O Fantasma da Rua Morgue

As a series of strange murders plague a small area of Paris, the lack of clues force the police to team up with the prime suspect in the case to find the maniac responsible when he claims a friend's trained killer gorilla is responsible and targeting his fiancée.

This was a fairly impressive and fun effort that has a lot going for it. One of the better elements here is the fact that there's a large amount of attack scenes on the victims, which really drives this one nicely as these continuous sequences provide plenty of action, shocks as well as generating some sultry teases with the women being targeted being quite attractive overall. As the attacks are framed so the audience doesn't see the culprit, and the only times they are is when they're obscured or casting a shadow on the wall, it leaves a distinct impression, and the fun continues due to the investigation done to recreate the crime at the scene, and the evidence either way makes for some fun times overall. The fact that these investigations point to the main purpose of this one is a little troubling since they can drag on at times especially when they keep trying to pin it on the hero through flimsy circumstances that won't work in any real courtroom. The other real flaw is the romance angle that appears late in the film, which stops the film cold and comes out-of-nowhere to create a really confusing mess, though it does solve the film's murders quite nicely. Overall, this one was pretty enjoyable.

Today's Rating-PG: Violence.

A top notch horror thriller for it's time when it was released in the 1950s.....not a slasher film, those types of movies were not even considered during that time period....story concerns some very brutal murders of beautiful young women in and around some Paris France nightclubs in the very early 1900s....women are mutilated and the local gendarmes (police) are mystified....how could they be so badly beat up and decimated....the local police question everyone and the local inspector pays too much attention looking for suspects at the local college.....no clues are to be found.... finally after another gruesome murder a local student is implicated since he was near the area looking for the murderer himself...the local cops are very anxious to pin the murder on the student since they have no other suspects and the heat is on to find the killer (s). After some serious head scratching the student, Steve Forrest puts two and two together and figures that no man could be physically capable of crashing through glass ceilings and mutilating and stuffing corpses up a chimney and severing limbs....the evidence points to an animal such as a gorilla...naturally the local gendarmes do not believe it a first. After the gorilla escapes from his local pen at the zoo and murders again, police have to release Forrest from custody. Evidence points to the local zoo and its curator Professor Marais (Karl Malden) Police quickly rush to the zoo to find the ape carrying around another potential victim, the fiancé of Forrest. The cops kill the gorilla and in a somewhat funny scene the ape lands on Malden and gives him a Mike Tyson working over...ugh!! This film was released in 3D in 1954 during a period when Hollywood was trying to figure out how to keep its audiences away from television.....3D was a silly gimmick that gave a few thrills by wearing plastic glasses to enlarge and somewhat make more believable the image on the screen...it looked like the image was coming right at the viewer more explicitly than in regular format. All in all this is a good, decent horror thriller for it's time...the music composed by David Buttolph is pretty good and adds a touch to the mystery. The guy in the gorilla costume is very believable and you feel almost compassionate seeing the gorilla in his cage responding to affection from the fiancé of Forrest. Decent little thriller.

Although not in the same league with Warner's HOUSE OF WAX, at least this version of the Edgar Allen Poe story has some interesting ingredients that make it passable entertainment. First and foremost, the always dependable KARL MALDEN as a sinister man terrifying Paris with his ape and a pleasant supporting cast that includes CLAUDE DAUPHIN, PATRICIA MEDINA and a very young and slim MERV GRIFFIN.

David Buttolph's music adds some flavor to the improbable Poe story and the sets and costumes provide additional quality. But the basic story is so silly that none of it seems quite credible. You just have to suspend your disbelief long enough to enjoy the tale, expanded a bit from Poe's original short story with only modest returns.

STEVE FORREST, as a man wrongly accused, gives the film's most earnest performance but it's KARL MALDEN and his ape companion that you're most likely to remember.

At any rate, a vast improvement over the stilted '32 version directed by Robert Florey with a very young Leon Ames as the romantic lead and Bela Lugosi providing the only thrills.

This is a good version of the Poe story, and I liked it much more than the Bela Lugosi version. This held my attention throughout the whole movie. The color cinematography was very effective and Steve Forrest and Patricia Medina make a very believable couple. The ending is a bit unintentionally funny, at least to me. And it sure is something to see a very young and a very slim Merv Griffin. LOL.

But I do like this version, I think because the Lugosi version has a weird look to it. This is the better version.

Rory Del Ruth directed this film supposedly based on the classic Edgar Allen Poe story 'Murders in the Rue Morgue' though showing only the slightest resemblance. A number of young women are brutally murdered and all evidence points to Professor Dupin (Steve Forrest). However, Dupin continues to protest his innocence but his attempts to prove it to exasperating Inspector Bonnard (Claude Daulphin) are ignored by the abhorrent police officer.

I found this movie to be quite entertaining. To begin with the story moves slowly and one has to question where this movie is going? However, the final twenty minutes or so are very tense leading up to an almost blistering and highly exciting finale. Steve Forrest is great as Dupin, the university professor apparently caught up in the middle of a very elaborate murder plan, and commands his role as if it were written for him. Unfortunately the rest of the cast did not seem to perform to the same standard in my opinion with the exception of Karl Malden in the role of Dr. Marais. Even though Malden certainly hammed it up a bit his performance was still of a high quality and during a particular scene gave one of the more fearsome horror performances I have been privileged enough to witness.

Phantom of the Rue Morgue's finest quality is in its thriller aspect. As all murders are off-screen and only the aftermaths are shown the film searches out for a different type of brutality and succeeds but unfortunately rather late on. During the first half of the film 'Phantom.' remains a pleasant crime thriller but suffers somewhat from slowness in places. All this changes when it becomes obvious to us all who the killer is and what their motive is for doing so. Upon acquiring this knowledge we are given an insight into one of the more disturbed killer minds in horror and also some marvellous final scenes.

Despite the occasional slowness and poor acting I still quite liked this film. Though I must admit I found the first half to be of only average quality and reasonably dull when the story eventually become more interesting 'Phantom of the Rue Morgue' managed to regain my attention. I can understand its low rating on IMDb but I don't think it's a true representation of this film. 'Phantom.' certainly has flaws but is worth watching if only for the blistering finale. My rating for 'Phantom of the Rue Morgue' - 6.75/10