Taverna Maldita

"Pete Kelly's Blues" gave Jack Webb a chance to direct and star in this film that compliments his close, tight, factual emphasis on the characters and the story. It's a no-nonsense film that combines some good musical moments with the times of the roaring 20's, when the gangs were determined to make money in every venture, or cause the venture to cease to exist. Such is the situation for Pete Kelly and his jazz band.

Kelly, played by Webb, enjoys the fact that his band can pretty much come and go as they see fit, perform, collect their fees, and move on to other clubs, other towns. They are good at what they do, and a local gangster, played to the hilt by Edmond O'Brien, sees a chance to move in. He tells Kelly that the band must allow his new girl a chance to perform, plus give him a sizable cut of their appearance money. The singer, played by Peggy Lee, just wants to get a start in show business, and O'Brien wants to control her start on a career. The film moves to an eventual expected climax, but the ending for Peggy Lee is not a happy one.

The cast included Janet Leigh, Andy Devine, Lee Marvin (a good guy role), and Ella Fitzgerald, who contributed some moving tunes in her own special style. Peggy Lee did garner an Oscar for best supporting actress, and it was deserved.

A film piece that deserves more than one chance viewing.

"Pete Kelly's Blues" is, in my humble opinion, like a lot of Jack Webb's work, an underrated movie. Even as a teenager, I realized in 1955 that the movie had a dark plot but at the same time was highlighted by great musical performances. Jack got an academy award performance from Peggy Lee and outstanding performances from Ella Fitzgerald, Edmund O'Brien and Martin Milner, to say nothing of Janet Leigh, whose performance was good. Jack was not liked by a lot of people in Hollywood who panned his work. With the exception of "Dragnet", the TV show and the movies, "Pete Kelly's Blues" was Jack's most important work, if not the most appreciated. It's a shame when personalities interfere with an appraisal of someone's work.

This could just as easily be titled 'Joe Friday's Blues'! Webb still has the cop demeanor in this rather routine story of a blues band leader during the 20s. Lord, even the narration is reminiscent of Dragnet. Now, having said all that, how can you not like a movie with a supporting cast of Marvin, Milner, Divine, Leigh, Lee, O'brian, and Fitzgerald? The musical numbers are sensational, and one can detect real admiration on Webb's face when he watches Lee and Ella perform; accordingly, this was Webb's labor of love. Watch for Andy Divine in a role unlike any you've seen him in before.

This film is musically great with a couple of numbers by Ella Fitzgerald. However, this is not anything close to a musical. Rather it is a 20's gangster tale that involves Pete Kelly (Jack Webb) and his band. For those of you who remember Dragnet, Webb's narration might have you thinking of Dragnet just a little too much. Webb also directed this film, and he did a great job of giving it a real 20's feel. You don't feel like you're looking at a bunch of people from the 50's dressed up for a 20's costume party.

The only thing bad I can say about it is I had a hard time figuring out Pete Kelly's motivation. A person close to him is killed, and he is ready to give in to the gangster responsible and forget the whole thing ever happened. He finds out another person he barely knows has been killed by the same gangster and he's ready for war. He tosses an eager and beautiful Janet Leigh out of his room in one scene, and in the next scene he's overjoyed to see her to the point of wanting to marry her. The clinical acting style that worked so well for Webb in Dragnet just left me a little confused here. Still, overall, I would recommend it.

"If you're looking for a new way to grow old, this is the place to come, 17 Cherry Street, Kansas City ...". So says Pete Kelly, in VO, near the film's beginning. The place is a roaring twenties' speakeasy, a "gin bin", where the booze flows, where customers express their angst and sometimes get in a fight, and where Pete Kelly (Jack Webb) plays cornet and manages a jazz band.

"Pete Kelly's Blues" is a moody film, downbeat in tone. Many scenes take place in dark interiors. And it rains a lot. Everyone in the film has problems. Kelly's main problem is Fran McCarg (Edmond O'Brien), a local mobster, trying to take over the city's bands at reduced wages for band members. Most of the film's plot has Pete Kelly fighting McCarg, or submitting to his demands, to the consternation of Kelly's fellow band members.

Not surprisingly, the film features lots of blues music and jazz numbers throughout. Ella Fitzgerald sings "Hard Hearted Hannah". And Peggy Lee sings several numbers. Both women are terrific, but I could have wished that Peggy Lee had sung better known era songs.

One thing I didn't like about the script is the setup. After an evocative but largely irrelevant funeral prologue, the story jumps right in to Pete Kelly's problems at the speakeasy; no buildup at all; no back-story of any kind.

Another problem is Webb's acting. He gives his best Joe Friday imitation, which would have been great for "Dragnet", but inappropriate here. Webb is stiff, seems uncomfortable in the role and rather self-conscious. I suspect this miscasting has been apparent to most everyone for a very long time. It's just so glaring.

This film is a bit of nostalgia. It's not real good. But it's good enough for a one time viewing for those interested in blues and jazz music, and for anyone interested in the roaring twenties.