As Aventuras de Sherlock Holmes

Every great hero needs at least one arch enemy that nearly is his equivalent in intellectual faculties and ingenious working methods. For Sherlock Holmes this nemesis is Professor Moriarty and the fact that he appears in this film first, moreover portrayed by the more-than-brilliant cult star George Zucco, makes "The Adventures of Sherlock Holmes" maybe the single best entry in the long-running Basil Rathbone/Nigel Bruce movie cycle! The sublime interactions between Holmes and Moriarty lift the quality of this film up to an higher level and, for the first time ever, you get the impression that our master detective is up against an opponent who really forces him to use ALL of his intellect for once. Almost purely for the fun of it, Professor Moriarty decides to embarrass Sherlock Holmes and steal the hugely valuable crown jewels right from under his nose. Through well thought out red herrings and distractions, Moriarty manages to confuse Holmes and to mess up his sense for priority, giving him with a perfect opportunity to steal the jewels. This installment is less of a horror film because the emphasis merely lies on the nuanced acting performances as well as on the light-hearted rivalry between Holmes and Watson. The Victorian setting & timing is excellent, and you should enjoy it as much as you can here, because the series got uplifted to the actual 1940's after this, resulting in a lot of redundant wartime propaganda. Basil Rathbone and Nigel Bruce are splendid as usual, but the show is undeniably stolen by George Zucco in his familiar role of criminal mastermind. Particularly the sadistic yet sophisticated conversations with his butler are pure class. The only elements that slightly disappointed me was the rushed and action-packed ending which stands in contrast with the rest of the patiently scripted story. Nevertheless, highly recommended!

Some national critics rated this the best of the old Sherlock Holmes films. I don't agree with that, but it's a good one. It's also a film I didn't fully appreciate the first time. On the second look, thanks no doubt to the wonderful "restoration" job on the DVD, it brought the cinematography to the forefront and made the whole story more attractive, too.

There are some wonderful scenes with light and shadows and foggy London streets. Story-wise, it's okay nothing that memorable except we see a very young and innocent-looking Ida Lupino playing a nice British girl. Holmes (Basil Rathbone) is his usual deductive self and Dr. Watson (Nigel Bruce) elicits a few laughs along the way, not as many as he did in future films but more than he did in his first Holmes film, "The Hound Of The Baskervilles."

There weren't as many suspects in this SH adventure as in most of them, but that was fine with me. It was more a battle of wits between the good detective and his nemesis, "Dr. Moriarity" (George Zucco), which is better than having a dozen suspects.

Having recently completed a film article due for publication in FILMS OF THE GOLDEN AGE on Ida Lupino, it's a pleasure to report that this is one of her best early performances. She plays a terrified young woman who seeks the help of Sherlock Holmes when she becomes concerned about her brother's safety. He soon determines that she too is being stalked by killers. Her brother is killed and the plot thickens with a sub-plot involving Professor Moriarty's plans to steal the Crown Jewels and the Star of Delhi. Holmes eventually solves the case and defeats the diabolical Moriarty with a plan of his own. Reviewers judged this film even superior to the earlier 'Hound of the Baskervilles'. Indeed, it's fully as atmospheric and suspenseful with handsomely staged scenes in gas-lit Victorian London. George Zucco makes an ideal villain and the main roles by Rathbone, Nigel Bruce and Ida Lupino are handled with their customary skill. Definitely worth seeing and far superior to the later Universal entries which updated all of the Holmes stories.

The cast, atmosphere, & action in this version of "The Adventures of Sherlock Holmes" are all good reasons why it is an enjoyable feature. The story is very loosely based on a play that itself had freely adapted some of Doyle's characters and plot ideas, and thus the plot is essentially entirely new, yet the Victorian atmosphere and Basil Rathbone's portrayal of the great detective give it a pretty good "Holmes" feel.

The basic story idea has Professor Moriarty scheming to exploit one of Holmes's few weaknesses, and although the plot in itself does not come from the novels, it is a perceptive way of using the characters. There are some loose ends in the story that would have been tied together except for some studio-decreed cuts; the notes that accompany the DVD release are quite helpful in covering what was omitted.

George Zucco makes fine use of his screen time as Moriarty, and Ida Lupino makes her character a demure and appealing heroine in distress, while showing some good spirit at the right times. Nigel Bruce's Watson has a rather different feel from Doyle's character, but he gets some good moments of his own here, and Bruce does well with them.

For a great many Sherlock Holmes fans, nothing can now rival the magnificent Jeremy Brett versions from the 1980s and 1990s, with their marvelous atmosphere, careful story adaptations, and Brett's penetrating portrayal of Holmes. But until those were made, Basil Rathbone's portrayal of the detective was as good as any of the many actors who had played him. This movie and its predecessor "The Hound of the Baskervilles" are among the most enjoyable of all of the Rathbone features, for their atmosphere and their lively stories.

... played live whenever you happen to be around.

This is the second of two Fox films made for the series with Basil Rathbone as Holmes. The film starts with a jury acquitting Dr. Moriarty (George Zucco) of murder. Right after that, in bursts Holmes and Watson with evidence that proves Moriarty was guilty, but the judge says it is too late. And believe me the judge is not happy about it. As Moriarty shares a cab with Holmes as they leave the courthouse, they both provoke and prod each other verbally. Moriarty says that he intends to break Holmes by pulling off the crime of the century right under his nose. Then he says, with Holmes' reputation ruined, he can retire in peace.

In the following days Holmes gets two requests for help. One is for the crown, helping guard a rare emerald that is to be added to the crown jewels. The other is from a young wealthy woman (Ida Lupino as Ann Brandon) who has received a drawing indicating her brother will be murdered and even gives the date. Ann is not being hysterical, as her father received exactly the same kind of note right before he was murdered when she was a child. This double duty requires Holmes to practically be in two places at once. Is Moriarty up to something? Of course he is! But as to what, watch and find out.

Zucco makes a very good Moriarty. After returning home after his acquittal he goes into his greenhouse to admire his plants and notices one of them is dead. He chastises his manservant for having "murdered" a plant by not watering it properly. Later, when his manservant is shaving him, he practically dares him to kill him with the bare blade. He's evil, he's edgy, and he prevents his role from descending into camp.

There are a couple of odd things I had questions about. At one point, Holmes and Moriarty are having it out in a gun battle and Holmes runs up the stairs of a building. Moriarty chases Holmes. With the police on the way. Up the stairs of a building where there is no exit. Did Moriarty get confused and think this is the twentieth century where a helicopter can arrive with his minions and help him make his escape? Also, the bit with the death threat to the Brandon family. Did Moriarty have something to do with the murder of Ann Brandon's father years ago, or did he just know about it and duplicate the elements? This is never explained.

Nigel Bruce gets some good lines in as Dr. Watson. At one point he is lying in the street helping Holmes reenact a crime. A passerby asks him if he should get a doctor. Watson replies "I'm a doctor, what's the matter with you?".