Angústia

This film by underrated director John Brahm is one of the more interesting works of the 1940s (not one of the best, but different).

Laraine Day plays Nancy, about to marry and hiding some dark secrets in her past. She was excellent at this kind of thing. Gene Raymond (not the most charismatic of actors but surprisingly good here) plays her intended, with Brian Aherne as the psychiatrist who knows about her previous life.

In flashback we see Nancy and her husband (a young Robert Mitchum) and then into another flashback (daring to attempt this at the time when many films were still pursuing conventional structure).

'The Locket' of the title obviously holds the key to the mystery, and we have an absorbing time pulling all the loose ends together. Reginald Denny, Ricardo Cortez, and Ellen Corby decorate an accomplished cast.

I'm correcting a mistake in the previous post by Limsgirl of Massachussetts. That was NOT the mother of Olivia de Havilland and Joan Fontaine who played the cruel woman who gives Nancy (Laraine Day) the locket. That woman was actress KATHERINE EMERY who played many "evil" or mean women in supporting roles. Lilian Fontaine had a brief nondescript role as a wealthy woman and made no impression whatsoever--she never had a really good role on screen, appearing briefly in THE LOST WEEKEND (Jane Wyman's mother) and IVY (as Joan Fontaine's friend, Lady Flora). LET'S GIVE CREDIT WHERE IT'S DUE--and applause for Katherine Emery as the cruel woman who has an immense effect on Nancy's life.

The Locket (1946)

Well, when you have a post-war movie with Robert Mitchum at his young prime, you can't go wrong.

The star (or starlet, as they used to say) is actress Laraine Day playing Nancy, and she pulls off a charming, attentive, smart…perfect woman. A bride to be, in fact. The movie starts with people arrive to a high class wedding. Mitchum shows up via flashback (classic film noir stuff). In fact, there is a flashback within a flashback within a flashback (4 levels) and it's sort of fun.

There are some great lines like, "If you'e lucky you can afford to be nice." But some of the dialog, and maybe the plot overall, is a hair stiff at times.

Director John Brahm is not well known, but his "Hangover Square" the year before is really great. And this one shows a consistent sense of storytelling and drama with highs and lows if not always fully developed characters. The key character is Nancy, who uses her charm to win over the audience as well as the men around her in the plot. Day plays her role perfectly—swiveling sweetness against a just perceptible insincerity. She's a terrific liar.

Which brings me back to Mitchum, who is good but seems to be reading rehearsed lines too often. I think there was supposed to be chemistry between Day and Mitchum, but it wasn't there, even though they both look terribly good.

Though it has a noir-like flavor, this strikes me as a straight up melodrama overall, and with soaring music and lots of dramatic lighting there is no way to not get absorbed in it. There are some short but well done scenes of London during the war (bombs and blackouts).

A well done and lesser known good one. And a fun curiosity—the crazed music box music that denotes an uneven state of mind is the same as that used in the "Bad Seed."

Knowing that this is the movie with the famous "flashback within a flashback within a flashback" draws people in, but the device never comes across as forced or artificial, and it works.

Like a lot of other people, I think Leonard Maltin underrates this one. "The Locket" is fun and suspenseful, as all "did she or didn't she" stories are when they're told right. This is Laraine Day's finest hour, and Robert Mitchum is very good in a sympathetic role. They are ably supported by Brian Aherne and Gene Raymond.

It's nice to see so many of the wonderful old thrillers from the 40s enjoying a revival. So many little gems like "The Locket" come in at under 90 minutes; they benefit from tight writing, intriguing premises and neat plot twists. Like "Detour," "Phantom Lady," "Follow Me Quietly" and many others, "The Locket" does not disappoint.

This is the kind of movie you think about all day long, and maybe the day after, if you happen upon it at 3:00 a.m. on TCM.

I give full credit to this little treat for introducing me to the world of noir cinema when I happened to stumble onto it on AMC. (Oh, that AMC showed films of this caliber lately!) Laraine Day gives a beautifully understated performance, handling what would now perhaps be called a tragic case of posttraumatic stress disorder resulting in a life of twists and turns with truth, no scenery chewing. Brian Aherne strikes just the right clinical note as the sadder-but-wiser exhusband, and Robert Mitchum gives a memorable performance as the first (at least the first chronicled in this tale) man to fall victim to Nancy's fatal charms. As Norman, he certainly delivers a farewell present to Nancy's physician spouse, and by extension, to Nancy, that they won't soon forget. The denouement at the mansion while wedding guests await fair Nancy is gripping cinema. Watch for a great performance by the mother of Joan Fontaine and Olivia Dehaviland as the cruel woman responsible for Nancy's childhood trauma. Worth the while!