AVALIAÇÃO DA IMDb
6,2/10
86
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaPoliceman (Nolan) flirts with waitress (Bari) and finds out her sister (Valerie) is involved with the robber (Fowley) he is trailing.Policeman (Nolan) flirts with waitress (Bari) and finds out her sister (Valerie) is involved with the robber (Fowley) he is trailing.Policeman (Nolan) flirts with waitress (Bari) and finds out her sister (Valerie) is involved with the robber (Fowley) he is trailing.
- Direção
- Roteiristas
- Artistas
Adrian Morris
- Al Higgins
- (as Michael Morris)
Stanley Blystone
- Policeman O'Hara
- (não creditado)
Maurice Cass
- Howard
- (não creditado)
Frank Darien
- Hard of Hearing Driver
- (não creditado)
Hal K. Dawson
- Travel Agent
- (não creditado)
Lester Dorr
- Ship Steward
- (não creditado)
Edward Earle
- Peters
- (não creditado)
Sherry Hall
- Hotel Desk Clerk
- (não creditado)
Sidney Kibrick
- Boy Catcher
- (não creditado)
Avaliações em destaque
Lloyd Nolan is the new beat cop on the East River pier. He's much taken with coffee shop waitress Lynn Bari. Her sister, Joan Valerie, however, is mixed up with thief and cop killer Douglas Fowley -- against her will.
It's a Code-compliant remake of the pre-code ME AND MY GAL, starring Spencer Tracy and Joan Bennett. Adrian Morris plays the same role in both movies. Earlier, the story was one of three in the silent WHILE NEW YORK SLEEPS. This version is a pretty good one for the year and budget; Miss Bari is top-billed and gives a lively performance, even though it lacks the dirt, grime and sparks of the older versions. Nolan, as always, is solid in his working-class personna, Miss Bari gets a few memorable wise cracks, and B director Eugene Forde gets through the effort in jig time, barely topping an hour in run time.
It's a Code-compliant remake of the pre-code ME AND MY GAL, starring Spencer Tracy and Joan Bennett. Adrian Morris plays the same role in both movies. Earlier, the story was one of three in the silent WHILE NEW YORK SLEEPS. This version is a pretty good one for the year and budget; Miss Bari is top-billed and gives a lively performance, even though it lacks the dirt, grime and sparks of the older versions. Nolan, as always, is solid in his working-class personna, Miss Bari gets a few memorable wise cracks, and B director Eugene Forde gets through the effort in jig time, barely topping an hour in run time.
Director Eugene Forde spent most of his forgettable career at Twentieth Century Fox studios, only on B pictures and of course several CHARLIE CHAN movies. All his stuff was rather agreeable, fast paced, well chain made, without any trademark nor spirit. The kind of film maker who worked without any inspiration, only the talent necessary to obtain what audiences of those periods wished to see in double feature matinees. In any studios, even in Poverty Row, those one hour features were more or less on the same scheme, mix up of drama, thriller, comedy. This one makes no exception, with a Lloyd Nolan in great shape who helps, enhances a lot the quality of this good little mystery thriller.
Você sabia?
- Citações
Danny Dolan: Is this cream fresh?
Sally Kelly: Three hours ago, it was grass.
- ConexõesRemake of Eu e Minha Pequena (1932)
Principais escolhas
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Detalhes
- Tempo de duração
- 1 h 4 min(64 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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