As Aventuras de Sherlock Holmes

Released in the landmark movie year of 1939, this is my favorite Sherlock Holmes film. It is set in the proper period, has a reasonable budget, excellent sets, and fog so thick one would have to cut it with a razor. The story has to do with Professor Moriarity's scheme to steal the crown jewels. More than anything, however, the movie is a vehicle for Basil Rathbone and Nigel Bruce, whose interpretations of Holmes and Watson are so engaging and larger than life that several decades later actors are still compared (usually unfavorably) to these two whenever they attempt to take on these roles. Rathbone makes an impressive Holmes,--cunning, gentlemanly, high-minded, somewhat competitive, intensely focused. One of the many things that makes Rathbone so perfect as Holmes is that while he may fall short of the mark in his portrayal of the character Conan Doyle created in print, he is an ideal movie Holmes. There's an heroic quality to him. Rathbone was more than a bit of a swashbuckler on screen, as is obvious in his many duels with Flynn and Power, and he brought some of this edgy, assertive quality to his interpretation of Holmes, and as is so often the case when an actor varies somewhat from a character created in fiction (Bogart is a far cry from Hammett's "blonde Satan" of a Sam Spade), this can actually work in his favor. Rathbone is Hollywood's Sherlock Holmes, and I can't imagine a better one. Bruce often played Watson as a bumbler later in the series, but in the early entries was more serious and competent. His movie Watson is overall somewhat comical, and creates a charming contrast to the grim, determined Holmes, and works for me because I like a little respite from the seriousness of a mystery, any mystery, since the genre is melodramatic, and hard to take when it gets too heavy. With Bruce on hand it never does.

The cast, atmosphere, & action in this version of "The Adventures of Sherlock Holmes" are all good reasons why it is an enjoyable feature. The story is very loosely based on a play that itself had freely adapted some of Doyle's characters and plot ideas, and thus the plot is essentially entirely new, yet the Victorian atmosphere and Basil Rathbone's portrayal of the great detective give it a pretty good "Holmes" feel.

The basic story idea has Professor Moriarty scheming to exploit one of Holmes's few weaknesses, and although the plot in itself does not come from the novels, it is a perceptive way of using the characters. There are some loose ends in the story that would have been tied together except for some studio-decreed cuts; the notes that accompany the DVD release are quite helpful in covering what was omitted.

George Zucco makes fine use of his screen time as Moriarty, and Ida Lupino makes her character a demure and appealing heroine in distress, while showing some good spirit at the right times. Nigel Bruce's Watson has a rather different feel from Doyle's character, but he gets some good moments of his own here, and Bruce does well with them.

For a great many Sherlock Holmes fans, nothing can now rival the magnificent Jeremy Brett versions from the 1980s and 1990s, with their marvelous atmosphere, careful story adaptations, and Brett's penetrating portrayal of Holmes. But until those were made, Basil Rathbone's portrayal of the detective was as good as any of the many actors who had played him. This movie and its predecessor "The Hound of the Baskervilles" are among the most enjoyable of all of the Rathbone features, for their atmosphere and their lively stories.

Having recently completed a film article due for publication in FILMS OF THE GOLDEN AGE on Ida Lupino, it's a pleasure to report that this is one of her best early performances. She plays a terrified young woman who seeks the help of Sherlock Holmes when she becomes concerned about her brother's safety. He soon determines that she too is being stalked by killers. Her brother is killed and the plot thickens with a sub-plot involving Professor Moriarty's plans to steal the Crown Jewels and the Star of Delhi. Holmes eventually solves the case and defeats the diabolical Moriarty with a plan of his own. Reviewers judged this film even superior to the earlier 'Hound of the Baskervilles'. Indeed, it's fully as atmospheric and suspenseful with handsomely staged scenes in gas-lit Victorian London. George Zucco makes an ideal villain and the main roles by Rathbone, Nigel Bruce and Ida Lupino are handled with their customary skill. Definitely worth seeing and far superior to the later Universal entries which updated all of the Holmes stories.

Every great hero needs at least one arch enemy that nearly is his equivalent in intellectual faculties and ingenious working methods. For Sherlock Holmes this nemesis is Professor Moriarty and the fact that he appears in this film first, moreover portrayed by the more-than-brilliant cult star George Zucco, makes "The Adventures of Sherlock Holmes" maybe the single best entry in the long-running Basil Rathbone/Nigel Bruce movie cycle! The sublime interactions between Holmes and Moriarty lift the quality of this film up to an higher level and, for the first time ever, you get the impression that our master detective is up against an opponent who really forces him to use ALL of his intellect for once. Almost purely for the fun of it, Professor Moriarty decides to embarrass Sherlock Holmes and steal the hugely valuable crown jewels right from under his nose. Through well thought out red herrings and distractions, Moriarty manages to confuse Holmes and to mess up his sense for priority, giving him with a perfect opportunity to steal the jewels. This installment is less of a horror film because the emphasis merely lies on the nuanced acting performances as well as on the light-hearted rivalry between Holmes and Watson. The Victorian setting & timing is excellent, and you should enjoy it as much as you can here, because the series got uplifted to the actual 1940's after this, resulting in a lot of redundant wartime propaganda. Basil Rathbone and Nigel Bruce are splendid as usual, but the show is undeniably stolen by George Zucco in his familiar role of criminal mastermind. Particularly the sadistic yet sophisticated conversations with his butler are pure class. The only elements that slightly disappointed me was the rushed and action-packed ending which stands in contrast with the rest of the patiently scripted story. Nevertheless, highly recommended!

This entry in the Sherlock Holmes series is one of the best and it sees the great Basil Rathbone reprise his role as the eloquent sleuth, Sherlock Holmes, once again. This film sees the world's greatest detective face off against his arch nemesis, Professor Moriarty, who plans to not only commit the world's greatest crime, but do it right under the nose of our protagonist. Like most detective dramas, this one keeps itself alive by offering the audience a constant sense of intrigue and ensuring that we follow the mystery along with Sherlock Holmes. The film also benefits from it's central character, who is always a delight to have on screen before you. Holmes is brought to life with a confidant and assured persona, and you always get the impression that he knows exactly what he's doing. His mannerisms are also a treat, and the way that Holmes uses his spare time to do things such as play violin to houseflies, is absurdly funny and helps to build the character into the eccentric and intelligent man that he is.

While a few people, such as Peter Cushing for example, have played Sherlock Holmes; it will always be Basil Rathbone that will be best remembered for it. His persona blends exquisitely with that of the central character, and it makes for a great piece of casting. His mannerisms and personality are great throughout, and Basil Rathbone was clearly born for this role. The rest of the casting is good too, with Nigel Bruce in the role of Watson making the best of it, and also cult favourite George Zucco, who brings class and sophistication to the role of Holmes' arch enemy Professor Moriarty. The story itself is strong, and the two mysteries that run through it combine well together and both threads are interesting enough to keep the audience entertained throughout. It's a shame that films like this aren't made any more as they make for a great slice of entertainment, as we watch a mystery unravel before our eyes. Still, a lot were made in the 30's and 40's and I plan to track them all down!