality.
    • Erros de gravação
      When one of the gang is injured and needs an operation, Robinson orders a captive to donate blood, and the man does so. However, he does not know--and no test is made to determine--if the man has a blood group compatible with that of the patient.
    • Citações

      Father Slocum: Listen to me, Vincent... you can't keep on killing and killing.

      Vincent Canelli: No? Just watch me.

    • Conexões
      Referenced in A Trapaça (1955)
    • Trilhas sonoras
      Black Tuesday Blues
      by Bob Parrish

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 6 de maio de 1955 (França)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Latim
    • Também conhecido como
      • Terça Feira Trágica
    • Locações de filme
      • Stage 11, Culver Studios - 9336 W. Washington Blvd., Culver City, Califórnia, EUA(Prison interiors)
    • Empresa de produção
      • Leonard Goldstein Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 20 min(80 min)
    • Cor
      • Black and White
    • Proporção
      • 1.85 : 1

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