Bandoleiros de Houston

The Houston story stars Gene Barry in this 1956 film directed by William Castle.

Barry plays Frank Duncan, who works as an oil driller by day. By night he's working on a way to divert oil from various oil fields and sell it. If he can accomplish this, it will be worth millions. However, he needs financing.

It doesn't take him long to convince a local mobster Paul Atlas (Edward Arnold) to bankroll him. Atlas is part of a huge operation known as the Combine. Duncan's plans don't go smoothly.

This is a good B, and it has a blond Barbara Hale as a singer doing "Put the Blame on Mame." She plays the cheating wife of Duncan's former oil foreman, who faked her own death and now lives under another name. Imagine Della Street as a femme fatale! Jeanne Cooper of The Young and the Restless plays Duncan's girlfriend, who has no idea what he's about.

Formulaic, derivative, but okay.

Every time I see this movie, I can't prevent myself to think of another thriller from the 50's: "711 Ocean Drive", a little masterpiece directed by Joseph M Newman.

The topic is nearly the same. A "honest" worker becomes greedy, ambitious, ruthless and implicates himself with gangsters, planning to take over crime syndicate. In this case, it concerns stealing oil.I find it unusual. A man who is not a thug at the beginning, that's the most interesting. Of course, what happens next is predictable.

Gene Barry gives us a pretty brilliant performance.

I recommend it. Catch it if you can.

Oil driller Frank Duncan has an idea to steal oil worth millions. He goes through nightclub singer Zoe Crane to recruit Houston mobster Paul Atlas for the scheme. Atlas intends to double-cross him but Duncan intends to win in the end.

This is a functional crime noir. I don't recognize any of the faces. The acting is fair. It's good that the lead character is a bad guy but still one worth rooting interest. The slap fight is kinda funny but I get the reason. The production looks good and the style is mostly fine.

Oil slick Gene Barry (as Frank Duncan) endeavors to siphon millions of dollars in Texas crude, but needs financing from organized crime. After platinum blonde "Put the Blame on Mame" singer Barbara Hale (as Zoe Crane) leads Mr. Barry to powerful mob boss Edward Arnold (as Paul Atlas), success is assured. So, will these characters learn that crime does not pay? This predictable, production-line crime story has more spark than the story suggests. As ably directed by William Castle, Barry injects his characterization with all the life he can manage; watching his amoral "Frank Duncan" steadfastly steer his own descent into depravity is somewhat fun. With nice girl Jeanne Cooper (as Madge) and others in the mix, "The Houston Story" adds up.

***** The Houston Story (2/56) William Castle ~ Gene Barry, Barbara Hale, Edward Arnold

In The Houston Story Gene Barry plays an oil company executive who has come up with an interesting idea for robbing the oil fields of crude. But he needs operating money and a lot of it. His torch singer girl friend Barbara Hale puts him in touch with some local Houston wise guys and upon that our story begins.

Barry wants to slant or side drill some existing oil fields. You might remember in the Paul Newman film The Drowning Pool, oil millionaire Murray Hamilton makes some illusions to slant drilling. Basically it's drilling into an existing pool on an angle and pumping out hat you need.

The big surprise her is Barbara Hale best known as Della Street on the Perry Mason series. She's one sultry chanteuse and she's good. But they should gave dubbed her singing of Put The Blame On Mame as they did for Rita Hayworth. Hale just is not a good singer.

Edward Arnold is a mid level hood in the Houston organized crime scene and Paul Richards as usual does a fine job as a torpedo for hire.

As for Barry he does good for a while, but in the end he's batting way out of his league.