Adicionar um enredo no seu idiomaA salt-of-earth family man needs money for his sick son, and decides to keep a job at a used car lot despite realizing it is selling stolen cars.A salt-of-earth family man needs money for his sick son, and decides to keep a job at a used car lot despite realizing it is selling stolen cars.A salt-of-earth family man needs money for his sick son, and decides to keep a job at a used car lot despite realizing it is selling stolen cars.
- Direção
- Roteiristas
- Artistas
Vic Cutrier
- Bret Carson
- (não creditado)
Marilee Earle
- Betty Carson
- (não creditado)
John Frederick
- Hutton
- (não creditado)
Paula Hill
- Mrs. Davenport
- (não creditado)
Kurt Katch
- Otto Krantz
- (não creditado)
Maurice Marks
- Paul - the Bartender
- (não creditado)
George Sawaya
- Lt. Holmes
- (não creditado)
Joan Sinclair
- Miss Rogers
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Nick Dunn" (John Bromfield) is an honest, hard-working man who does his best trying to support his wife, "Jane Dunn" (Carol Shannon) and their extremely ill newborn son. Then one day things take a turn for the worse when he is subsequently fired from his job as a used car salesman after telling a customer by the name of "Karen Winter" (Joi Lansing) the truth about one of the vehicles. Needless to say, this puts him in a bind as the bills are quickly piling up and he has no money left to pay them. Things begin to change, however, when he learns that Karen has recommended him for a job at another used car lot and after talking to the owner "Arthur Markel" (Ralph Clanton) he is not only hired but also discovers that he will now make even more money than before. What he doesn't know, however, is that there is more to this used car lot than he was initially told and in order to sell the cars he will have to put his integrity on the line as well. Now rather than reveal any more I will just say that this was a rather basic crime drama which suffers from an unremarkable script and a general lack of suspense. Having said that, it wasn't necessarily a bad film by any means and for that reason I have rated it accordingly. Average.
Not a Teen-Ager or Rock n' Roller in Sight in this Mid 1950's B-Movie that is Pretty Pedestrian.
Although Joi Lansing is Pretty and quite a Sight Lighting Up the Screen with a Sculpted Goddess Appeal.
But the Movie is Rather Dull when Joi is Off-Screen although the B-Actors do a Good Job with the Go-Nowhere, Predictable Script.
Cars Relentlessly Role in and out of the Screen and some L. A. Locations get a Nod.
The Story Includes an Episode of Adultery, but is Quickly Forgiven,
The Climax aboard a Roller Coaster was Fast becoming a Cliche at the Time.
But it Looks Well Staged and Adds a bit of a Thrill-Ride (ironic it's not a car) to the Conclusion.
The only Other Thrill in the Film is Ogling Joi Lansing, whose Career went Absolutely Nowhere.
Her most Famous/Infamous Film is "Hillbillies in a Haunted House" (1967), but the Stunning Ms. Lansing did do a Lot of TV.
She Made most of Her Money Modeling.
Although Joi Lansing is Pretty and quite a Sight Lighting Up the Screen with a Sculpted Goddess Appeal.
But the Movie is Rather Dull when Joi is Off-Screen although the B-Actors do a Good Job with the Go-Nowhere, Predictable Script.
Cars Relentlessly Role in and out of the Screen and some L. A. Locations get a Nod.
The Story Includes an Episode of Adultery, but is Quickly Forgiven,
The Climax aboard a Roller Coaster was Fast becoming a Cliche at the Time.
But it Looks Well Staged and Adds a bit of a Thrill-Ride (ironic it's not a car) to the Conclusion.
The only Other Thrill in the Film is Ogling Joi Lansing, whose Career went Absolutely Nowhere.
Her most Famous/Infamous Film is "Hillbillies in a Haunted House" (1967), but the Stunning Ms. Lansing did do a Lot of TV.
She Made most of Her Money Modeling.
This is the same story as GONE IN 60 SECONDS, 1980 and later version.
Stolen cars made to look like other vehicles and buried in red tape. Hot car market was alive and well before the 60 Second writers made their movies.
John Bromfield is an honest young man with a pretty wife and a new baby. He's also a used car salesman, who gets fired for not pushing junk to a customer. That customer turns out to be the owner of a chain of used car lots, looking for someone like Bromfield to sell stolen cars.
HOT CARS, like many a Schenck-Koch production in this period, has an interesting story, people who look good on the screen and fine visuals. Not only is it shot in the "Southwest Noir" style, but there's a fine noir ending on a roller coaster. What it lacks is good performances. The line readings all seem a bit droning, like a bad episode of DRAGNET. It even results in calling attention to the actors. Joi Lansing, in particular, seems to hit her mark and pose before reciting her lines.
Still, the careful visuals and bravura ending add to the story to keep things interesting all the way through.
HOT CARS, like many a Schenck-Koch production in this period, has an interesting story, people who look good on the screen and fine visuals. Not only is it shot in the "Southwest Noir" style, but there's a fine noir ending on a roller coaster. What it lacks is good performances. The line readings all seem a bit droning, like a bad episode of DRAGNET. It even results in calling attention to the actors. Joi Lansing, in particular, seems to hit her mark and pose before reciting her lines.
Still, the careful visuals and bravura ending add to the story to keep things interesting all the way through.
In HOT CARS, used car salesman, Nick Dunn (John Bromfield), gets mixed up with the "wrong crowd" after being fired from his job. Nick winds up working for a rival car lot run by a criminal mastermind.
When Nick's son becomes ill, he finds himself deeply involved in the car theft underworld.
Violence and murder soon follow.
This is an entertaining crime drama / morality tale, packed with 1950's ambiance and culminating in a wonderful finale, featuring the "fight-to-the-death on a rollercoaster" sequence!
Co-stars the beautiful Joi Lansing as the seductive Karen Winter!...
When Nick's son becomes ill, he finds himself deeply involved in the car theft underworld.
Violence and murder soon follow.
This is an entertaining crime drama / morality tale, packed with 1950's ambiance and culminating in a wonderful finale, featuring the "fight-to-the-death on a rollercoaster" sequence!
Co-stars the beautiful Joi Lansing as the seductive Karen Winter!...
Você sabia?
- CuriosidadesLike many post-1955 "Late Noirs" there's a jazz score.
- Erros de gravaçãoIt's hard to grasp why Dunn risks the fight on the roller coaster with Ward. The probability is high that an ordinary guy will lose a fight against a hardened gangster and murderer. And that it ends with him being either shot or thrown off. More clever to wait downstairs. Ward has, by his idiotic move on the roller coaster, practically no chance to escape arrest when the thing stops again. The case would have been correctly closed with a living perpetrator. Ward would most likely have been put on the chair anyway, cop murderer that he is.
- Citações
Det. Davenport: There's a real cozy hot car racket working the state. Sooner or later, somebody's gonna get their neck barbecued.
- Cenas durante ou pós-créditosThe following acknowledgment appears on screen at the end of the film: "The producers of 'Hot Cars' wish to thank Big John's used car lot and Johnny O'Toole's used car lot in Culver City, California, for their help in making this picture possible".
- ConexõesReferenced in Young, Hot 'n Nasty Teenage Cruisers (1977)
Principais escolhas
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- How long is Hot Cars?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Locações de filme
- California Incline, Santa Mônica, Califórnia, EUA(Nick and Karen drive Mercedes 190 SL up hill during opening titles)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
- Proporção
- 1.85 : 1
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