AVALIAÇÃO DA IMDb
6,6/10
789
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.
- Direção
- Roteiristas
- Artistas
Olin Howland
- Chief of Police Jonathan Meek
- (as Olin Howlin)
Harry Carter
- Call Boy
- (não creditado)
Mary Field
- Maid
- (não creditado)
Charles Irwin
- Gus aka The Great Merlini
- (não creditado)
Ruth Warren
- Peggy - the Cook
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Mike Shayne is back with us in The Man Who Wouldn't Die, one of the last of the seven Shayne movies Lloyd Nolan cranked out in a three-year period. While the acting for the most part is no better than you'd expect in a quickie B, it's got the old dark house cliché down pat. Mike Shayne is called upon to pretend to be the new husband of the daughter of a wealthy businessman, now under investigation back in Washington. The man has a lush, young wife, an obsequious male secretary, an older and discrete butler and a live-in, tall and handsome doctor/scientist. Most of all, the man has a huge, isolated mansion with lots of corridors and rooms. And at night, the shadows are dark, the grounds are scary, a murderer creeps about and a buried corpse has trouble staying buried. Shayne's job is to find out why someone took a shot at his female friend in her bedroom, and why everyone, including her father, insists that it was her imagination. Things get even more dicey when the young lady's real husband shows up.
Lloyd Nolan brings all of Michael Shayne's wise-cracking confidence to life as he puzzles out a murderous mystery that involves revenge and slow breathing. Except for Nolan, the acting is B level clunky. Still, it's always fun to see Olin Howland do his gullible hayseed routine, this time as Police Chief Meek. In a small part as the town's coroner is Jeff Corey, a good actor when given half a chance. To see him at his best, watch his performance as Blinky Franklin in The Killers.
Like all the Michael Shayne mysteries Lloyd Nolan made in the early Forties, nowadays the reason to watch them is Lloyd Nolan. Shayne's good-natured confidence and shrewd thinking is a perfect match for Nolan.
Lloyd Nolan brings all of Michael Shayne's wise-cracking confidence to life as he puzzles out a murderous mystery that involves revenge and slow breathing. Except for Nolan, the acting is B level clunky. Still, it's always fun to see Olin Howland do his gullible hayseed routine, this time as Police Chief Meek. In a small part as the town's coroner is Jeff Corey, a good actor when given half a chance. To see him at his best, watch his performance as Blinky Franklin in The Killers.
Like all the Michael Shayne mysteries Lloyd Nolan made in the early Forties, nowadays the reason to watch them is Lloyd Nolan. Shayne's good-natured confidence and shrewd thinking is a perfect match for Nolan.
Detective Shayne helps out an old girlfriend, following some mysterious happenings at her family mansion.
That Gothic opening is a real grabber. So what's going on with guys that are digging a nighttime grave in the middle of a storm with a sinister mansion in the background. It takes the rest of the 60-minutes to find out. Speaking of spooky effects, there're also the two glowing eyes in the dark looming over an hysterical Cathy (Weaver). No wonder she screams bloody murder.
But these creepy effects, along with the ever-reliable Lloyd Nolan as Shayne are probably the best parts of a sometimes murky narrative. The whodunit part is treated rather casually; at the same time, maybe you can figure out the solution-- I got lost. But that's okay, because the Shayne series depended more on characters than mystery. Here, Nolan and Weaver spark the proceedings with some lively dialog, including some surprisingly suggestive bedroom banter. Include Olin Howland as the addled hayseed sheriff, plus an ambulatory corpse, and it all adds up to an entertaining, if unexceptional, series entry.
That Gothic opening is a real grabber. So what's going on with guys that are digging a nighttime grave in the middle of a storm with a sinister mansion in the background. It takes the rest of the 60-minutes to find out. Speaking of spooky effects, there're also the two glowing eyes in the dark looming over an hysterical Cathy (Weaver). No wonder she screams bloody murder.
But these creepy effects, along with the ever-reliable Lloyd Nolan as Shayne are probably the best parts of a sometimes murky narrative. The whodunit part is treated rather casually; at the same time, maybe you can figure out the solution-- I got lost. But that's okay, because the Shayne series depended more on characters than mystery. Here, Nolan and Weaver spark the proceedings with some lively dialog, including some surprisingly suggestive bedroom banter. Include Olin Howland as the addled hayseed sheriff, plus an ambulatory corpse, and it all adds up to an entertaining, if unexceptional, series entry.
Another fun Michael Shayne movie starring Lloyd Nolan. Hearing Nolan with his distinctive voice and accent rattling off the snappy patter is music to the ears. This time around private eye Shayne journeys to an estate to help a friend in danger. The friend is played by likable Marjorie Weaver in her second of three Michael Shayne movies. She played a different character in each one. Olin Howland is a great deal of fun as an incomplete police chief. Highlights include a great car chase, some nice old dark house mystery atmosphere, and one particularly effective scene where the camera zooms in on a shadowy figure whose eyes are practically glowing. Cool stuff!
Marjorie Weaver who is Paul Harvey's wild child comes home and announces she
has a husband. Her dad has troubles enough with a Senate Investigating Committee looking at him for God knows what. Harvey and a few others have
just buried a body, but a second look reveals an empty grave.
Weaver hires Michael Shayne, but in order to have him at the house she says Lloyd Nolan is her husband. Nolan's crackling wit does not near and endear to the rest, but he gets the job done.
All I'll say is that it wasn't quite what I expected.
The cast gives a good account of themselves and Nolan is as breezy as ever.
Weaver hires Michael Shayne, but in order to have him at the house she says Lloyd Nolan is her husband. Nolan's crackling wit does not near and endear to the rest, but he gets the job done.
All I'll say is that it wasn't quite what I expected.
The cast gives a good account of themselves and Nolan is as breezy as ever.
I ended up catching this on the Movies!network-the digital TV channel broad-casted by a lot of fox affiliates. I thought it was a fun movie. Lloyd Nolan was great. I knew him more from his character bits on TV in the 1970s. I really enjoyed him in the McCloud episode of the western cowboys that rob an armored car. This movie had a nice mix between comedy and a nice if not ground breaking mystery story. Great chemistry between Nolan and his costar. I had not seen others in this series but would not mind checking it out. The style reminds a little of the Thin Man series or some of the better written Abbott and Costello movies (I always liked their two mystery type movies Who Done It and Meet The Killer Boris Karloff).
Você sabia?
- CuriosidadesWhen Meek and Shayne are pursuing the "ghost" in Meek's car, Shayne tells Meek to shoot the tyres in the other car. Meek refuses as they are his tyres and that he "can't get any more...". During the Second World War, tyres were rationed in the USA. A limited number of people (e.g. nurses, fire brigades, police) were able to apply to the local rationing board for approval to purchase brand new tyres. Everybody else had to patch their tyres or replace the treads.
- Erros de gravaçãoWhen Shayne confronts Dudley Wolff, his wife and Dunning in the den, he refers to Wolff's partner buried "last night in the woods". That was actually two nights before, as the previous night was the one when Dr Haggard got killed.
- Citações
Anna Wolff: [offering a drink] Would you care for something to warm you up?
Catherine Wolff: I was on the wagon, but I'll think I'll step off and give my seat to a gentleman.
- ConexõesFollowed by O Punhal Assassino (1942)
- Trilhas sonorasThe Dear Little Shamrock
(uncredited)
Lyrics by Andrew Cherry and music by W. Jackson
Sung by Lloyd Nolan
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El hombre que no murió
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 5 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was A Sepultura Vazia (1942) officially released in India in English?
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