O Mago da Morte

Dr. John Garth (Boris Karloff) is convicted of a mercy killing and sentenced to hang. With the time he has left, he is allowed to continue his experiments in prison. He creates a serum that reverses aging and tries it out on himself. But side effects of the serum turn him into a homicidal maniac. Karloff is terrific in a role very similar to many others he had played before and always perfectly. He was so good at creating sympathetic performances out of characters that other actors would have played in broad strokes. Nice supporting cast that includes the always good Edward Van Sloan, Evelyn Keyes, Bruce Bennett, Don Beddoe, and the underrated Pedro de Cordoba. You might not recognize some of those names but it's a solid cast for a 'B' picture. Not the best of Karloff's mad scientist films but highly enjoyable anyway. Definitely give it a shot.

The film begins with a kindly doctor (Boris Karloff) being sentenced for performing a mercy killing. He is given the death penalty and the sentenced is to be carried out in one month (wow--things sure went fast in the good old days). In the meantime, however, the warden of the prison allows the Doctor to continue his experiments regarding prolonging human life, as the work seems important and not everyone is as tough on the Doc as the judge.

During this one month period, a breakthrough occurs with Karloff's research. And, in an effort to test the formula, Karloff insists that the other doctor inject him with the formula. The experiment is a success and Karloff now looks and feels much younger and healthier--and as luck has it, the death sentence is commuted, so Karloff can continue working in the prison laboratory. However, slowly the changes that occur in the one-kindly man are unanticipated...and not particularly pleasant to say the least. Why did he change and what happens next? Well, see the film for yourself, as I'd hate to spoil the suspense--though the why is a tad silly.

Overall, a novel idea for a film that is well worth seeing. Karloff fans will have a ball, but non-fans also might enjoy this interesting little B-movie. I particularly liked it because I enjoyed seeing Karloff play such a likable guy--at least until the injection.

BEFORE I HANG is an intriguing little chunk of B-Film that explores the old idea that blood has memory, that the tissues and bones of the criminally insane pulse with a life that makes them who they are. In short, blood will have blood, as Macbeth says after the appearance of Banquo's ghost.

Boris Karloff is strong in this piece about a Dr. John Garth, who is seeking a serum that may alleviate the ravages of age. His experiments have led him to "mercy kill" one of the subjects of his studies, and for this, he is sentenced to death. Offered a chance to redeem himself through medical research in prison, he and a colleague (played by the fine character actor Edward Van Sloan) inoculate Garth with an experimental serum drawn from the veins of an executed murderer. The serum works, but Garth becomes a homicidal maniac. He kills his colleague and a prison trustee, and manages to lie his way into a pardon from the state for his humanitarian efforts. After he gets out, he really has a killer's jamboree.

Aside from the mechanical gesture of touching his hand to the back of his neck whenever one of the murderous fits come on, Karloff creates a character who's pretty sympathetic. Evelyn Keyes as his daughter adds some spark to the melodramatic proceedings. Pedro de Cordoba, piano interludes and all, managed to build a soulful and arresting character who stands out all the more against the general flatness of the Columbia "B" company. All in all, the work holds up, and it's a must see for anyone who admires the efforts of Karloff and some of the other great characters of that era who (time and again) were able to lend some real spark to what would otherwise have been pretty lifeless strips of celluloid.

Boris Karloff, typecast in the horror genre, was one of our most underrated film actors. Here is a typical film of his middle career that showcases his versatile skills, equally strong as the benign, elderly scientist and his murderous, strangling younger self. This b-picture packs a lot of atmosphere and suspense into it's hour running time. Any shortcomings cannot be blamed on anyone but the screenwriter, Robert D. Andrews, who was just trying to keep things moving- not such a bad thing, actually. Nick Grinde does an excellent job making the most out of the script and witness Karloff's fireside confession for an example of the film's above average cinematography. It's also nice to see Karloff side by side with Edward Van Sloan again nine years after Frankenstein. If you need proof of Boris Karloff's talent and charisma aside from Frankenstein, check out Before I Hang, as well as The Black Room, The Body Snatcher, and Targets. I wish we had a star like him today...

Boris Karloff would begin to repeat what might be considered the same part again and again in a series of "Mad Doctor" films he made for Columbia Pictures in the early '40s. As the elderly Dr. Garth, Boris is developing a serum which he hopes may preserve life. He's been convicted of the mercy killing of a terminally sick friend (would that make Karloff the first Dr. Jack Kevorkian?) but yet is allowed to continue his experiments while on death row with the aid of prison physician Dr. Miller (DRACULA's Edward Van Sloan). Garth decides to use himself as a guinea pig and injects himself with a serum made with the blood of a known murderer. The kindly doctor is subsequently pardoned from his crime, and the end result of his experiment produces the amazing effect of turning him into a much younger man. He has now inadvertently reversed the aging process, but the tainted formula has one slight side effect: it periodically turns him into a homicidal killer who is seized with the urge to strangle his victims. BEFORE I HANG is a decent offering in this series, though is not to be confused with the similarly-titled and superior THE MAN THEY COULD NOT HANG from 1939. **1/2 out of ****