Cidade Amedrontada

When "Town on Trial" begins, you hear the voice of the murderer before he commits the crime! You see him looking at pretty Molly at the country club...and you hear him saying how she has it coming because she's one of THOSE sort of girls! Well, Molly certainly was pretty and liked to show off her figure...and the sicko thought this meant he was entitled to kill her!!

Police Superintendent Halloran (John Mills) is assigned to the case. And, unfortunately, it's not a quick and easy case to solve...and some of it is because the rich folks he questions sometimes have a strong sense of entitlement. In fact, the more he investigates, the more these folks put pressure on his superiors to take him off the case! What's to come of this?

This is a very good film. Sure, the story is good but the reason I liked it was the very fine acting of Mills. He was a heck of a good actor and made even average material well above average. Well worth your time.

The main reason to watch this movie now, for me - and I guess most - is for John Mills, as the firm but fair Scotland Yard Inspector Detective, who has to solve a couple of murders of young women in a sleepy Home Counties town in England.

It's all about the rather sermonising 1950's "respectable" folk who wag their fingers at a local beauty - a Marilyn Monroe (sort of) lookalike who carries on with married men and flaunts her curvy figure at the local snobbish Sports Club, the elitism of which extends beyond their usual, especially as the membership secretary is a fan of hers....

One night, she is strangled and of course, a whole array of the obvious candidates spring up, some red herrings and some real. Charles Coburn as a disgraced GP and Derek Farr who has more business fingers in more pies than are reasonable are two of the more recognisable stars that come under the Inspector's radar.

The film is well enough made, the story complex enough to satisfy the average amateur sleuth and John Mills is sturdy, even if his 'romance' with one of the deceased young friends is both awkward and frankly, ridiculous. There's also a pretty meaty and suspenseful ending, that Hitchcock himself might have come up with.

As pointed out by another reviewer, TOWN ON TRIAL opens with a murder confession. Which is pivotal to the film's eliptical structure.

This film is one of Director John Guilhermin's finest achievements, perhaps topped only by RAPTURE (1965), well before epic duds like TOWERING INFERNO and KING KONG in the 1970s.

At this stage in his career, Guilhermin showed an eye for detail, and TOWN opens with a very interesting and fluid camera movement as a police car parks outside a police station and an unidentified and facially unrevealed criminal gets out in cuffs. That seemingly minor detail pings off a series of other deft touches throughout, filmed with considerable verve and imagination by the highly competent if not terribly well known Basil Emott.

I rate John Mills one of the most reliable actors I have had the pleasure to watch. I have never seen a poor performance from him, and I have seen many well above average, including RYAN'S DAUGHTER, OH! WHAT A LOVELY WAR, HOBSON'S CHOICE, ABOVE US THE WAVES, THE ROCKING HORSE WINNER, GREAT EXPECTATIONS, among others. Well, he is simply peerless in TOWN ON TRIAL. The way he conveys job knowledge, raises and lowers his voice, his eyes - which can be menacing or loving, depending on who he addresses (lovely Bates certainly gets the sensitive treatment). His acting in this film deserves careful study, such is the versatility.

Beautiful Bates performs credibly as a nurse, conveying heartfelt interest in others... and love. I guess she portrays the type of woman any man would fall head over heels for.

Charles Coburn, Alec McCowen, and Geoffrey Keen deliver first class support for the leads, and vivacious Elizabeth Seal almost steals the show with a small pouting and dancing part.

Very strong script. A real treat of a noir/whodunnit film.

"Town on Trial" is the kind of film that is simply not made these days. I imagine it is the sort of thing that formed part of the staple repertoire of B-movies that were shown in cinemas in the days when filmgoers were treated to an appetiser before the main feature was aired. Such films were usually unpretentious, workmanlike dramas that provided solid but unmemorable entertainment to get patrons in the mood for the (hopefully) more sophisticated fare that was to follow. "Town on Trial" is a good example of that kind of film.

The plot concerns the investigation into the murder of a femme fatale in the commuter-belt town of Oakley Park in what I assume is meant to be southern England of the 1950s. The investigation is undertaken by Superintendent Halloran (John Mills), who becomes romantically involved with the niece of the town's GP. A further murder takes place before Superintendent Halloran solves the case.

Any critical analysis of a film such as this is largely superfluous. "Town on Trial" knows exactly what it is doing - and delivers a solidly entertaining mystery that has the air of an early forerunner of an episode of the current British TV series "Midsomer Murders". The cast includes an impressive array of well-known British character actors of the time, such as Raymond Huntley, Derek Farr, Fay Compton, Harry Fowler, Geoffrey Keen, Margaretta Scott and the wonderfully-named Totti Truman Taylor. It is competently directed and scripted and, while it will not live long in the memory, provides 90 minutes or so of undemanding entertainment. 6/10.

With its small town setting, use of a local 'roadhouse' and the casting of Charles Coburn and Barbara Bates it's fairly obvious the British-made crime melodrama "Town on Trial" had its eye on the American market, (even the title sounds more American than British). John Mills is the policeman investigating the murder of local good-time girl Molly, (Magda Miller), and the movie is told in flashback. All we know is that the killer is one of a group of men seen watching Molly bounce around on the tennis court in the opening sequence and director John Guillermin does a fine job of keeping us guessing as to which one it might be. All the performances, particularly Mills and Coburn, are excellent and as murder mysteries go this one is surprisingly intelligent and consistently enjoyable. One of Guillermin's better efforts.