Que Rei Sou Eu?

I guess in order to fully appreciate the likes of Bob Hope as a comedian (and admit that he's a funny guy), it all comes down to something of an acquired taste. But, with that said, even after seeing him in a number of films, I still haven't come anywhere near to acquiring that taste of total appreciation for this dude.

To me, Bob Hope, far too often, comes across as being one of the driest, most bland, and most unfunny comics of his era. In fact, there are moments when Hope's screen-persona gives me the creeps, big-time, especially when his character is required (amongst other things) to be a hot-blooded lover-boy type to some semi-smouldering babe.

From my point of view, Hope's apparent male-magnetism and believability as a virile specimen of raw manhood registers (on a scale of 1-10) at about 2. And 2 is also about the very same position where Hope's appeal as an all-round comic seems to sit, as well.

In "Where There's Life", Hope is radio personality, Michael Valentine, on WKDC in New York.

Valentine soon finds out (in a roundabout way) that he is the long-lost heir to the throne of the mythical kingdom of Borovia. This, in turn, makes him a target of spies, kidnapping, and death plots, as well as the desire of not one, but two, very determined women. (You go figure)

Bob Hope hadn't quite attained top stardom outside the "Road" movies when this B-grade comedy was made, and while he's make occasional worse films later, this mediocrity is very much a routine studio product of its time. He's an NYC radio personality who is suddenly in demand by friends and foes of a fictional nation whose king is dying from an assassination attempt--and Bob is supposedly the unknowing heir to the throne, having been the product of a secret affair with an American long ago. It sounds like fun to put the comic in some Ruritania's political intrigue, but after its prologue, the movie never leaves Manhattan, where our cowardly hero is chased around by various undercover government agents (including Signe Hasso as a supposed general, in a weak stab at "Ninotchka"-type dynamics) and his own would-be assassins. All this keeps him away from planned nuptials with his fiancee and her cop brother (William Bendix), whose subplot is more amusing than the main narrative. But nothing here is very inspired. Hope talks a lot of fast patter as usual, but it's not GOOD patter, and the situations aren't clever or novel enough to make them funnier. It's not a bad movie, just a thoroughly forgettable that doesn't do anyone involved any particular favors.

Bob Hope is always a wonderful comedian, but he has to work with a few handicaps here. First, there's a predictable and mundane script with a plot more fit for the Three Stooges than Hope. Second, the production values look awfully cheap. This looks more like Republic Pictures than Paramount. Third, co-star Signe Hasso is listless and grim, and has no chemistry with Hope at all. She is also saddled with a ridiculous and silly hairstyle. The only memorable delight in the film is William Bendix as a N.Y.City cop. His delivery of his signature line, "What a revolting development this is," is the funniest laugh in the movie. At 75 minutes, the film zips by and is pleasant enough, but not nearly as much fun as "Monsieur Beaucaire," "Paleface" or any of the Road pictures.

This film is included on a DVD along with another one of Bob Hope's films, "Monsieur Beaucaire". Both are rather pleasant diversions, though neither are near Hope's best.

The film begins in the fictional country of Barovia. The King is making a speech when he is unexpectedly shot. As he appears on the verge of death, the General (Signe Hasso) goes on a mission to America to find the King's son--a child conceived during a brief and ill-conceived marriage to a commoner. It turns out that Hasso is looking for Bob Hope and he has no idea that he's next in line for the throne. Unfortunately, an underground organization of evil, the Mordia, are also looking for Hope, as they are the ones who shot the King and they want to rule Barovia. Much of the film consists of Hope and Hasso running from these killers and it's all cute fun. When they fall in love, it's not especially hard to predict, though it did seem to come rather out of the blue. In other words, there wasn't much of a build up to this. Despite this, the plot still worked up until the very end. Sadly, however, the ending is a total let-down in every way. It's a shame, really, as up until then I liked the film a lot and thought it among Hope's better films. But, the dumb ending undid a lot of my good will and as a result it's just a time-passer...a time-passer that could have been better.

Fast-paced, entertaining and fairly consistently funny: Hope's absurdist puns have a higher-than-usual hit-to-miss ratio, and Signe Hasso is the perfect straight woman. Good supporting cast as well, including George Zucco as - you guessed it - a baddie. *** out of 4.