Um anúncio de classificados chama a atenção do editor de um jornal, Brian Kelly. Ele envia um repórter à procura de provas de um assassinato de um policial ocorrido 11 anos antes.Um anúncio de classificados chama a atenção do editor de um jornal, Brian Kelly. Ele envia um repórter à procura de provas de um assassinato de um policial ocorrido 11 anos antes.Um anúncio de classificados chama a atenção do editor de um jornal, Brian Kelly. Ele envia um repórter à procura de provas de um assassinato de um policial ocorrido 11 anos antes.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 2 indicações no total
- Helen Wiecek
- (as Joanne de Bergh)
- Taxicab Driver
- (não creditado)
- Warden of Stateville Prison
- (não creditado)
- Police Photographic Technician
- (não creditado)
- Jan Gruska
- (não creditado)
- Narrator
- (narração)
- (não creditado)
- Secretary
- (não creditado)
Avaliações em destaque
Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.
Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.
But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.
Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.
On orders from editor Lee J. Cobb, Stewart checks out the source behind a small personal advertisement in the Chicago Sun-Times where he works. The ad is placed by Richard Conte's mother who works as a cleaning woman and saved enough money to offer a reward of $5000.00 for information clearing her son.
Back during the last days of Prohibition, Conte and another man were sent up for killing a Chicago policeman in a grocery store that fronted for a speakeasy. Conte was convicted mainly on the eyewitness testimony of the owner of the establishment Betty Garde.
Stewart gradually comes to believe in Conte's innocence and works tirelessly on his behalf. The best single performance in this film is by Betty Garde. A real portrait in evil that one is.
This has always been a film I've had an identity with. I had a similar situation in my former job with NYS Crime Victims Board. I had a case where a man sustained multiple injuries including the loss of a leg when a car drove up on a sidewalk and hit him. The report was never written up as any kind of crime, just an accident. The driver was given a summons and that was that.
I did a lot of work to prove the police were wrong in their action and it took two years, but I gathered enough evidence and my claimant was declared a crime victim and received the benefits from my former agency. The perpetrator was never charged with anything, but that was not in my mandate. Nevertheless I know exactly what Jimmy Stewart had to prove and how hard it is. The police even more than most of us do not like to admit they are wrong.
Call Northside 777 is a nicely done documentary style feature which is a great lesson in what a man with determination can accomplish.
Eleven years later, the Chicago Times' editor Brian Kelly (Lee J. Cobb) is curious with an advertisement offering a US$ 5,000.00 reward for information about the identity of the killers of the policeman eleven years ago. He assigns the efficient reporter P.J. McNeal (James Stewart) to interview the person responsible for the ad. McNeal discovers that Frank's mother Tillie Wiecek (Kasia Orzazewski), who is a janitor, has saved her salary for eleven years to prove the innocence of her beloved son and now is offering the reward for additional information. McNeal is skeptical and believes that Frank is a cop killer, but his matter is successful and Kelly asks him to investigate further. Soon he changes his mind and realizes that Frank is a victim of the corrupt system.
"Call Northside 777" is an engaging movie about injustice and redemption based on a true story. The names were changed but most of the location is real. Movies of trial are usually attractive and James Stewart is one of the best actors of the cinema history. The result is a great movie directed by the also excellent Henry Hathaway. The only remark is the awful line of McNeal in the end of the movie: "Aw, look, Frank, it's a big thing when a sovereign state admits an error. But remember this: there aren't many governments in the world that would do it." Terrible way to admit an error that has cost eleven years of a man's life and made him lose his beloved wife and son. My vote is eight.
Title (Brazil): "Sublime Devoção" ("Sublime Devotion")
The based-on-a-true-story worked on me a little in this movie. With the matter of fact narration and the trusted face of Stewart, it becomes quite compelling. Stewart especially is the perfect guy for the role. His early cynicism is a great starting point. This is a compelling rip-from-the-headlines story led by a great actor.
Docudrama/thriller based on the actual facts about Joe Majczek and the Pulitzer Price winning reporter Jim McGuire who through a deep investigation , found enough evidence to have the case reopened . This is a thrilling picture , as you get completely absorbed in its vision , captivating every step of the way thanks to pacy filmmaking and awesome interpretations . Interesting as well as thought-provoking plot with an incident-filled script by Jerome Cady and Jay Dratler based on articles by James P. McGuire and Jack McPhaul . Very good acting by the great James Stewart as an obstinate journalist who slowly comes to realize that there was a miscarriage of justice . Secondary cast is frankly excellent such as Lee J Cobb , E. G. Marshall , Moroni Olsen , Charles Lane and Helen Walker as wife . First credited film role of John McIntire, who portrayed Sam Faxon and Thelma Ritter's role as the police captain's secretary was mostly deleted from the released print, but she can still briefly be seen and heard in one scene . And film debut of Kasia Orzazewski who portrayed Tillie Wiecek, mother of the second lead character of Frank W. Wiecek.
Evocative cinematography in black and white by Joseph MacDonald .This film was photographed in the State of Illinois using wherever possible, the actual locales associated with the story. "Call Northside 777 ¨ (1948) was actually the very first Hollywood produced feature film to be shot entirely on location in Chicago . Many famous landmarks, such as the Chicago Merchandise Mart, Holy Trinity Polish Mission, and the Wrigley Building on North Michigan Avenue, can be seen throughout the film. Emotive as well as atmospheric musical score by the classical Alfred Newman . The motion picture was stunningly directed by Henry Hathaway . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . Hathaway also directed Noir genre as ¨Kiss of Death¨, ¨The House on 92nd Street¨ , ¨Niagara¨, ¨23 Paces to Baker Street¨ , adventures as ¨The last safari¨ , ¨Prince valiant¨ , ¨White rose¨ , ¨White Witch Doctor¨ and other kind of genres .
Você sabia?
- CuriosidadesThe man administering the polygraph test to convict Richard Conte was the inventor of the polygraph or lie detector machine, Leonarde Keeler. He played himself in the movie.
- Erros de gravaçãoWhen McNeal is interviewing Helen Wiecek Rayska, prior to the arrival home of Mr. Rayska, Helen indicates that she only divorced Frank Wiecek AFTER Mr. Rayska had met and began loving her and her son, Frank Jr. However, when Mr. Rayska and Frank Jr. arrive home after that point in the interview, Mr. Rayska tells McNeal with certainty that he never even met Helen and Frank Jr. until after the divorce was finalized, and that he could provide proof of that.
Frank's ex-wife says that Frank asked her to divorce him for over a year. In the next sentence she says then she met her new husband which can be interpreted as after she finally acted and got the divorce. Her story and her new husband's agree.
- Citações
[McNeal is trying to get Zaleska to name his real partner in the crime and get a chance at parole]
P.J. McNeal: What have you got to lose? You're in for life now. C'mon, tell us the truth.
Tomek Zaleska: Sure, I could say I did it. Then maybe have a chance of getting out, like you say. But if I confessed, who would I name as my partner, Joe Doakes? I couldn't make it stick for one minute. That's the trouble with being innocent. You don't know what really happened. I didn't do it. Me and Frank had nothin' to do with it.
- Cenas durante ou pós-créditosOpening credits are printed on the pages of a book; it is also stated that this is a true story.
- ConexõesEdited from Na Velha Chicago (1938)
- Trilhas sonorasChicago (That Toddlin' Town)
(1922) (uncredited)
Music by Fred Fisher
Played during the Prohibition montage
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Call Northside 777
- Locações de filme
- Stateville Correctional Center - 16830 South Broadway Street, Joliet, Illinois, EUA(Illinois State Penitentiary: panopticon & cells interiors; entrance exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 52 minutos
- Cor
- Proporção
- 1.33 : 1