O Escorpião Negro

One of the better Fifties science fiction entries is The Black Scorpion or scorpions to be precise. These creatures got released during a volcanic eruption and started wreaking havoc in the area around Mexico City.

Of all the monsters created by the special effects guys including the great Ray Harryhausen, the ugliest, meanest, nastiest creatures ever brought to the screen were these scorpions. They are ugly as sin, emit an obnoxious drool when on the prowl and make a noise guaranteed to scare any kid or kid at heart out of his comfortable movie seat. And they are one of the few creatures which are not either from outer space or caused by radioactivity.

When the scorpions start doing their thing, scientists Richard Denning and Carlos Rivas are in the area as is ranch owner Mara Corday. In between trying to figure out how to combat the scorpions, a little romance gets going between Denning and Corday. And there's a cute little kid around played by Mario Navarro who gets in all kinds of trouble tagging along with the scientists.

But you can mute the romance and get into the action. I guarantee you will like the scene inside the volcano where Denning, Rivas, and little Mario have to deal not only with the scorpions, but with giant earthworms and spiders. And the final battle in the Mexico City soccer stadium between the scorpion and the scientists and Mexican army is a tingler.

Another stop motion classic from the atomic age. Giant scorpions awakened by volcanoes menace Mexico. You think a swarm of giant scorpions is bad, wait until you see the biggest and baddest of the bunch...The Black Scorpion!!

Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.

The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.

Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.

The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.

I miss these kind of movies!

Edward Ludwig directed this science fiction horror thriller that stars Richard Denning as American geologist Hank Scott, who is recruited by the Mexican authorities when an earthquake unleashes a horde of giant scorpions upon the Mexican countryside, causing havoc and destruction as they threaten to overrun the nearby city, then the world. Good model F/X on display, with some harrowing attack scenes(including a vivid cavern sequence), but there is no story or character involvement at all, with the plot being overly familiar and uninspired. A pity, because the film pushed the violence boundaries for its time, but the film just comes up short, and has been strangely forgotten. Basically a rehash of the much superior "Them!"

Black Scorpion, is another semi classic, 50s giant monster movie. It should have been called the scorpions that ate Mexico. If you enjoy other movies from the 50s that feature giant insects or other huge monsters wreaking havoc on mankind, you will also like Black Scorpion. You do have to keep in mind that this was made in 1957. Don't be looking for the thrills you can get from the special effects in today's horror movies. The movie has to be viewed within the context of the time it was released. For it's time, the special effects were great. This was truly a scary movie for it's time and continues to be exciting today. I found this to be a very entertaining movie and recommend it to anyone who enjoys the giant monsters of the 50s and early 60s. Enjoy.

Volcanic activity in Mexico frees an enormous variety of scorpion from entombment in the Earth. The beasts proceed to terrorize the locals, and it's up to macho geologists Hank Scott (Richard Denning) and Arturo Ramos (Carlos Rivas) to help save the day. Naturally, Hank also has to spend whatever spare moment he's got romancing rancher Teresa Alvarez (Mara Corday).

You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.

Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".

Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.

Seven out of 10.