A Máscara Verde

Charlie Chan, played by the inimitable Sidney Toler, plays cat and mouse with a murderer. At a spooky mansion, light and shadows, combined with dreary music and an effective script, create a suitably mysterious atmosphere. The screen story also contains considerable humor.

The acting is generally wooden, except for the performance of the wonderful Mantan Moreland. The film's editing and production values are weak. At one point you can see the shadow of the crew's microphone. But then, Charlie Chan movies, in general, are not known for their high technical quality.

I was disappointed with the solution to the mystery, and that's my main complaint with this film. Still, watching "The Jade Mask" is not a bad way to spend a rainy Sunday afternoon, if your expectations are not too high.

This film suffers from a cheapness and lack of decent plotting. Its still worth seeing, especially if you have other films to watch as well.

Concerning the death of yet another inventor Charlie Chan runs around and a round the same three or four sets in what at times amounts to little more than a filmed stage play. Its not bad, just needlessly circular and confused, with a denouncement that seems to indicate that the writers were drinking heavily.

This isn't to say that it's a bad film, its not. Despite my opening remark, this is a film that is frustrating more than anything, especially since the film should work better than it does, but it was undermined by the round about nature forced upon it by cost and script.

6 out of 10.

"The Jade Mask" was made in 1945 and, as was often the case during the war years Charlie Chan movies, there's a McGuffin, some formula or process that will help the war effort. Here, the nutty inventor is paranoid about security so no one in his household knows anything. When he's killed, Chan is brought in, his number four son (Edwin Luke) dragging along behind him.

This film moves slowly, but is brightened by some good dialogue from Sidney Toler and Mantan Moreland, who was always a riot. I know his is a stereotyped character in a way, but in another way, it isn't, as he is treated as an equal by Chan. Frankly without Moreland, a good many of these films would be very boring.

A scientist who no one can stand is experimenting with gasses. He is killed and because the formulae for a certain type of gas is important, Charlie Chan is sent to the case. Later, he is joined by Number Four Son and Birmingham Jones, who were unable to find a hotel room. Since everyone in the house hated the professor, there is little cooperation when it comes to investigating. There are three women who move almost mechanically. When one goes up the steps, the other two follow and so on. Soon there are more murders. The house is filled with secret passages and protected areas. The problem is that many of these passageways are only known to the deceased. I liked that Mantan Moreland was treated with greater respect in this film instead of the usual treatment as a buffoon.

Eccentric and rich scientist Frank Reicher is working on a poison gas formula and he's got the usual collection of servants, relatives, and colleagues in his mansion. That mansion also contains a room where Reicher does his work, keeps his secrets, and can only be opened or closed with a voice command. Should someone not authorized get in, good chance they'll trip a trap that will lock them in and kill them with poison gas.

Despite all this security Reicher winds up murdered and in a most exotic way. Before this Charlie Chan film is concluded four more victims will die. And they'll die in the same exotic way most of them. The method I won't reveal because it's way too good.

Sidney Toler plays the all wise Charlie Chan in this and despite help from number 4 son Edward Luke and Mantan Moreland, Toler solves the case. As for the title, where Jade comes in I don't know, but life masks are an integral part of the case allowing the murderer to whatever evil is planned.

For a Monogram Picture,The Jade Mask wasn't too bad and Charlie is at the top of his game.