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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA stockbroker's new partner bets $10,000 that he can only tell the truth for twenty-four hours.A stockbroker's new partner bets $10,000 that he can only tell the truth for twenty-four hours.A stockbroker's new partner bets $10,000 that he can only tell the truth for twenty-four hours.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Victor Potel
- Pedestrian
- (cenas deletadas)
Keith Richards
- Boy
- (cenas deletadas)
Brooks Benedict
- Office Staff Member
- (não creditado)
Wilson Benge
- Fredericks
- (não creditado)
Avaliações em destaque
10CreeCart
Me and my Brother laughed all the way through this movie! One of my favorite Bob Hope films!
Bob Hope swears he will tell "Nothing but the Truth" in this 1941 comedy also starring Paulette Goddard, Edward Arnold, Helen Vinson, Leif Erickson, and Willie Best. This was Hope's and Goddard's third film together. They made a good team.
Hope plays a broker, Steve Bennett, who agrees to invest Goddard's money for a charity and double it. He's not sure how to do it until he gets into a discussion with his fellow brokers about lying versus telling the truth. Steve feels the same things can be accomplished by the truth rather than lying. He puts up his $10,000 to bet that he can tell the truth for 24 hours.
It's not going to be easy, and seeing Hope forced to tell the truth in social situations is pretty funny. When he is asked if a matronly woman looks 30, he answers in Spanish but eventually is forced to translate -- to paraphrase, no way can she look 30. When his fellow brokers find a sexy black nightgown in his apartment, Steve admits it's his from a college show.
Most of the film takes place on a yacht, where, thanks to truth-telling, there is a lot of misunderstanding, hiding, and sneaking around.
Hope is cute and funny, and Goddard is gorgeous and vivacious. Entertaining film, based on a play from the World War I era.
Hope plays a broker, Steve Bennett, who agrees to invest Goddard's money for a charity and double it. He's not sure how to do it until he gets into a discussion with his fellow brokers about lying versus telling the truth. Steve feels the same things can be accomplished by the truth rather than lying. He puts up his $10,000 to bet that he can tell the truth for 24 hours.
It's not going to be easy, and seeing Hope forced to tell the truth in social situations is pretty funny. When he is asked if a matronly woman looks 30, he answers in Spanish but eventually is forced to translate -- to paraphrase, no way can she look 30. When his fellow brokers find a sexy black nightgown in his apartment, Steve admits it's his from a college show.
Most of the film takes place on a yacht, where, thanks to truth-telling, there is a lot of misunderstanding, hiding, and sneaking around.
Hope is cute and funny, and Goddard is gorgeous and vivacious. Entertaining film, based on a play from the World War I era.
The comedic trio of Bob Hope, Paulette Goddard and Willie Best reprise their partnership from THE GHOST BREAKERS in this screen adaptation of the perennial play. Everyone is fine in their roles and Paramount has mounted an impressive cast in support. The story is an amusing one and the writers have made some interesting choices in updating it to 1941 -- although they use the nominally Floridan setting of the movie to minimal effect. Most of the work of covering the show's stage origins is managed by fast cuts and frequent point of view changes. More than good enough.
However, while this is an amusing comedy and well performed at good speed, by a capable crew, it's not what I look for in a Bob Hope movie: I want Bob Hope, that fast-talking, cowardly, lecherous fellow given to asides. It was always a wonderful comic persona and he played it beautifully in many movies. Not in this movie, though, so if that's what you're looking for, you won't find it here. Even though you will find a few laughs along the way.
However, while this is an amusing comedy and well performed at good speed, by a capable crew, it's not what I look for in a Bob Hope movie: I want Bob Hope, that fast-talking, cowardly, lecherous fellow given to asides. It was always a wonderful comic persona and he played it beautifully in many movies. Not in this movie, though, so if that's what you're looking for, you won't find it here. Even though you will find a few laughs along the way.
The third and final teaming of Bob Hope and Paulette Goddard occurred with Nothing But The Truth, an ancient Broadway chestnut by James Montgomery that ran for 332 performances in 1916-17. There were two previous films made of this comedy, one in Sweden and the other in France.
As this was done during World War I, I'm betting that a great deal had to be modernized to get it up to 1941 speed. It must have been quite the stage farce in its day. It bares a great deal of similarity to No No Nanette and that shouldn't surprise because the guy who produced it on Broadway was the same Harry Frazee who sold Babe Ruth to the Yankees from the Red Sox to get the dough.
Just as Nanette was on a 24 hour bet to not say yes, Bob Hope is on a bet with Edward Arnold, Glenn Anders, and Leif Erickson to tell Nothing But The Truth from 4 pm. to 4 pm. It's a little sticky though because Hope didn't bet with his money, he bet with Paulette Goddard's and Goddard is Arnold's niece. To make sure Hope hews to the truth, the three men stick to him like flypaper, even as they're all invited to spend time on Clarence Kolb's yacht.
The bulk of the film takes place on the yacht and I imagine it was the same on stage. Glenn Anders's wife Rose Hobart is there and so is his mistress Helen Vinson which gives him a scary moment or two. All in all it's rather impossible to describe the proceedings, but the lines and situations come out of nowhere.
Funniest performance in the film for me is visiting psychiatrist Leon Belasco who catches Hope in a few compromising positions and is ready and willing to offer his services to what will be a fascinating patient.
But the whole cast does well and Paramount did well by the box office with Nothing But The Truth. It holds up very well today and could even use a remake. I can see Steve Martin doing a modern version.
As this was done during World War I, I'm betting that a great deal had to be modernized to get it up to 1941 speed. It must have been quite the stage farce in its day. It bares a great deal of similarity to No No Nanette and that shouldn't surprise because the guy who produced it on Broadway was the same Harry Frazee who sold Babe Ruth to the Yankees from the Red Sox to get the dough.
Just as Nanette was on a 24 hour bet to not say yes, Bob Hope is on a bet with Edward Arnold, Glenn Anders, and Leif Erickson to tell Nothing But The Truth from 4 pm. to 4 pm. It's a little sticky though because Hope didn't bet with his money, he bet with Paulette Goddard's and Goddard is Arnold's niece. To make sure Hope hews to the truth, the three men stick to him like flypaper, even as they're all invited to spend time on Clarence Kolb's yacht.
The bulk of the film takes place on the yacht and I imagine it was the same on stage. Glenn Anders's wife Rose Hobart is there and so is his mistress Helen Vinson which gives him a scary moment or two. All in all it's rather impossible to describe the proceedings, but the lines and situations come out of nowhere.
Funniest performance in the film for me is visiting psychiatrist Leon Belasco who catches Hope in a few compromising positions and is ready and willing to offer his services to what will be a fascinating patient.
But the whole cast does well and Paramount did well by the box office with Nothing But The Truth. It holds up very well today and could even use a remake. I can see Steve Martin doing a modern version.
This is Hope's and Goddard's third and final comedy together. Similar to the musical NO, NO NANETTE it is the story of Hope who makes a bet he can say the truth for twenty-four hours. If he is successful, he wins a large sum of money that he has lost, given to him for safe keeping by Paulette.
In the attempt to get him to say the truth there are all sorts of situations and people who become involved with his escapades.
TRUTH is a wonderful screwball comedy, directed by Elliott Nugent, and the team of Hope and Goddard, fresh from CAT AND THE CANARY and THE GHOST BREAKERS, all big hits, once more brought the two stars together. They worked well together and were both by now reaching the top of their careers.
The story, however, didn't do much. Much too much the same thing about tricking Hope to say the truth. Some funny scenes where Hope, in drag, tries to sneak out of Goddard's state room on board the yacht they were guests. Some funny scenes between Hope and Willie Best, that wonderful black actor, fresh from their work together in GHOST BREAKERS, as Hope's sidekick.
Also in the cast are Edward Arnold and Leif Erickson.
This 1941 Paramount comedy is available on VHS.
In the attempt to get him to say the truth there are all sorts of situations and people who become involved with his escapades.
TRUTH is a wonderful screwball comedy, directed by Elliott Nugent, and the team of Hope and Goddard, fresh from CAT AND THE CANARY and THE GHOST BREAKERS, all big hits, once more brought the two stars together. They worked well together and were both by now reaching the top of their careers.
The story, however, didn't do much. Much too much the same thing about tricking Hope to say the truth. Some funny scenes where Hope, in drag, tries to sneak out of Goddard's state room on board the yacht they were guests. Some funny scenes between Hope and Willie Best, that wonderful black actor, fresh from their work together in GHOST BREAKERS, as Hope's sidekick.
Also in the cast are Edward Arnold and Leif Erickson.
This 1941 Paramount comedy is available on VHS.
Você sabia?
- CuriosidadesSamuel's comment about Roosevelt messing around with the holidays again is a reference to the president changing the official date when Thanksgiving is celebrated.
- Erros de gravaçãoA jump cut occurs where Bob Hope is having his clothes torn off, indicating some sloppy scissors work by an overly watchful film editor somewhere along the line.
- Citações
Gwen Saunders: [talking about Bob] Is anything the matter with him? Is he... peculiar? I mean he isn't married, is he?
Samuel: [doesn't look up from his fishing pole] No ma'am, he ain't that peculiar.
Gwen Saunders: Thank you, Sam! Hope you catch a whale!
- Cenas durante ou pós-créditosThe opening title card says: Miami Beach, Florida It's replaced by a second title card that says: Miami Beach, Florida ....Wall Street with cocoanuts.
- ConexõesFollowed by Et døgn uden løgn (1963)
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- How long is Nothing But the Truth?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Verdade Nua e Crua
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 30 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was A Verdade Acima de Tudo (1941) officially released in Canada in English?
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