Charlie Chan no Reno

The films Charlie Chan films that Sidney Toler made for Fox were very good--much better than the later cheaper series from Monogram Pictures. In fact, these Fox films were good enough that the public warmly embraced the actor who took over the role following Warner Oland's death. Now this doesn't mean that Toler was exactly like Oland--there were definite differences in the characterizations. First, there were less of the wise Chinese sayings and more cranky comments (usually directed at #2 Son, Jimmy). Second, Toler seemed less passive and more like a real detective. Still, I missed Oland but must admit that Toler was the right man to fill in for him.

As for this film in particular, Toler and Jimmy are just fine and I have no complaints about their acting or characters. However, when it comes to the murder plot, this one was much more convoluted and tough to believe than most. When they find the actual murderer at the end, you are left feeling like they just picked that person at random--especially since the motivation this person had seemed tenuous at best. Still, not a bad film at all--enjoyable throughout.

An entertaining film as Charlie heads over to Reno to help a friend. Mrs. Bentley would have been interesting to hang around with for a while. The film drags in a couple of spots but only briefly. I personally didn't find the Tombstone' character to be all that funny. Other than Charlie's sons,the attempts at humor in the Chan films tend to fall flat. Eddie Collins is annoying as the cab driver and it's nice to see Charlie put him in his place. Phyllis Brooks gives a good performance as Ms. Wells. I love the way Pauline Moore speaks and acts in this film. Iris Wong is great as usual.The interplay between Charlie and his #2 son is priceless!

Unlike most of the Warner Oland Chan films, those featuring Sidney Toler as Lieutenant Charlie Chan, Honolulu Police Department, often include sufficient clues that the viewer can play detective along with the hero. Charlie Chan in Reno is one of those films. Released prior to a first-class film with a similar main storyline (`The Women' in 1939) this Chan film also has a group of females waiting their time in Reno before a divorce decree can be granted. Chan has an eye for these ladies: `Charming company turn lowly sandwich into rich banquet.' Norman Foster takes over from a series of Mr. Moto films to direct the first of three good Chan films.

Good supporting comedic cast with Victor Sen Yung as No. 2 son Jimmy - a USC undergraduate, former Keystone Kop Slim Summerville as Sheriff `Tombstone' Fletcher, and Eddie Collins as the ever-talkative cab driver (until it is suggested that he might appear in court). Ricardo Cortez is smooth as the suspicious doctor with a motive for murder. Some racial slurring as a hood from the lineup pulls up on the corners of his eyes and tells the detective that he also is one of Chan's sons.

Most of the story takes place at the Hotel Sierra or Police Headquarters. Jealousy, possible robbery, and other motives and a number of obvious suspects complicate the solution. `When searching for needle in haystack, haystack only sensible location.' A keen eye for details will lead the viewer to see what Chan sees and to anticipate his every move. Good luck, the Sheriff could not figure it out and storms out of headquarters heading for Tonopah in disgust at the end.

Could have moved faster. Recommended.

Sweet but sorrowful Pauline Moore arrives in Reno for her divorce. At the hotel she quickly meets Ricardo Cortez, suave doctor, and Phyllis Brooks, a kind of "social director" at the hotel, who urges her into the lounge for a drink. Also on the scene are Robert Lowery, earnest young socialite, and Kay Linaker, a more serious-minded guest—and the vulgar and tipsy Louise Henry, the would-be future husband of Moore's current spouse, who manages to insult all of the other characters within the space of about two minutes. Not surprisingly….

The nasty woman is shortly thereafter found murdered in her room. Pauline Moore is—unfortunately for her—found standing over the still-warm body; on the plus side for Moore, however, is her old friendship with the great Charlie Chan—who on hearing of her arrest immediately drops everything in Honolulu (he has been working in the police lab on an Easter egg) and flies over to Nevada to assist. He is accompanied by Kane Richmond, Moore's estranged—yet basically solid—husband.

It's a nice ensemble cast, a good mix of suspects. Keeping an eye on them all is Sheriff Slim Summerville, who goes by the name of "Tombstone," is suspicious of everyone, and is pretty much clueless. He is good comic relief, as is—

Sen Yung, back as Jimmy Chan, now a student at USC who borrows a car and sets out for Reno when he gets word that there's a case on. Along the highway, he gets highjacked and loses his car and his clothes….And one of the funniest scenes in the Chan series has got to be the moment when Jimmy, picked up by the cops, walks out under the lights in a police lineup wrapped in a blanket—and his recently-arrived pop is in the audience with the Reno chief.

Once released, Jimmy has a cute romance with hotel maid Iris Wong. "Does honorable father think you're too young to smoke?" she asks as he (amateurishly) lights up a cigarette. "Oh no, I'm no kid," Jimmy insists. "I help him solve his cases." Of course, he has a few ideas on this case as well….

Sidney Toler is fine at the center of it all, bantering with suspects, flattering the sheriff, tut-tutting Jimmy. Eventually, he gathers all of the suspects together for a climactic scene that is quite suspenseful and nicely satisfying.

Very enjoyable. It may be a formulaic series entry—but at this point they sure had the formula down right.

This very good Charlie Chan mystery was made at 20th Century Fox. At this time the series still had the backing of a major studio and so the production values, acting, script, camera work, etc. were of good quality. Later, when Fox dropped the series and it found a home at Monogram, the Chan films got pretty bad with the look of cheapness in abundance. But, this film had some very good actors, such as Ricardo Cortez, Robert Lowery, and the always funny Slim Summerville supporting Sidney Toler as Chan. There seemed to be just the right amount of comic relief to keep the story moving at a good pace. Later Chan entries would go overboard with comedy with Mantan Moreland and company trying to avert the viewers from realizing what lame plots and bad acting they were watching. Of course, as in all Chan mysteries, there is no shortage of suspects in the case of a murder that is committed on a thoroughly unlikeable woman who seemed to go out of her way to alienate everyone. With several characters having a motive to kill the woman, Chan must sort out the clues and unmask the killer while continually being harassed by an inept (but very funny) sheriff, portrayed by Summerville. Victor Sen-Yung, as number two son, helps out when it counts while enduring the usual number of affectionate insults from his detective father. All in all, this movie is great fun.